Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label restoration. Show all posts
Showing posts with label restoration. Show all posts

Wednesday, 1 July 2020

The wheels on the bus go round and round - Painting the London Bus at the Sydney Bus Museum

Today's painting on the deck gallery is another canvas painted at the Bus Museum in September 2017.
Plein air oil painting of the vintage red London 'AEC Routemaster' doubledecker bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS 7 London bus' 2017
oil on canvas 51 x 25.5cm
Available
























The London bus is having its wheels checked.
Plein air oil painting of the vintage red London 'AEC Routemaster' doubledecker bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
On the easel at Sydney Bus Museum
BUS 7 London bus' 2017
oil on canvas 51 x 25.5cm
Available
























After World War II, London Transport bought over 6,000 double deckers, all built to a standardized design, mostly the AEC Regent III RT type, similar to the pre-war AEC buses.
The first prototype, known as the AEC Routemaster, was completed in September 1954 and the last one was delivered in 1968.
The first Routemasters entered service with London Transport in February 1956 and the last withdrawn from regular service in December 2005, although one heritage route still operates in central London. The Routemaster outlasted several of its replacements in London, and even survived the privatization of the London Transport bus operators .
Plein air oil painting of the vintage red London 'AEC Routemaster' doubledecker bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS 7A  Study for London Bus,
Sydney Bus Museum
2019 oil on canvas 23 x 13cm
Available
BUS 7 London bus' 2017
oil on canvas 51 x 25.5cm
Available
In front of my patient model
at Sydney Bus Mu
seum



























The Routemaster had a pioneering design using lightweight aluminium and techniques developed in aircraft production during World War II. It also introduced innovative design features such as independent front suspension, power steering, a fully automatic gearbox and power-hydraulic braking, for the first time ever on a bus. Drivers found the Routemaster surprisingly light and nimble compared with earlier designs.
One of their main advantages was that the body could be lifted off the chassis during overhaul.The London fleet contained more bodies than chassis, as overhauling the body took longer than the chassis. A bus could go in for overhaul in the morning, and come out that afternoon with a different body.
In 2006, the Routemaster was voted one of Britain's top 10 design icons which included Concorde, Mini, London tube map, World Wide Web and the K2 telephone box.

Plein air oil painting of the vintage red London 'AEC Routemaster' doubledecker bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS 7A  Study for London Bus,
Sydney Bus Museum
2019 oil on canvas 23 x 13cm

This was my first much smaller study of the London bus
The Museum's bus, AEC RT - 3708, was registered NLE-815, and started life in May 1953 with a 'green' Weymann 8545 body, the most common type.
I don't know what it is about the colour, but I can't imagine a London bus in any other colour than red. Must make it go faster!
It had 3 overhauls during its London Transport career - in 1956, 1961, and it didn't get fitted with the iconic 'red' body until its final overhaul in 1965.
It ended its days at Southall garage, then was sold in March 1977, imported to Australia in 1984 and purchased by the Museum in 1989.
Plein air oil painting of the vintage red London 'AEC Routemaster' doubledecker bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS 7 London bus' 2017
oil on canvas 51 x 25.5cm

All information is courtesy of the experts of the Sydney Bus Museum

Related posts


Monday, 22 June 2020

The Manly bus, Sydney Bus Museum

Today on the easel of my isolation deck gallery I'm showing another from my collection of paintings created in the Sydney Bus Museum.

Plein air oil painting of restoration of heritage Manly bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS3 'Bob restoring the 1926 'White' 2017
 oil on canvas 51 x 76cm
Available
















This was actually the first painting I started of the Sydney Bus Museum on my first visit in 2017, although it took me several visits to complete it.

Plein air oil painting of restoration of heritage Manly bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS3 'Bob restoring the 1926 'White' 2017
 oil on canvas 51 x 76cm
Available















It shows one of their most exciting restoration projects - the old 144 Manly bus, the 1926 'White', the first Government bus in NSW.

Plein air oil painting of restoration of heritage Manly bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS3 'Bob restoring the 1926 'White' 2017
 oil on canvas 51 x 76cm
Available
 
At that time, my family lived above their shop "Coopers" in the Corso, and my mum remembers catching this bus when she was very young. So when I saw this bus, it felt like a long lost family member!

Plein air oil painting of restoration of heritage Manly bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS3 'Bob restoring the 1926 'White' 2017
 oil on canvas 51 x 76cm
Available

The recently rebuilt drivers seat that was refurbished with a 2016 Transport Heritage NSW grant funding, has been trial fitted to the bus.
The original seat had unfortunately become rotten, so needed to be remade by the Bendigo Tramway workshops who were able to reuse the original base.

Plein air oil painting of restoration of heritage Manly bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS3 'Bob restoring the 1926 'White' 2017
 oil on canvas 51 x 76cm
Available

Robert Kendall is the master craftsman repairing the White's wooden skeleton with consummate skill.
He didn't realize it, but I was doing a sneaky portrait of him as he was so absorbed in his work!

Plein air oil painting of restoration of heritage Manly bus at the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS3 'Bob restoring the 1926 'White' 2017
 oil on canvas 51 x 76cm
Available

See more of my bus paintings

Sydney Bus Museum - painting Daimler doubledecker

Friday, 19 June 2020

Sydney Bus Museum - painting Daimler doubledecker

Today's painting on the deck gallery is a portrait of MTT Daimler CGV6 112 at the Sydney Bus Museum in Leichhardt. It has been under restoration to operating condition since 2016.

Oil painting of doubledecker bus in the Sydney Bus Museum by industrial heritage artist Jane Bennett

BUS11 Restoration of Daimler doubledecker

2017 oil on canvas 61 x 31cm














It's had a rough life.

It was one of 15 Daimler doubledecker chassis ordered for use in Sydney. However they were rejected because their 4.95m chassis didn't meet the required specifications of 5,33m. 
Then they were sold to the Metropolitan Transport Service, Adelaide. The 54 seat bodies were then built in Granville, and driven overland to Adelaide.

Oil painting of doubledecker bus in the Sydney Bus Museum by industrial heritage artist Jane Bennett

BUS11 Restoration of Daimler doubledecker

2017 oil on canvas 61 x 31cm




After being in service in Adelaide until 1960, no 112 was sold to a cattle station in the Coober Pedy area of South Australia.

In 1990 it was recovered for preservation - and driven over 1,000 miles back to Sydney!

It might have been too small, but it's tough!

Oil painting of doubledecker bus in the Sydney Bus Museum by industrial heritage artist Jane Bennett

BUS11 Restoration of Daimler doubledecker

2017 oil on canvas 61 x 31cm

I painted this on site in the Bus Museum at Leichhardt, and some of the volunteers are in the background.

Oil painting of doubledecker bus in the Sydney Bus Museum by industrial heritage artist Jane Bennett

BUS11 Restoration of Daimler doubledecker

2017 oil on canvas 61 x 31cm

  











Oil painting of doubledecker bus in the Sydney Bus Museum by industrial heritage artist Jane Bennett
BUS11 Restoration of Daimler doubledecker
2017 oil on canvas 61 x 31cm


See more of my bus paintings























Sunday, 8 April 2018

Terminus Redux

I have mixed feelings about the renovation of the Terminus.
Although it's been restored,not demolished or replaced by apartment blocks as so often happens, it has been stripped of its poetry.
Plein air ink and charcoal painting of the renovation and redevelopment of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
P286A 'Terminus Redux'
2017-8 ink, charcoal on paper 131 x 106cm
Enquiries :
janecooperbennett@gmail.com
I painted a large mixed media work on paper, as well as an even larger oil on canvas, just before the iconic vines were removed. The awning had been stripped back to a fragile skeleton, but the bricks had yet to be sand-blasted.
However well a place is renovated, inevitably there must be compromises between keeping the original character and making it a viable business.
No expense was spared on the fitout.The designers and architects have done their best to restore the old pub building while retaining quite a lot of the original pub from tiles to timber. The pressed metal ceiling upstairs is a sympathetic replacement not the original, which was too badly damaged.
Plein air oil painting of the renovation and redevelopment of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
P286 'Terminus Redux'
2017-8 oil on canvas 122 x 183cm

I miss the vine-covered facade. It had probably been planted early in the 20th century by a CSR employee, as the same species of Virginia creeper covered the manager's residence and the courtyard of the 'Rum Store'.
Recently I attended the launch of Shirley Fitzgerald's wonderful book on the history of the Terminus. I was honoured that Shirley had asked me to contribute a photo of one of my paintings of the Terminus facing opposite its longtime companion and rival, the Pyrmont Point Hotel (aka the Royal Pacific).
Plein air oil painting of the Point Hotel and the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
P252 'The Terminus and the Point'
2011 oil on canvas 31 x 61cm
Private Collection : Sydney
Enquiries :
janecooperbennett@gmail.com
When I went upstairs, I almost walked into one of the walls, not from one too many cocktails, but because I'd expected the hall that once led through to the building next door. I believe this passageway had to be closed off due to updated fire regulations.
A typical pub menu, priced rather steeply, cashes in on the hipster ambience from the 32 years that the Terminus spent as an icon of urban decay.
As a contrast, when I'd visited the Terminus prior to its closure in the early 1980s, they were giving out free food. Possibly this had contributed to its original decline and fall.
The new owners aren't making that mistake, quite the opposite.
Ironically despite having kept the ghost sign outside, no Resch's is on tap.
For more information about the Terminus and Pyrmont Point Hotels

Saturday, 26 August 2017

Revenant

plein air oil painting of heritage carriage inside the Large Erecting Shop, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Starting painting of'703 HFA' 2017
oil on canvas 122 x 91cm

Revenant : an animated ghost or zombie believed to have revived to haunt the living.
Derived from the Latin word reveniens, "returning" 
The 703 HFA has been languishing up on stumps awaiting a restoration to past glory that will probably never happen.
This heritage wooden carriage was severely damaged in a tragic accident at Cowan on 6th May 1990, and has been sitting forlornly at the eastern end of the Large Erecting Shop in the Eveleigh Railway Workshops ever since. 
plein air oil painting of heritage carriage inside the Large Erecting Shop, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Starting painting of'703 HFA' 2017

oil on canvas 122 x 91cm
Available

When the steam locomotive 3801 was returning from the Morpeth Jazz Festival, it  struggled to climb the steep Cowan Bank, then stopped.
To assist gripping, sand was then applied to the track, but unfortunately this caused the signals to malfunction.
The signals apparently changed from red to green several times. After the signals had been green for a few moments, giving a false indication that the track was clear ahead, a CityRail Interurban passenger service entered the tunnel behind 3801 and crashed into the back of 3801's train. 
6 people lost their lives, including the driver of the intercity electric, and a passenger in the V Set's cab. An investigation into the crash suggested the handbrake in one of the carriages may also have been applied. 
plein air oil painting of heritage carriage inside the Large Erecting Shop, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
'703 HFA' 2017 oil on canvas 122 x 91cm

There have been sporadic episodes of restoration over the past 27 years, which were curtailed due to lack of funds, manpower or commitment. 
A restored carriage would be a symbolic triumph over the past tragedy, but this would be a difficult and expensive task.
The dented frame of the carriage has severe structural problems and the wheels in front of the carriage have ‘sharp flanges’ - extremely worn edges which are the railway equivalent of a car having bald tyres. 
The 703HFA continues to haunt the shed, more a revenant than a phoenix.
The transformation of the Large Erecting Shop into a running shed means that it has an uncertain future. 
More paintings of Eveleigh Railway Workshops