In the pink -the former Pyrmont Arms Hotel, Harris Street Pyrmont

The former pub 'The Pyrmont Arms' was at 42-44 Harris Street, Pyrmont on the corner of Harris and Bowman Streets.
Built in the 1870s,it closed in the early 1990s when the CSR refinery and distillery were progressively shut down and demolished to make way for the Jackson's landing development. Since then, it has been renovated as retail outlets, restaurants and home units.

P248 The 'Pyrmont Arms' from the CSR 1

1990 oil on canvas 31 x 31cm

Available

I first painted the Pyrmont Arms Hotel as a bird's eye view from the roof of the CSR refinery.I had been the 'Artist in Residence' at the CSR Refinery from the late 1980s to the start of its demolition in the mid 1990s. I had previously been painting at the top of the Panhouse, but one day in a fit of bravery I decided to paint from the top of the Boilerhouse next to the chimneys.
The CSR boilerhouse is now the site of the 'Elizabeth' apartment block of the Jackson's Landing LendLease development.
The Pyrmont Arms Hotel was then still an operating pub and was painted a grubby faded pale pinkish beige. On the back of the pub's western side facing the Scott Street squats, there was a huge ad for 'Have a cold gold KB', unfortunately not visible from my rooftop studio. Across the road was the brick facade of the CSR chem labs.
It didn't stand out from the rest of the rather dingy terraces at the 'Land's End' of Harris street, but what caught my eye was the contrast between the terraces and the overgrown area around the squats that was rapidly turning into a wilderness. I painted a small square canvas focussing on just the Pyrmont Arms, and resolved one day to paint a panorama of the northern end of Harris Street from this vantage point.

P249 'Pyrmont panorama- from the CSR '

1991 oil on canvas 46 x 92cm

Available

A few months later, I climbed the many levels of revolting, sugar syrup encrusted stairs to the top of the CSR boilerhouse again, to paint this panorama, and was startled to find that the formerly almost unnoticeable pub had succumbed to a brash attempt at 'renovation'.
Weirdly, it shared the same revolting shade of pink with another dying pub at the other end of Pyrmont, the 'New York Hotel' in Edward Street, opposite the Pyrmont Power Station.
This fluoro paint job was such a product of its time that it defined the late 1980s to 1990s, a period without style or taste. I remember leggings and jumpers in that same fabulously horrid "glow in the dark" colour, possibly an over-reaction against the ochres and browns of the 1970s. In architecture, it was known not very fondly as "Paddington Pink" or "Paddo pink" for short, although the examples in Paddington itself were much more muted.

P248B 'The 'Pyrmont Arms' from the CSR 2'

1991 oil on canvas 31 x 31cm

Available

It made the Pyrmont Arms stick out like a sore thumb from the dingy red brick warehouses and bond stores, and not in a good way.
I don't know if it was still an operating pub then or whether the new paint job was a desperate last ditch attempt to attract customers or preparation for its sale and possible redevelopment.
For the truth was that the pubs of Pyrmont were hanging by a thread. Their customers were gone with the destruction or relocation of the local industries that had employed them, and the industries of Pyrmont's future were yet to replace them.
The CSR Refinery and Distillery, which had replaced the sandstone quarrymen of northern Pyrmont a century before, was almost deserted and would be demolished and replaced with Jackson's Landing by the middle of the decade. But there was a strange interregnum before the new apartments were built and filled with inhabitants, and the northern end of Harris Street was a ghost town.
The iconic Terminus Hotel, only 2 blocks further up Harris Street, had already ceased trading a decade before, and stood abandoned, neglected and a constant source of speculation for the next 30 years, before its very recent renovation. How the 'Royal Pacific', later to be rechristened the 'Pyrmont Point'/ 'Point Hotel', ever kept on trading is a much bigger mystery that any of the urban myths swirling around the 30 year vacancy of the Terminus.
What is it with the lurid colour schemes inflicted on moribund pubs?
Far from Pyrmont, another doomed hotel, the 'Jolly Frog' also got the pink treatment not long before it suffered one of those mysterious fires that afflict abandoned buildings.
They must have used the same colourblind painter and decorator. And he must have got the paint at a huge discount, or it might have 'fallen off the back of a truck'.
Either way, it didn't work. All closed as pubs not long after.

P248C '42 Harris st -ex Pyrmont Arms'

2012 oil on canvas 31 x 31cm

Available

The 'New York Hotel' has been painted a tasteful off-white, and is now a medical centre, of all things!
'The Pyrmont Arms' has now been painted a dull blue on the ground floor and a muted yellow for the upper floors. It is no longer a hotel, but has been reasonably sympathetically renovated and is now a combination of apartments above and a bottle-o below.

And the Jolly Frog, 6 years after its devastating fire, is still awaiting redevelopment.

Related Posts

Paintings of Pink Pubs

The Boiling Frog

My page of Pyrmont Paintings

A Tale of 2 Pyrmont Hotels - The Terminus and the Point

To the Point

Pretty Vacant

Terminus Redux

Black cat of Union Square

Are black cats lucky?

People seem to be equally divided into those who think its lucky to have a black cat cross their path, and those who think it's very unlucky.

I feel this cat was a lucky omen for this particular nook of Pyrmont.

Union Square, in contrast to many other parts of Pyrmont, had kept much of its original character. Unlike many other inner city neighbourhoods, this one has so far dodged the relentless rollout of Westconnex and other highways and tollways that has blitzed several other nearby suburbs on the fringe of the city.

In 2009, the NSW Government's proposal for a Metro entrance in the charming historical precinct of Union Square had threatened to obliterate one of the last remaining vestiges of Pyrmont's heritage. But times and governments change, and the whole project was cancelled in 2010. The vaguely Parisian atmosphere of Union Square remains a charming contrast to the bloated pomposity of the Star Casino only a block away. 

P277 Union Square Terraces + Paternoster Row

2011 oil on canvas  31 x 103cm

Available

One of the many joys of plein air painting is that the time that I have to spend looking at my subject reveals tiny details lost to a more casual observer.

On the corner of Union st and Paternoster Row there is a faded and clumsily drawn painting of an almost headless black cat, which goes mostly unnoticed by the passing cyclists. It fascinates me that this cryptic little fragment has somehow escaped being scraped off or obliterated with a schmick new paint job.

It was painted by an eccentric street artist Bruno Dutot some time between about 1989 and 1991 before the arrival of a more strident fashion in graffiti from New York a few years later.

P277 Detail of cat painted on wall-
Union Square Terraces + Paternoster Row
2011  oil on canvas  31 x 103cm
Available

This fragment of a cat once had a very soigne companion, painted in a style reminiscent of Erte, but in an endearingly amateur fashion. She was a slender, highly stylized and stylish woman called rather weirdly, "Oucha", and versions of this image cropped up all over the inner city in her heyday of the late 1980s - 1990s.

I remember passing her strangely elongated image on the corner of Union Square and Paternoster Row, back in the days when Union Square had two-way traffic and was a shortcut to the Fishmarkets and Glebe.

P274 Union Square Terraces 4 -
a little piece of Paris in Pyrmont
 2010 oil on canvas  31 x 61cm
Available

The painting above shows Union Square from Paternoster Row down to Pyrmont Street. It was painted in 2010, just before the cancellation of the Metro plans had been made public.

Back then, the chimneys of the Pyrmont Power Station loomed over the terraces of Union Square instead of the equally monolithic Casino. The 'Harlequin Inn' which can be seen to the right of this canvas, on the corner of Union Square and Harris Street, was then the more down at heel 'Duke of Wellington' and boasted a huge and incongruous cartwheel as a wall feature. The two way road has been transformed into a one way lane with a large pedestrian area circling the "Angel of Union Square", with seating and odd sandstone 'mushrooms' (actually part of the balustrade salvaged long ago from the now pedestrianized Pyrmont Bridge) But, essentially, very little has changed in Union Square since the 1980s.

P242 Pyrmont Post Office
1993 oil on canvas 75 x 100cm
Available

The painting above was painted in the early 1990s from the other end of Union Square, and shows the intersection of Union Square and Miller Street as a two-way street before it became a plaza. The "Angel of Union Square" is in the centre and behind her is the Commonwealth Bank painted a particularly horrid shade of "Paddington Pink". On the extreme right is a corner of the "Duke of Wellington" Hotel, and on the right is the golden sandstone archway of the Walter Liberty Vernon designed Pyrmont Post Office.

The last example of "Oucha" that I know of, can still be seen on a corner of Edgecliff road on the left hand side travelling from the city towards Edgecliff. She is occasionally repainted, possibly even by the original artist, and sometimes decorated with glitter.

She and her cat are relics of a less worldly age.

The wall above the cat has an obvious tidemark where "Oucha" has been painted over with more enthusiasm than skill and it remains distinctly two-toned.

P276 Angel of Union Square
2010 oil on wood 23 x 12cm
Available

The lovely First World War monument known locally as the "Angel of Union Square" seems to have had a protective effect over her square, acting as a shield against marauding developers.

But I like to think of the little faded and forgotten black cat as her mascot.

See more paintings of Union Square at the Pyrmont page in my blog

Related Posts

Painting Pyrmont - Sydney Living Museums

Recently sold paintings - Pyrmont paintings at Workplace 6

Pyrmont sandstone - The Lizards of Oz

We like sheep

Wrong side of the tracks

To the Point

The Milky bar kid - old milkbar 74 Harris Street

Today's painting on the easel of my deck gallery is a 2009 plein air oil painting of a derelict abandoned old shop in Pyrmont, fondly, but wrongly known as the "old bakery".

P257A 'Old milkbar aka 'bakery'
corner of John and Harris St'
2009 oil on canvas 51 x 61cm
Available

As far as I can remember the actual bakery was a few doors down and the corner shop was a milkbar, but we're talking at least 3 decades ago.

My standout memory of it when it was in its last days of operation was how rubbish I was at playing their "Fussball" machine, which was lines of wooden footballers attached to a stick that you tried to manoeuver by a lever to kick the ball.
Not a single goal!

The legendary Terminus Hotel on the opposite side of Harris Street, and like its more famous counterpart, was part of the Wakil's real life Monopoly game. They had a landbanking empire of quirky, derelict buildings which were loathed by local residents as eyesores but cherished by artists like myself.

Aren't Artists a perverse bunch - we ignore all the shiny new developments and make straight for the 'shame of the neighbourhood' to immortalize it!

P257A 'Old milkbar aka 'bakery'
corner of John and Harris St'
2009 oil on canvas 51 x 61cm
Available

The continuous row of 19th century 2 storey terrace houses between Nos 74 and 80 Harris Street are still part of the Wakil collection of formerly derelict buildings, which once included the iconic Terminus Hotel opposite.

The row of  terraces have rendered brick shopfronts and skillion roofed wings at the rear. They are plainly detailed, with only a string course to the facades as decoration, and a Victorian/Georgian flavour in their design. Door openings are rectangular, and window openings are also rectangular as well as slightly segmentally arched. They are without parapet or verandahs and feature corrugated iron gable roofs with low corniced or corbelled chimneys.

P256A 'Old Milkbar (aka 'Bakery'),
corner of Harris and John St'
2009 acrylic on paper 21 x 28cm
Available

No 74 is similar to the rest, but was a corner shop and is faceted with a corner entrance. It  was a milkbar for a long time, although often and wrongly referred to as the 'old bakery'.
Number 82 was the actual site of the "old bakery", although now the entire block seems to have adopted this name.

P257 'Old bakery corner of John and Harris St'
2012 oil on board  35 x 28cm
Available

For many years the corner and north facing doorways were boarded up and featured an endless layering of illegal posters promoting long forgotten bands.

 

P256B 'Old Milkbar and 'Chicks on Harris''
2009 acrylic on paper 21 x 28cm
Available

Until about 2014, No 82 still partly kept up the milk bar tradition,traded as a "charcoal chicken" outlet called "Chicks on Harris".

Bearing in mind the seedy reputations of previous establishments at the north end of Harris St, I'm not sure that the owners had really thought through the implications of their name!

Milk bars are now imbued with mythical qualities they never possessed in life. In decline and death, they’re trendy and retro.


P256 'Black Dog (old milkbar -
aka 'bakery' from John St)'
2009 oil on board 31 x 25cm
Available

No 74 has now been recently and very sympathetically redeveloped by the current occupants - appropriately, 'Belle Property' real estate agents. And now it really is a 'belle' property indeed.

It's been painted a tasteful off-white shade, and the former layers of peeling posters have been replaced by large picture windows.

I couldn't resist having a sneaky peek inside.

The interior still has the original wall material visible, and the beautiful old hardwood stairs have been polished, but otherwise in their original state. The architraves are dark walnut stained hardwood, but the rotting floors had collapsed long ago and had to be replaced with polished concrete.

The huge tree outside is a relic from when both sides of John Street were edged with a row of trees whose branches would meet in the middle of the street to form a cathedral-like canopy. Lush and cool in summer, but most beautiful in winter when the feeble rays of the sun would pierce through the tracery of bare branches.

A lovely tree, but its roots went straight for the plumbing, and the pavement outside is cracked and humped by the twisting roots underneath. I know that a few years ago, several people had considered this old shop on as a renovation project, but weren't quite crazy-brave enough to take it on.

For more information about Harris and John Street in Pyrmont, including the Terminus and Pyrmont Point Hotels

see My Pyrmont page in this blog

Related posts

Painting Pyrmont - Sydney Living Museums

Terminus Redux

Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free

Pretty vacant

A Tale of two hotels - the Terminus and the Point

The bad twin of Pyrmont Street

Pyrmont Paintings past and present

Let there be rock

Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available
Not far south of the Terminus Hotel, another formerly ignored and derelict site is being gentrified.
There was a 'no man's land' between Harris and Mount streets which was an overgrown wasteland, with the southern end used as a carpark for the past 3 decades.

P241B 'Panorama from the roof of Pyrmont Power Station
from Harris St, Mount St to the CSR Distillery'
1991 oil on canvas 31 x 61cm
Available
This is a small canvas I painted from the roof of the Chem-Lab of the Pyrmont Power Station in 1991, looking west towards the ethanol tanks of the CSR Distillery. In the centre is the handsome vine-covered Federation building that was once the house of the CSR Manager. The carpark can be seen to the right of the Manager's house.
Clumps of pampas grass used to poke through the badly laid bitumen, which was covered with weeds and strewn with discarded bongs.
This wasteland occasionally featured as a backdrop for early 1980s rock video clips.
Only a brick pier wall facing Mount st and a tumbledown graffitied sandstone block wall remained above ground level as relics of the row of terraces once occupying that site. The terraces had been pulled down long before I started to paint in Pyrmont.

Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
The carpark has now been excavated, revealing the golden sandstone beneath. This is one of the few remaining still undeveloped sites in Pyrmont, and I took the rare opportunity to paint the honey coloured tones of the yellowblock sandstone before it is removed and construction starts.
It isn't far from the McCaffery's stables, which had been built over the legendary 'Paradise Quarry', where the best quality sandstone in Sydney had been extracted.

Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
Under the bitumen, an archaeologist's dig had revealed a cobbled sandstone path, a neatly finished sandstone cesspit, carved sandstone steps and mysterious carvings. One of the carved images resembled a child-like version of a church or chapel. Paul Gye aka 'Pyrmonstrosity Pyrmontosis', who has dedicated many hours into painstakingly and expertly researching Pyrmont's hidden history, has concluded that these carvings might have dated from as early as 1840 and could refer to Dr JD Lang’s Presbyterian ‘Long Lost Chapel of Pyrmont’. The full album of photos of 'Pyrmonstrosity Pyrmontosis' site visit with photos of the carvings can be seen at Facebook album : Archaeological Site Visit - Mount & Harris Streets - 10 May 2017
The chapel was later relocated to Ultimo, and its current location is the 'Mustard Seed' ministry in Bulwara Street (ironically opposite the Lord Wolseley Hotel).
Unfortunately despite their unique heritage value, the carvings have by now been completely destroyed by the excavation.


Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
During my site visit, I tried to persuade the archaeologists to let me paint on site before the demolition started, but they gave me the brush off, no pun intended.
Frustratingly I had to peer through the hoardings and shadecloth.

Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
The 2,300sq metre site on the south-western side of the Terminus Hotel, will be soon transformed into a collection of 15 low-rise terrace houses, aka the 'New Life Pyrmont' project.

My painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
I persuaded a kind passer-by to hold up my painting so I could take a good photo of it against the demolition.
The top half of the stairs once leading from Harris Street to the carpark have already been demolished, and the Harris Street frontage has been completely excavated and removed to allow trucks to enter and remove the sandstone.

I've heard that the terraces have been designed to incorporate some of the excavated sandstone from the site.

For more information see My Pyrmont page in this blog

Related posts
Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free

Pretty vacant

A Tale of two hotels - the Terminus and the Point

Pyrmont Paintings past and present
Paintings of Pink pubs - Painting the Jolly Frog Part 2

A Tale of two Pyrmont Hotels - 'The Terminus and the Point'

A Tale of two Pyrmont Hotels -

'The Terminus and the Point' 2010-2011

oil on canvas 31 x 61cm
Sold : Private Collection Sydney
Enquiries about similar paintings
I started painting this in 2010, but they started to dig up the pavement.
Again.
What a surprise.
As well as the construction of new buildings and demolition of the old ones, there has been what seems like endless removal and replacement of the cobblestones. Pyrmont is famous for its golden sandstone, but there must be genuine gold deposits underneath as they've been digging up the streets of Pyrmont as long as I can remember.
I had painted the Point hotel but had trouble seeing the Terminus from my chosen angle. Rather than repaint it I put it on the backburner and resumed last month.
By this time, the Point was under new management and had been repainted and renovated. I decided to keep the 'Point' as it had appeared when I started the painting rather than update it. You'd get dizzy keeping up with its changes anyway.
I've lost count of all its colour changes - it's gone through the entire Dulux Weathershield chart over the past 3 decades.
When I first saw it in 1981 as the 'Royal Pacific' it was a rather shopsoiled white with a royal blue trim.
It's much more chic now, in keeping with its new surroundings. Inside and out.
When the block down the road has been redeveloped by Lendlease to be one of the final buildings of the Jackson's Landing Precinct, the Point won't look out of place to its upmarket new customers.
The Terminus hasn't changed much throughout the years since it was abandoned, except that some of the ivy has died.
The network of dead vine tendrils twining over the sunburnt brick facade look like a rotting veil of Belgian lace.
It enhances the "Miss Havisham of Harris St" aura clinging to the Terminus.
Quite a contrast in style.
The striding legs of the Anzac Bridge at the top of John st link the past and the future together like a giant clothes peg.

See more about the Terminus Hotel at My Pyrmont page in this blog

Related posts

Recently sold Pyrmont paintings at Workplace 6
Terminus Redux
Wrong side of the tracks
Pretty vacant
To the point

Looking over the overlooked

Pyrmont paintings past and present