City larrikins, past and present

I took advantage an almost deserted CBD during a public holiday, to record some of the buildings in Castlereagh St that will soon be demolished to make way for new metro stations around Martin Place.

Painting 'Panorama of Castlereagh st, from Hunter st to Martin Place' 2017 oil on canvas 31 x 103cm

Enquiries : janecooperbennett@gmail.com

 
I took a panoramic canvas to try to squeeze in as much of the streetscape as possible.
On this canvas I've managed to get the lovely Art Deco building on the north corner of Hunter and Castlereagh St, 55 Hunter St, 10 - 12 Castlereagh st and a doorway of the lovely old Commonwealth Bank building that now houses Macquarie Bank.

Painting 'Panorama of Castlereagh st, from Hunter st to Martin Place' 2017 oil on canvas 31 x 103cm

Enquiries : janecooperbennett@gmail.com

 
Ironically there is a keystone in the Macquarie Bank building that was placed there by the controversial NSW premier Jack Lang, who once attempted to nationalize the banks and cancel Australia's war debts to the UK. I can't help wondering what Jack Lang would have thought of Macquarie Bank!

Painting 'Panorama of Castlereagh st, from Hunter st to Martin Place' 2017 oil on canvas 31 x 103cm

Enquiries : janecooperbennett@gmail.com

Several skateboarders and parkour experts can just be seen in the distance, grouped on the stairs of the soon to be demolished 17 storey building at 55 Hunter street.
Unfortunately I had to break the news to them that their favourite ramps and railings at 55 Hunter St where they practise their jumps will soon be demolished. They will make the most of their unofficial skate park until it is knocked down next month, and entertained me with over 2 hours of death defying jumps, twists and somersaults.

Painting 'Panorama of Castlereagh st, from Hunter st to Martin Place' 2017 oil on canvas 31 x 103cm

Enquiries : janecooperbennett@gmail.com

There seems to be something about this street corner that attracts larrikins, past and present.
A trio of slightly less acrobatic larrikins of the past, also used this unassuming corner of the CBD to rattle the cage of conservative society over 50 years ago.
A famous copper sculpture by Tom Bass, bites into the Hunter street facade of this office block. It had been commissioned by P&O as a wall fountain  in 1961, and was intended to be seen as a purely abstract design. 
However, when this work was unveiled, its indirect resemblance to a Parisian pissoir and its position opposite the French Airline Office, led to a notorious lampoon in the 6th edition of Oz magazine. The editors of Oz magazine, Richard Neville, Richard Walsh and Martin Sharp, were charged, tried and sentenced to jail with hard labour for "obscenity and encouraging public urination", although the defendants subsequently appealed against the sentences, which were revoked.

Painting 'Panorama of Castlereagh st, from Hunter st to Martin Place' 2017 oil on canvas 31 x 103cm

Enquiries : janecooperbennett@gmail.com

Tom Bass wasn't offended by the Oz magazine send up of his sculpture, and actually appeared in the trial for the defendants.

Painting 'Panorama of Castlereagh st, from Hunter st to Martin Place' 2017 oil on canvas 31 x 103cm

Enquiries : janecooperbennett@gmail.com

 
Through the Chifley arcade are a couple of other buildings due for demolition, 5-7 Elizabeth street. 7 Elizabeth street is an elegant art-deco apartment block, recently vacated by its reluctant ex-residents.

Sydney Sandstone - Painting the Lands Department building

The Lands Department building 22-33 Bridge Street Sydney, is one of the most outstanding surviving Victorian buildings in Sydney. The building had been used continuously for the purpose which it was designed for - as the administrative head office of Department of Lands.
Unfortunately, this will soon change.
I don't know whether all the original features which makes this building so wonderful will be retained, but I thought that I should attempt to paint it while it is still in its original state.
I managed to set up my easel in Macquarie Place Park, directly opposite the corner of Bridge and Gresham street.

U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm
Enquiries

James Barnet was the architect mostly responsible for the design of the Lands Department building, although Walter Liberty Vernon and William Edmund Kemp also made contributions.

U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm
Enquiries

The foundation stone was laid in 1876 by the Minister of Lands and it was completed in 1893. The Renaissance Revival Style facades are of dressed Pyrmont sandstone

The ground, first, and second floors have pilasters and entablatures of the Doric, Ionic and Corinthian orders respectively, each standing on appropriate pedestals.  

U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm
Enquiries

A large copper dome, 55' square at the base, but changing to an octagon at the top, rises above the Bridge Street facade.
The clock tower has a copper onion-shaped dome which was allegedly influenced by the shape of the water carafe of Sir Henry Parkes.

U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm
Enquiries

The best of Classical tradition was fused with the most cutting edge technology for the period. Heating, lighting, ventilation and a system of communication involving speaking through tubes and operating pneumatic bells was incorporated in the design.

Builder John Young introduced one of Sydney’s first reinforced-concrete floor slabs, with concrete vaults to improve fire resistance.

U235'Statues of Explorers', Lands Department
 2015 oil on canvas 31 x 31cm
Enquiries

There are 12 niches on each facade, which were all intended to be filled with sculptures of explorers or legislators who made a major contribution to the settlement of the nation.

Although 48 men were nominated by the architect as being suitable subjects, most were rejected and only 23 statues were commissioned, leaving 25 niches unfilled. 

In 2010-11 a new statue of colonial surveyor James Meehan (1774-1826) was created and placed in an empty niche on corner of Loftus/Bent Streets.

U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm
Enquiries

In my painting the statue of the botanist Sir Joseph Banks is on the left, and the statue of the explorer Sturt on the right.

U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm
Enquiries

In the late 1980s the building was earmarked by the NSW Governnment as one of the potential sites for conversion into a casino.
To protect the building from unsympathetic development, a Permanent Conservation Order was passed by the NSW Heritage Council. 
However, although it is one of the most beautiful and historic buildings in Australia, it still faces an uncertain future.
Both Sydney’s historic
The hotel will open in 2021 after the government employees finally leave in 2018.

Sydney sandstones to become luxury hotel

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In the shadows - Painting the Justice and Police Museum

Pyrmont Sandstone - The Lizards of Oz

In the Shadows- Painting the Justice and Police Museum

The Sydney Open will be held next Sunday. For just one day a year, the secrets of Sydney’s most treasured and architecturally significant buildings are revealed to the public.
So, in the spirit of this event, I decided to paint one of Sydney's most beautiful sandstone buildings.
Although it was difficult, bordering on the impossible,I managed to set up an easel and paint 'en plein air' right in the heart of the CBD.

Plein air painting of the "Justice and Police Museum"
2015 oil on canvas 13 x 18cm

 

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The Justice and Police Museum is one of the city's most overlooked heritage gems. It is hidden away on the quiet leafy corner of Phillip and Albert Streets, a stone's throw from Circular Quay.

It was a tight squeeze for the bendy bus!

Plein air painting of the "Justice and Police Museum"

2015 oil on canvas 13 x 18cm

 

Enquiries 

It incorporates the old Water Police Court (1856), designed by Edmund Blacket; the Water Police Station (1858), attributed to Alexander Dawson and the Police Court (1886), designed by James Barnet. 
The complex had remained in use as a police station as late as 1985, when the area was a busy legal hub.
Today the museum tells the story of the seamy side of Sydney’s past.

Plein air painting of the "Justice and Police Museum"

2015 oil on canvas 13 x 18cm

 

Enquiries 

The golden sandstone, graceful columns and dappled shade give a deceptive impression. 
Behind the elegant facade lurk dingy 1890s holding cells, offices, charge room and courts. A century of underworld Sydney is contained inside.

Plein air painting of the "Justice and Police Museum"

2015 oil on canvas 13 x 18cm

 

Enquiries 

The guilty, the innocent and the unknown. 

Mug shots of bushrangers, sly groggers, drifters, razor gangs and "colourful racing identities" rub shoulders with cops and judges.

Plein air painting of the "Justice and Police Museum"

2015 oil on canvas 13 x 18cm

 

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So very Sydney.

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Sydney Sandstone - Painting the Lands Department Building

(A total lack of) Art and Coffee on the Rocks!

I've just been appointed as the inaugural Artfiles Artist In Residence at The Rocks Pop Up Project.
As Artist in Residence, I will be on or painting close by around the site from Wednesday to Sunday for the next 4 weeks. Tomorrow I'm going to check out my new space at 47 George St, which used to be an old Westpac Bank office. This project features an eclectic mix of creatives over at 47 and 77 George St, the Rocks. Gaffa, Red Room Company, artists, fashion designers, jewellery makers and even a tailor are just some of the residents breathing new life into the previously empty spaces.
I will take my French Box easel, turn up at a nearby location very early in the morning and create small, quick plein air paintings in and around the Rocks, Walsh Bay Wharves and Barangaroo.
Then later in the day I would be able to work these small pieces up into studio paintings at leisure in the studio space at 47 George St.
I could paint a large scale painting in front of the public, not only providing them with a source of entertainment and information but a chance to communicate, so that it is a “two-way street”. Most people have never seen an artist at work and find it quite fascinating to watch. As a ‘plein air painter’ I am a seasoned practitioner of an almost lost craft. Most of my work, including large scale canvases, not just sketches, has been painted in front of the public, whether workers or casual onlookers. It has been a major part of my normal artistic practice to do so for nearly 30 years, so I'm used to coping with distractions, interruptions and horrible weather. This is an opportunity for people to watch the creative process at work, ask questions and make comments without feeling intimidated by a gallery atmosphere. My subject matter is limitless : The surroundings - Heritage buildings, colourful and disreputable old pubs like the 'Hero of Waterloo', 'The Orient' and the 'Lord Nelson', ferries and water taxis, the cruise ships arriving and departing from the OPT. The people -Rocks residents, the bustle of the markets, shop owners, storekeepers and buskers.My first real "taste" of my new studio, both literally and metaphorically, will be on Sunday 31st July, whilst indulging in coffee from around the world at Australia’s largest coffee event, the Rocks Aroma Festival.
Update

Well that was the plan.

I have been bullied and harassed by the SHFA goon squad of Rangers so badly that I am removing all my belongings from the 'studio' and will never return.

I previously wrote

This is an opportunity for people to watch the creative process at work, ask questions and make comments without feeling intimidated by a gallery atmosphere. Well I have been the one to be intimidated.
The Rocks is no longer a place for an artist.
And if you are creative in public you will be treated like a criminal.

I had never attended the Rocks Aroma festival before.

I will make damn sure that I will never be silly enough to do so again.

Terminal, End or Extremity

Paintings of the Arrivals Hall of the former cruise ship terminal Wharf 8 at Barangaroo.

These are unfinished oil paintings on canvas of the interior of the deserted former cruise ship terminal at Darling Harbour Wharf 8.
My first day of painting this canvas:

'I saw the number '8' in red... '
oil painting on canvas 61 x 91cm
Sold 
Private Collection : Sydney
Enquiries about similar paintings 

The title is my homage to the 1928 Charles Demuth painting "I saw the number 5 in gold..", an icon of American Modernism. Like Demuth, I never let go of reality.
Though not a physical likeness, Demuth used imagery from William Carlos Williams’ poem "The Great Figure," to create an abstract portrait of his friend. The intersecting lines, repeated "5," round forms of the numbers, lights, street lamp, and blaring sirens of the red fire engine speeding down the street infuse the painting with a vibrant, urban energy.

Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city

"The Great Figure" William Carlos Williams

'I saw the number '8' in red... '
oil painting on canvas 61 x 91cm
Sold 
Private Collection : Sydney
Enquiries about similar paintings 

The 2nd day of this painting- nearly finished, but needs glazing to emphasize the reflections and the dramatic shafts of light from the doorways.

The completed painting: "I saw the number '8' in red... "2010  

oil painting on canvas  61 x 91cm 
Sold 
Private Collection : Sydney
Enquiries about similar paintings 

Starting my 2nd painting of the interior of the Arrivals Hall:
Setting out a rough idea of the composition:

"I saw the number '8' in red" 2010
oil painting on canvas  61 x 183cm
Sold 
Private Collection : Sydney
Enquiries about similar paintings 

Starting work on a large panoramic interior of the Arrivals Hall.

This is a Saturday, and apart from the bored security guards on the gate I have the whole place more or less to myself so it is eerily silent.

For a change I have managed to get here early.

I've been battling a killer bout of flu for over a month and I've had to push myself to keep working. My throat has been so sore that I can only eat jelly and chicken soup for the last week.

I've taken in a thermos of icecubes to numb my throat and they seem to help. Whinge, whinge. This is totally self inflicted- I've been painting outdoors in the middle of winter on a freezing cold wharf in a howling gale and to misquote Alice in Wonderland it is bound to disagree with you sooner or later. However I wouldn't swap what I do for anything; it keeps me endlessly fascinated.

I only wish that I wouldn't get ill just at this crucial point in the history of Sydney Harbour - this is the last wharf on the historic Hungry Mile, which has been the fountainhead of Australia's maritime industry since settlement over 200 years ago, and it will be demolished in less than a fortnight!

No other artist in Australia seems to have an MSIC or a greencard; so I am the only person permitted to paint any of this.

Half way through my 1st day of painting :

"I saw the number '8' in red" 2010
 oil painting on canvas  61 x 183cm
Sold 
Private Collection : Sydney

Enquiries about similar paintings

Work in progress on the easel at the end of the first day.

I saw the number '8' in red" 2010
oil painting on canvas 61 x 183cm
Sold
Private Collection : Sydney
Enquiries about similar paintings

I have used 'terminal' as part of the title of paintings in this series as a play on words. The following nuances of meaning I found particularly apt :

1.situated at or forming the end or extremity of something...
2. occuring at or forming the end of a series, succession, or the like; closing; concluding
7.pertaining to or placed at a boundary, as a landmark.
8. occuring at or causing the end of life: a terminal disease.
9.(Informal) utterly beyond hope, rescue or saving...
10. a terminal part of a structure; end or extremity.
13. a station on the line of a public carrier,as in a city centre ... where passengers embark or disembark...

(Courtesy of Dictionary.com)

Take your pick!

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The last of the Hungry Mile

Barangaroo - Tabula Rasa

Eaten by Robots

There goes the neighbourhood

See more at my Hungry Mile page

See more at my Millers Point page

My Studio at Barangaroo

Works in progress
Unfinished oil paintings on canvas.
Painting inside the the former Cruise ship Terminal at Darling Harbour 8 painted in July-August 2010

BAR7 'Empty Hall, Wharf 8' 2010

oil on canvas 61 x 183cm

Enquiries about these paintings

My paintings of the soon to be demolished

Wharf 8 cruise ship terminal at South Barangaroo

Enquiries about these paintings 
I make the big move out of the terminal, as it is soon to be demolished.

"Grabber, ripper,muncher"
2010 oil painting on canvas 31 x 31cm
Enquiries about these paintings 
Yes, they actually are the proper names of the attachments to the excavators! I'm not making them up. Truly.

The "Grabber" is in the centre, the "Ripper" is the wicked looking blade on the right, while the "Muncher" is the monster with the mad fluoro pink "eye" and the toothy jaws in front of the red door to the left. The workmen promised me that there is also a "Pulverizer" that will arrive later.

This I have to see!

Left to right and top to bottom:
"Behind the red door"
2010 oil painting on canvas 31 x 31cm
"Grabber, ripper,muncher"
2010 oil painting on canvas 31 x 31cm
"Excavators at rest"
2010 oil painting on canvas 56 x 76cm
Enquiries about these paintings

A good day at the office! Three paintings completed before I was kicked out!

Left to right and top to bottom:
"May open without warning"
2010 oil painting on canvas 56 x 76cm
"May close without warning"
2010 oil painting on canvas 56 x 76cm
Enquiries about these paintings
Everything must go!
This was the very last day that I was able to leave my easels and canvases inside the terminal.
I've been kicked out of Wharf 8 and now have moved my stuff into a room in the loading dock of the old Sydney Ports Corporation Maintenance Depot that has been recently used to display the designs for Barangaroo.
Not for long, apparently - Bovis LendLease has already moved the entrance twice and I've noticed construction of new site offices starting in the north-west corner.
This building will obviously be the next to go after the DH8 terminal.
Exactly when is anyone's guess.

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Painting the International Fleet Review at Barangaroo Part 2
 
Painting the International Fleet Review at Barangaroo

My Paintings at the Sydney Open : Part 1

My exhibition: "From the Hungry Mile to Barangaroo" (barangarooartist.blogspot.com)

Storm warning, Goat Island (barangarooartist.blogspot.com)

Behind the Red Door

Barangaroo : Terminal - Loading Dock
Plein air oil paintings on canvas of the former Cruise ship Terminal at Darling Harbour 8  painted in July 2010

"Behind the red door " 2010

oil on canvas 31 x 31cm

Enquiries about this painting
A tantalizing glimpse of Jones Bay Wharf, Pyrmont behind the door within a door.
Painted inside the loading dock of the former Cruise ship Terminal at Darling Harbour Wharf 8, which will be demolished in a few weeks time.

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A Tale of two Pyrmont Hotels - 'The Terminus and the Point'

"May close without warning" My Solo Exhibition at the Frances Keevil Gallery

Cut off (barangarooartist.blogspot.com)

View from the ivory tower (barangarooartist.blogspot.com)

Sitzkrieg (barangarooartist.blogspot.com)