Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label White Bay Hotel. Show all posts
Showing posts with label White Bay Hotel. Show all posts

Wednesday, 22 January 2014

The Boiling Frog

plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
 WJF1 'Door of the 'Jolly Frog' 
2013 oil on canvas 15 x 15cm
Enquiries
                      
The "Jolly Frog", was "mysteriously" burnt down at about 10pm on the 20th January.
A popular local watering hole, it had been derelict for several years.
Its lurid fluoro pink paint job was the first visible landmark after crossing the bridge into Windsor.
Now it's gone up in smoke.
A few months before, I painted some small studies from a small road opposite the "Frog"  I also painted a few small studies from my car behind the pub, where there was a wasteland used as a carpark.
The "Jolly Frog" certainly had the atmosphere of an accident waiting to happen. it reminded me of  the former White Bay Hotel, which a couple of years ago had suffered a similar fate.
plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
 WJF3 'Study of the 'Jolly Frog' 
2013 oil on canvas 18 x 13cm
Enquiries                       
plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
WJF2 'Sign of the 'Jolly Frog' 
2013 oil on canvas 18 x 13cm
Private Collection : Winmalee
Enquiries
              
This trio of tiny oil studies have a slightly "Edward Hopper" air about them; never a bad thing to have.
Closed shutters, boarded up doors and a disquieting mystery inside.
In my next post about painting the 'Jolly Frog' I have some 'before and after' paintings.

Monday, 8 October 2012

Tower of Power- Drawings of the White Bay Power Station

White Bay, an often overlooked part of Sydney's industrial and maritime heritage will soon be radically overhauled.
ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'White Bay Power Station' 2012
ink gouache on paper 30 x 21cm

FINALIST : 2012 KEDUMBA DRAWING PRIZE




















Enquiries

I have painted many of its current and former landmarks, including the Unilever site, the White Bay Power Station and the notorious White Bay Hotel, (which was 'mysteriously' burnt down) ever since they were all operational in the late 70s - early 80s.

ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'Chimneys of the White Bay Power Station 2' 2012
ink gouache on paper 30 x 21cm
FINALIST : 2012 KEDUMBA DRAWING PRIZE
Enquiries
This is a group of 4 small ink wash and gouache drawings on paper, which I have decided to enter in the 2012 Kedumba Invitational Drawing Prize.
ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'Coal Loader White Bay Power Station' 2012
ink gouache on paper 30 x 21cm

FINALIST : 2012 KEDUMBA DRAWING PRIZE





















It seems a strange distortion of scale to create such small works in response to such a slumbering beast as the gigantic Power Station. Usually I paint an enormous canvas to try to capture its heroic proportions.
However there are so many exquisite details which can get lost in a larger composition that I was glad of the opportunity to focus on them. Every inch of this rusting monster is worthy of a painting, so that it is difficult to choose.
ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'Coal Loader and Chimney White Bay Power Station'
 2012 ink gouache on paper 30 x 21cm
FINALIST : 2012 KEDUMBA DRAWING PRIZE


And I will have to choose quickly.
Now the White Bay Transit Shed has been partially demolished and the site re-developed as the controversial new Cruise ship terminal.
Glebe Island wharf, once used for offloading cars, has been eerily empty since the departure of ex-HMAS Adelaide to its watery grave off North Avoca in 2011.
A temporary exhibition venue will soon be built on this space to replace the Darling Harbour complex while it is being refurbished.
A road will soon be built on the empty site where the "Great Gatsby" had been filmed last year, to link all these new developments to civilization.
oil painting on canvas of White Bay Power Station, Rozelle by artist Jane Bennett
"White Bay Power Station after rain"
2012 oil on canvas 183 x 112cm
Sold 
PRIVATE COLLECTION : SYDNEY

So I feel that the days of the White Bay Power Station as a hulking urban ghost are numbered. 
One day the sleeping giant will wake.... 
To what sort of future? 
Update

Friday, 10 February 2012

Both sides of the street - My new exhibition "St Vincent's -In the Art of Darlinghurst"

Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com

exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com

exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com
exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com


exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com


exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com

exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com
In this exhibition I have hung 16 paintings of Victoria Street.
As the Xavier Art Space is a long corridor, I decided to add another 16 or so paintings of other inner city streetscapes.
Most of these other paintings whether of Pyrmont, White Bay, Surry Hills, Darlinghurst or Waterloo seem to be of pubs or former pubs. Derelict pubs like the Terminus, recently closed pubs like the Hopetoun, pubs that were burnt down in the dead of night under mysterious circumstances like the White Bay Hotel, or pubs that had a narrow escape from these fates and are enjoying a precarious Renaissance like the Iron Duke. There are also 2 paintings of the half-demolished Carleton United Brewery.
A minor irony was that Dr Robert Graham, who had kindly agreed to open my exhibition, was the head of Drug and Alcohol Treatment. Another minor irony is that I am (and have always been) a teetotaller.

exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com

exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com

exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com


exhibition of plein air oil paintings of Sydney by industrial artist Jane Bennett
Hanging my exhibition St Vincent's -In the Art of Darlinghurst
Enquiries about these paintings:
janecooperbennett@gmail.com

All of the paintings in this exhibition were painted "en plein air". Most of the art of other plein air painters concentrates on the natural environment and seems to be painted in a field or a wood. I prefer to paint inner city urban landscapes and all my art that hasn't been painted on a wharf, a ship or a demolition site, is painted by the side of the road.
"By the side of the road " is the common idiom, however this road was actually a street. "On the road" sounds almost romantic, evoking the ghost of Jack Keroac, whereas "on the street" has an air of desperation. I am often "on the road" when I paint - my car is a mobile studio with a fold-up table and chair and a French box easel in the boot at all times. I am not a "street" artist in the sense of a graffiti artist such as "Banksy", as I take my paintings home when I have finished painting them, although I bet that I spend a lot more time actually painting in the street. According to one definition Street Art  is traditionally unsanctioned  as opposed to a government funded initiatives . The artist attempts to have their work communicate with everyday people about socially relevant themes by placing their work in non-art contexts. In that sense, my art is definitely "street".

Many years ago a witless journalist stunned me into silence during a radio interview. After hearing a description of how I explored Sydney's urban landscapes outdoors instead of painting in my studio from photos, he turned the interview into farce by describing my art as  "streetwalking".
English can be a dangerous language full of traps for the unwary.
The word "street" I discovered has some odd quirks of meaning aside from its obvious use as a word for a paved thouroughfare. Some of these carry a lot of pejorative nuances.

Definitions of "Street"
  1.  a situation offering opportunities ("He worked both sides of the street")
  2.  as a depressed environment in which there is poverty and crime and prostitution and dereliction ("She tried to keep her children off the street")
  3. The people who spend a great deal of time on the street in urban areas, especially the young, the poor, the unemployed, and those engaged in illegal activities.
  4. (slang) Street talk or slang. 
  5. (figuratively) a large amount ("He's streets ahead of his sister in all the subjects in school.")
  6. (poker slang) Each of the 3 opportunities that players have to bet, after the flop, turn and river.
  7. Illicit, contraband, especially of a drug:e.g. "street drugs". 
  8. not in prison, or released from prison. ("He's on the street again after leaving Long Bay jail")
  9. Without a home; without the means to afford good shelter.
  10. without a job or occupation; idle.

The term "street" is used with the preposition "in". Something is "in" the street, but "in" or "on" the road. To be "on the street" means to be living an insecure life, often one associated with homelessness or crime. To "hear something on the street" means to learn about something through rumor.
In the Middle Ages, a road or way was merely a direction in which people rode or went, the name street was always reserved for the built road.
The "Man in the street" meaning the ordinary non-expert person, is first recorded in 1831. Street-car is first recorded 1862. Street-walker "common prostitute" first recorded 1590s. Street people is first recorded 1967; street smarts is from 1972; and street-credibility is from 1979.

  The good and bad points of the urban environment are captured by the many meanings of the term "street" . It carries a feeling of fast-paced opportunity, reality and authenticity - but also uncertainty, edginess, decay and even a whiff of danger.

All the photos in this post were kindly taken by Frances Keevil, Director of the Frances Keevil Gallery, who also did most of the work hanging my show
Update

The redoubtable flaneur and photographer Julie of "Sydney Eye" took some great photos at the opening of my exhibition which can be seen at "The poof factor"

Tuesday, 5 July 2011

Artist in Residence at the White Bay Power Station

Plein air oil painting of the back of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new canvas on the site of the
now demolished Boiler House 2,
White Bay Power Station, Rozelle, Sydney, NSW



















Back in the 1980's, I painted the White Bay Power Station while it was still operational.
In the 1990's, while the Pyrmont Power Station and Balmain Power Station were in the process of being demolished, I returned to the area to paint the Unilever site, the White Bay Hotel and the Goods Yard. While the Anzac Bridge was being constructed, I painted birds-eye views of the site from the summit of the western pylon. In 2000, the ownership of the site passed from Pacific Power to the Sydney Harbour Foreshore Authority (SHFA). From 2002 - 2004 I painted exterior views of the Boiler House and monumental interiors of the Turbine Hall, one of which was acquired by the Mitchell Library, State Library of N.S.W. for their collection.
From 2008 I have been painting this magnificent relic from the wharves of Glebe Island and White Bay.
Now I've returned to the site itself as 'Artist in Residence'.
Plein air oil painting of the back of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new canvas on the site of the
now demolished Boiler House 2,
White Bay Power Station, Rozelle, Sydney, NSW

The bright red belongs to some containers which are full of debris from some of SHFA's other sites. Bizarrely, one of these containers has been decorated with paintings of butterflies.

Plein air oil painting of the back of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new canvas on the site of the
now demolished Boiler House 2,
White Bay Power Station, Rozelle, Sydney, NSW



















This canvas was painted close to the railway corridor next to the old ash handling yard to the south east of the site.
I have chosen to explore the slightly less glamorous aspect of the site as the first paintings of my long awaited return to the site, rather than the all too familiar view from Mullens Street.
Every half baked photographer and his dog has an image or two of the iconic chimney stacks from the northern Balmain side. This is scarcely a challenge - far too easy. I know this building very well, inside and out, and have painted it and the surrounding area over the past 3 decades.
My paintings show the White Bay Power Station's subtler charms.
Plein air oil painting of the back of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new canvas on the site of the
now demolished Boiler House 2,
White Bay Power Station, Rozelle, Sydney, NSW























In the foreground is the space where the 2nd Boiler House, built on the southern side in 1927, and demolished from 1975-1976.
Now this space is used for leftover debris from the clearing of Ballast Point, a former Caltex fuel depot, now a public park. I remember painting some of these relics on location at Ballast Point before its transformation in 2004-5.

Plein air oil painting of the back of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new canvas on the site of the
now demolished Boiler House 2,
White Bay Power Station, Rozelle, Sydney, NSW


The imposing facade, even from the back has a stern grandeur and dignity found in castles and forts.
The dramatic shadow cast by this monolith is occasionally broken by glints of sunlight that touch weeds now infesting the vacant upper south yard, once home to the White Bay Hotel which finally succumbed to a mysterious fire in 2009.




Plein air oil painting of the back of the White Bay Power Station by industrial heritage artist Jane Bennett

"White Bay Power Station from the back 1" 2011
oil on canvas 46 x 61cm
Available for sale






Plein air oil painting of the back of the White Bay Power Station by industrial heritage artist Jane Bennett
"White Bay Power Station from the back 2" 2011
oil on canvas 46 x 61cm
Available for sale







































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