I have been an “Artist in residence” at the Fingerwharves of Sydney during their controversial redevelopment.
The
Woolloomooloo Fingerwharf, opposite Garden Island, is now a glitzy
complex of hotel suites, restaurants and luxury apartments.
The Walsh
Bay Wharves, in the shadow of the western side of the Harbour Bridge,
and Jones Bay Wharf, on the Pyrmont peninsula, have undergone a series of
transformations over the last 20 years, and will be further transformed now that Barangaroo is open.
The
ramshackle blue timber building seen through the wool bale elevator
was used as a set in several 1980's and 1990's films and TV series.
'Interior of Wharf 8-9'
2000 oil on canvas 31 x 61cm |
Memorable
inclusions were in "Blue Murder" (the scene where Neddy Smith and a
group of corrupt police persuade a corrupt law clerk to step onto a
boat, where he will later be tied to a gas cooker, which is thrown
overboard.) and several episodes in "Wildside".
I used to call this decrepit building the "Edward Hopper House" as it
resembled an old railway shack in one of his paintings. This building
has now been renovated and is a lot less lop-sided than when I painted
these.
"Towns Place" 1998 oil on canvas 36 x 46 cm |
'Wharf Skeleton' 2000 oil painting on canvas 39 x 111cm
|
'Walsh Bay Wharves 6/7 from Wharf 8-9' 1999 oil on canvas 61 x 101cm |
'The Missing Wharf 2 '2000 oil on canvas 31 x 46 cm
|
'Rebuilding Walsh Bay Wharves' Diptych 2002
each : acrylic on paper 114 x 170 cm |
'Wharf Skeleton and Sydney Harbour Bridge'
2000 oil on canvas 25 x 21cm |
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