Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Hungry Mile. Show all posts
Showing posts with label Hungry Mile. Show all posts

Wednesday 8 May 2024

2024 Pyrmont Festival- paintings of Pyrmont, past and present

 

The 12th anniversary of the Pyrmont Festival of Wine Food and Art,
 will be held 11am - 5pm on  Saturday and Sunday 18th and 19th May 2024 in Pirrama Park at the northern end of the Pyrmont Peninsula.  
I'll exhibit a selection of artworks painted 'en plein air' in Pyrmont and Ultimo from the early 1980s  until now. 
Many of the works I'll exhibit were painted within a couple of hundred metres from the Festival site, and many have never been exhibited in public.
A new major work which will be featured is an enormous panorama painted from the James Watkinson Reserve in front of Ways Terrace (aka the Point st Flats)
pleinair oil painting of Sydney Harbour and Barangaroo from Pyrmont by artist Jane Bennett
P800 Sydney Harbour from Pyrmont 2023 oil on canvas 122 x 183cm
On the left of this canvas is Jones Bay Wharf, once home to a motley collection of waterfront industries, & now the upmarket function centre Doltone House. In the background, the controversial Barangaroo Headland Park has replaced the former East Darling Harbour Wharves/Hungry Mile. On the right, the handsome Federation architecture of the Royal Edward Victualling Yards (aka "REVY") still dominates Darling Island, but REVY 3 is now an apartment block, and Google has taken over the former headquarters of the Naval Support Command.  On the road below, the rooftops of the former Arrow Dive buildings are barely visible beneath the canopy of the Port Jackson Figtrees.
This painting is a sequel to a canvas I painted close to this viewpoint, 35 years ago in 1989, when Pyrmont was a very different place to how it is today. This 1989 painting is on the cover of my book of my Pyrmont paintings.
book of paintings of Pyrmont by Jane Bennett
"Pyrmont- A History in paintings" by Jane Bennett

While I sold the 1989 painting several years ago, the book will be available for sale during the festival.

Saturday 9 July 2022

The Other Art Fair at Barangaroo



 

 

 

 

 

 

 

 

Going to the fair!
The Other Art Fair, Barangaroo, July 21 - 24
I am proud to have been selected to participate in The Other Art Fair at the Cutaway at Barangaroo in Sydney, July 21st to 24th.
I am so excited to show you my plein air painting series ‘The Hungry Mile'.
They were all painted 'en plein air' when Barangaroo was still the "Hungry Mile Wharf" on the exact spot where The Other Art Fair, Sydney will be held.
 
A preview of some of the works I'll exhibit 
 

OPENING HOURS
Thursday 21 July 4-7PM / 7-10PM
Friday     22 July 2PM – 10PM
Saturday 23 July 10AM – 6PM
Sunday   24 July 10AM – 5PM


 

Discounted tickets for followers of my blog:

  • 25% discount off tickets for Friday to Sunday, redeemable using the promo Tickets Code: OTHERS25
  • To book tickets, visit: https://www.theotherartfair.com/sydney/tickets
  • Enter the code OTHERS25 in the ‘Enter Promo Code’ field.
  • Note: you need to select the Promo Code option before you select any ticket times.
  • Hint: the promo code link is on the right under the heading ‘Please select your ticket option below’
  • This code gives  25% off all ticket types until July 21.
  • Promo Code must be used by July 21
Please join me and 110 other artists at The Cutaway at Barangaroo, July 21st to 24th. It would be lovely to see you there.

For more of my paintings of this area

"Paintings of a passing Port"

 "The Last of the Hungry Mile"

"Barangaroo - Tabula Rasa" 

"Sydney Harbour Control Tower"

 

Tuesday 23 June 2020

The Last of the Hungry Mile- Harbour Control Tower from East Darling Harbour Wharves

Today's canvas was painted from inside Wharf 4 in East Darling Harbour Wharves during the its last few weeks as a working port.
Plein air oil painting of Harbour Control Tower from East Darling Harbour Wharves (now Barangaroo) painted by industrial heritage artist Jane Bennett
DH181 The last of the Hungry Mile   
2007  oil on canvas  180 x 122cm
FINALIST 2007 SULMAN PRIZE














The once bustling wharf became a ghost town, as the cargo-loading infrastructure was dismantled, the 3 shore cranes were loaded onto barges for Port Kembla or Webb Dock, and anything remaining was put into storage or into a skip bin.
The wharf has now closed forever and Sydney’s traditional role as a working harbour is nearly over.
For Sydney Harbour to be stripped of its original character and purpose, was almost unthinkable.
Abandoned places have a haunting beauty.
They are points of temporary stasis in the turning world of urban change.
It was eerily silent; waiting for the demolition to start and the genesis of Barangaroo to begin.
Barangaroo is about hubris - a grand feat of ambitious central planning in search of a purpose. The vaunted economic rebirth of the area has like so much else been sent into hibernation by the Covid crisis.

Plein air oil painting of Harbour Control Tower from East Darling Harbour Wharves (now Barangaroo) painted by industrial heritage artist Jane Bennett
DH181 The last of the Hungry Mile   
2007  oil on canvas  180 x 122cm
FINALIST 2007 SULMAN PRIZE
























The columns of light poles point towards the Harbour Control Tower, which was one of the last vestiges of the working port in the area, and was demolished a few years later.
This Port Operations and Communication Centre was a milestone in the history and operation of the Port of Sydney. The construction of the tower gave oversight of maritime operations over all the Port of Sydney for the first time.
Nestling underneath, on the escarpment is the historic Hotel Palisade, once a rough waterside early opener, now gentrified for the expected inflow of tourists to Barangaroo on the west and the revamped Walsh Bay Wharves to the north-east.

Monday 27 March 2017

Eaten by robots

My old studio, the Harbour Control Tower
Plein air oil painting of the Harbour Control Tower before it was demolished and the Hotel Palisade near Barangaroo painted by industrial heritage artist Jane Bennett
MP55 Harbour Control Tower from Observatory Hill
2016 oil on paper 9.5 x 9.5cm
 
Another one of my old studios has bitten the dust.
I feel like I can jinx a place just by painting it.
I have been observing the start of the demolition of the Port Operations Harbour Tower in Millers Point.
Love it or loathe it, the Tower was one of the last vestiges of Barangaroo's former life as a working port.
The heart and soul of the former 'Hungry Mile' has been ripped out and replaced with machines.
Literally.
Plein air oil painting of the Harbour Control Tower before it was demolished and the Hotel Palisade near Barangaroo painted by industrial heritage artist Jane Bennett
MP56 Harbour Control Tower from Argyle st
2016 oil on paper 9.5 x 9.5cm
Available 
Once the 'mushroom cap' at the top of the Tower was fully removed, the concrete stem below it was eaten away by robotic excavators from the top down.
Just another portent of the world envisioned by Isaac Asimov in his book “I, Robot. Technology asserts its robotic grip whether you like it or not.
Progress is so impersonal.
Eaten by robots- what a way to go!
So very Dr Who. "Exterminate, exterminate!"
Plein air oil painting of the Harbour Control Tower being demolished from the Hotel Palisade near Barangaroo painted by industrial heritage artist Jane Bennett
MP54 Harbour Control Tower
from the Hotel Palisade 2016-7
oil on canvas 122 x 153cm
Available

Meanwhile paint peels off surrounding terraces awaiting their inevitable gentrification. The Hotel Palisade opposite has completed its journey from seedy early opening waterfront dive to expensive hipster hub, while retaining some of the trappings of its colourful past.

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Saturday 21 November 2015

Hotel Palisade redux


There's just so much history in the walls of the Palisade.
It was the scene of the last drinks for many Anzacs before they left Australia during the First World War, and the 'local' for the engineers and navvies working on the construction of the Sydney Harbour Bridge. Desperate wharfies seeking work at the Hungry Mile during the Great Depression would either drown their sorrows or celebrate their good fortune in finding a day's work, depending on luck. It was the haunt of 'colourful characters', the much loved centre of the Millers Point community and the headquarters of activists during the era of the Green Bans and the Patrick's dispute. 
It stood on the corner of Argyle and Bettington streets in Millers Point like an exclamation point at the end of High street. For many years it was the tallest building in Sydney, and overlooked the wharves of East Darling Harbour which provided most of its clientele. At the time of its building, workers terraces to house the wharfies were being constructed in High Street which was carved into the sandstone escarpment above the Fingerwharves and Bond stores below.
This painting shows one of the landbridges over Hickson Road, and the railings preventing revellers falling into the deep cutting in front of the Palisade. This strange configuration of the landscape makes the quirky, slightly ramshackle style of the Palisade even more startling.

In 2014, when I painted this canvas, there was a small park in front of the Palisade. It was overgrown, but its figtrees were a welcome source of shade in summer. Since the redevelopment of this area, the park is now a wide green lawn with a few saplings which will need a lot of time before they provide shade.Plein air oil painting of the Hotel Palisade in Millers Point by landscape artist Jane Bennett

MP7A Hotel Palisade 2014
oil on canvas 36 x 46cm
Available

There had been an earlier, much smaller hotel built on this site in the 1880s but it was pulled down in the frenzy of slum clearances at the beginning of the 20th century.
After the end of the bubonic plague crisis in the first decade of the 20th century, the population in Millers Point increased so much that the Sydney Harbour Trust had to build replacement hotels to cater to the port workers. Henry Deane Walsh was commissioned to build the new Palisade Hotel, one of 4 that were built by the Trust, the others being Dumbarton Castle, the 'Big House' (Moretons in Sussex Street- now the Sussex Hotel) and the Harbour View Hotel.
Plein air oil painting of the Hotel Palisade in Millers Point by landscape artist Jane Bennett
MP30 The Reopening of the Palisade
2015 oil on canvas 51 x 25cm

Enquiries about similar paintings
The 5 storey hotel was built in 1915-16, and was one of the last Sydney buildings to be designed in the 'Federation Free' style, with parapets, and sandstone banding decorating the red brick masonry.
From the 1920s the head lease for the hotel was owned by Tooth and Co. who sub let it to various licensees.
Plein air oil painting of the Hotel Palisade in Millers Point by landscape artist Jane Bennett
MP30 The Reopening of the Palisade
2015 oil on canvas 51 x 25cm

 Enquiries about similar paintings 

From 1936, when the role of the Sydney Harbour Trust was taken over by the newly formed Maritime Service Board, title to the hotel was issued to the MSB, although Tooths continued to lease it until 1950. At that time the licensee, P. K. Armstrong, obtained the lease.
In February 1987 title passed from the MSB into private ownership, then in 1994, Palisade Properties Pty Ltd obtained title.


Plein air oil painting of the Hotel Palisade in Millers Point by landscape artist Jane Bennett
MP30 The Reopening of the Palisade
2015 oil on canvas 51 x 25cm 
Before redevelopment, the Palisade loomed abruptly on the hill overlooking the wharves. Many wharfies joked that they didn't need to have built the Harbour Control Tower, just use the roof of the Palisade.
Plein air oil painting of the Hotel Palisade in Millers Point by landscape artist Jane Bennett
MP30 The Reopening of the Palisade
2015 oil on canvas 51 x 25cm 
The Barangaroo Headland Park has been terraced up from the shoreline so that the path leads to the Palisade.
There's also now a series of sandstone steps from the edge of High Street leading to nothing in particular that serve as a prelude to the Barangaroo Headland Park further down.


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