Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.

Saturday, 22 March 2014

From the Tampa to Strictly Ballroom

I'll write a few posts about some of the paintings on display at my exhibition of Pyrmont paintings in the members lounge of the Australian National Maritime Museum.
The first two paintings on the left hand wall of the room as you enter, were both painted from the roof of the half demolished Pyrmont Power Station a couple of years apart. I was very pleased that I was able to place these together so that viewers can understand the stages of development of this area of Pyrmont.
Pyrmont painting-plein air oil painting of Pyrmont in the  Australian National Maritime Museum. by industrial heritage artist Jane Bennett
P103 "From the roof of Pyrmont Power Station" 
1994 oil/canvas 92 x 122 cm 

I was "Artist in Residence" at the Pyrmont Power Station for over a decade. At the time of painting these 2 works, it was partially demolished, yet still functional, and served the western side of the CBD as a source for power and lighting. It has now been replaced by Star City Casino.
The rhythmic sweeping lines curving under the bridge are remnants of the old Pyrmont goods line.This was once part of the former Metropolitan Goods Line. There was a goods line from Darling Harbour to Central that had been in existence from about 1856, but a loop line that completed a circuitous route of the inner suburbs became necessary when heavy industry expanded in the early 20th century. Diverging at Dulwich Hill it headed north beneath the Main Suburban line at Summer Hill to Lilyfield before heading east to Rozelle and Pyrmont, and then south under Railway Square through NSW's oldest tunnel to join the Main Suburban line outside Central. This line served the ports at Glebe Island (diverging via a spur from Lilyfield) and Darling Harbour and was approved on 23 November 1914, and the line was finally opened on 23 January 1922. The Darling Island/Darling Harbour section had 19km of track.
The John Street tunnel, a 124m double-track tunnel cut deep into the sandstone under Pyrmont Point, is still in use for the light rail.
During the 1970s and 1980s Darling Harbour traffic reduced considerably and the yards officially closed in October 1984. At vast expense, this goods line was torn up in June 1993 and replaced by the dubious benefit of light rail. Much of the trackbed was used for the light rail that opened to Wentworth Park in August 1997 and extended to Lilyfield in August 2000.
The pile of rubble in the centre marks where an old signal box in the Pyrmont Goods Yard had been just demolished. It was immortalized as the “Spanish café” in Baz Luhrmann's 1992 classic film “Strictly Ballroom”. One person’s eyesore is another’s urban icon.
The brilliant vermilion ship was the “MV Tampa”! It wasn’t notorious then!
The “Tampa” was an early Mark 1 “ConRo” ( roll-on/roll-off container ship) completed in 1984 by Hyundai Heavy Industries Co., Ltd. in South Korea for the Norway based firm, then known as the “Barber Line” and later the “Wallenius Wilhelmsen Line”. It was extensively refurbished and another deck added before it was involved in the controversial event in August 2001 known afterwards as the "Tampa affair".
That wasn't the last scandal involving the MV Tampa.
In October 2006, MV Tampa was one of two Wilhelmsen ships involved in a cocaine-smuggling operation intercepted by the New Zealand Customs Service and the Australian Federal Police. Allegedly 27 kilograms of cocaine had been attached in purpose-built metal pods to the side of the 2 cargo ships bound for Australia. However the New Zealand authorities stated they did not believe the ship's crew or owners were involved.
At the time of this painting Jones Bay Road continued up to the land bridge which then bisected Darling Island and looped around the lower level of Darling Island
All of Jones Bay Road has since been renamed Pirrama Road except for a strange little stub of a street opposite Star Casino. Jones Bay Road used to loop around the whole peninsula, but now the entire street is only about 100 metres long, stretching from the Australian Thermite building ("Darling Island Bond and Free") on the corner at 12 Pyrmont Street, to an apartment block and the 2SM building on the corner of the escarpment.
Pyrmont painting-plein air oil painting of Pyrmont in the  Australian National Maritime Museum. by industrial heritage artist Jane Bennett
P214 "Sydney Harbour from the top of the Pyrmont Power Station(building Star Casino)"
1997 oil/board 40 x 89 cm 
In the early 1980s,when I first started to paint in Pyrmont, the brick building on the right hand side of this painting was the site of Pier 13, where so many immigrants first set foot on Australian soil. Pier 13 was still connected to Jones Bay Road by a land bridge. By the date of this painting, Pier 13 had been painted a gob-smackingly hideous shade of yellow and became first a dodgy carpet shop and later the equally dodgy temporary casino. As you can see, the land bridge has by now been demolished.
Pier 13 has since been replaced by 'Workplace 6', home of 'Google' and Paul Signorelli's restaurants 'Gastronomia' and 'Biaggio'.
The empty space in the centre of Darling Island has since been filled with offices and apartments, which ironically have been given wharf-like styling. Most of the real wharves had been demolished in the 1980s-1990s.

Tuesday, 18 March 2014

Pyrmont paintings past and present- My Exhibition in the Australian National Maritime Museum

Yesterday, today and tomorrow in Pyrmont.
I've been invited to exhibit a selection of 15 of my Pyrmont paintings in the members' lounge of the Australian National Maritime Museum.
This exhibition will still be on display throughout the annual Pyrmont festival in May, which culminates in a 2 day celebration of Art, Wine and Food in Pirrama Park, on the weekend of Saturday 17th and Sunday 18th May 2014.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
My exhibition of Pyrmont paintings
in the members lounge of the
Australian National Maritime Museum
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
My exhibition of Pyrmont paintings
in the members lounge of the
Australian National Maritime Museum
Enquiries about these paintings
As usual, I will be exhibiting my smaller canvases and paintings on wood panels at the Park itself, however this display in the members lounge has given me a wonderful opportunity to show work that is impossible to display outdoors in the festival, such as works on paper framed under glass.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
My exhibition of Pyrmont paintings
in the members lounge of the
Australian National Maritime Museum
Enquiries about these paintings

exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
My exhibition of Pyrmont paintings in the
members lounge of the
Australian National Maritime Museum
This is a view of the exhibition from the most comfy sofa in the middle of the members lounge.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
My exhibition of Pyrmont paintings
in the members lounge of the
Australian National Maritime Museum
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
My exhibition of Pyrmont paintings
in the members lounge of the
Australian National Maritime Museum
This quick sketch of the rooftops of the CSR Refinery and the Glebe Island swing bridge is hung behind the reception desk.
I drew this from the top of the CSR Boilerhouse several years before the Anzac Bridge was built.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P97B "Tumbledown cottage, 95 Pyrmont st (now demolished)"
1994 ink/paper 22 x 30 cm
P31 "Jones Bay Wharf, 1" 1997 ink/paper 30.5 x 40.5 cm
O21 "Pyrmont, looking west from Observatory Hill"
1989 gouache/paper 34 x 75 cm
Enquiries about these paintings

exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
HCT13 "The 'Southern Cross' from the Harbour Control Tower 2007
gouache/paper 30 x 50 cm
Enquiries about these paintings

This is the most recent image of Pyrmont in this exhibition, although by now the wharf in the foreground has been completely demolished to make way for the controversial Barangaroo development.
My studio in the control room of the Harbour Tower gave me a 360 degree birds eye view of Sydney Harbour, so this is a very unfamiliar aspect of the Pyrmont peninsula.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P120 "Jones Bay Wharf" 2000 pastel/paper 76 x 56 cm
P90 "CSR Sunset" 1998 oil/canvas 61 x 91 cm
P91 "CSR Refinery" 1994 acrylic/paper 76 x 56 cm
Enquiries about these paintings

exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P90 "CSR Sunset" 1998 oil/canvas 61 x 91 cm
P91 "CSR Refinery" 1994 acrylic/paper 76 x 56 cm
Enquiries about these paintings

Two views of the CSR Refinery, which is now the Jackson's Landing development.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P80 "Pyrmont Power Station from Mill St 1"
1991 mixed media/paper 76 x 56 cm
P35 "Pyrmont Bond Stores
(‘Darling Island Bond and Free’ 12 Pyrmont st)"
1996 ink/paper 30.5 x 40.5 cm
Enquiries about these paintings

Two evocative ink and wash drawings are hung at the end corner of the room.
The glitzy Star Casino has now replaced the brooding ruins of the Pyrmont Power Station.
However, in contrast the bond store at no. 12 Pyrmont street, known as "Darling Island Bond and Free" has changed so little that I can't believe that nearly 2 decades has passed since I drew this moody ink and wash sketch.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P90 "CSR Sunset" 1998 oil/canvas 61 x 91 cm
P91 "CSR Refinery" 1994 acrylic/paper 76 x 56 cm

Enquiries about these paintings
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
HCT13 "The 'Southern Cross' from the Harbour Control Tower "
2007 gouache/paper 30 x 50 cm
P120 "Jones Bay Wharf" 2000 pastel/paper 76 x 56 cm

Enquiries about these paintings
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P36 "Ways Terrace from Lower Jones Bay Road"
1993 ink/paper 31 x 41 cm

Enquiries about these paintings
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P103 "From the roof of Pyrmont Power Station
1994 oil/canvas 92 x 122 cm
P214 "Sydney Harbour from the top of the
Pyrmont Power Station(building Star Casino)"
1997 oil/board 40 x 89 cm
Enquiries about these paintings
The red ship in the background is the notorious ‘Tampa’, painted several years before the refugee incident.
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P97B "Tumbledown cottage, 95 Pyrmont st (now demolished)"
1994 ink/paper 22 x 30 cm
P31 "Jones Bay Wharf, 1" 1997 ink/paper 30.5 x 40.5 cm

Enquiries about these paintings
exhibition of Pyrmont paintings by industrial heritage artist Jane Bennett in the members lounge of the Australian National Maritime Museum
P92 "Industrial Cathedral 2" (‘Cooperage’, CSR Refinery)
1998 oil/canvas 92 x 61 cm
P97B "Tumbledown cottage, 95 Pyrmont st
(now demolished)" 1994 ink/paper 22 x 30 cm
P31 "Jones Bay Wharf, 1" 1997 ink/paper 30.5 x 40.5 cm
Enquiries about these paintings
An added bonus is that the Australian National Maritime Museum is very close to the sites where most of my paintings were created, so the viewers only have to step outside for a moment to grasp how much the landscape of the inner city suburb of Pyrmont has changed over the last 30 years.
Glimpses of Pyrmont's half forgotten industrial past can still be discerned through the manicured lawns and towers of high rise, but only if you know exactly what to look for.

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