Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Walter Liberty Vernon. Show all posts
Showing posts with label Walter Liberty Vernon. Show all posts

Friday, 26 June 2020

Royal Edward Victualling Yards (REVY), Darling Island, Pyrmont

Today's painting on the deck shows a small panorama of Sydney Harbour with a cargo ship berthed at the East Darling Harbour Wharves in the background. The strange looking building in the centre surrounded by piles of timber is the REVY C building on Darling Island. I painted it in the early 1990s from Ways Terrace.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett







 
 
 
P8'REVY C from Ways Terrace'
1992 oil on canvas 31 x 61cm
On Darling Island, nothing is now left of the timber and shipbuilding yards. Today the water’s edge bristles with new apartment blocks gazing over sheltered waters. Yet beneath the silvery surface lies a hidden history.
The Royal Edward Victualling Yard, ( REVY A,B & C), was built between 1890 and 1911, by the revered Government architect Walter Liberty Vernon in the Federation Free style.
They were some of the last working buildings on the Pyrmont waterfront and had rivettingly odd architecture. Revy A and B  consisted of a 5 storey and a 6 storey pair of large red brick warehouses set at right angles to each other and linked by a square central  water reservoir tower. They were built in a flamboyant neo-Gothic style which reminded me irresistibly of the Bargello in Florence.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett

 
 
 
 
 
 
 
 
 
 
P8'REVY C from Ways Terrace'
1992 oil on canvas 31 x 61cm
Revy C is a narrow, skinny, rather ungainly eight-storey, red brick Federation Warehouse, and still the tallest structure on Darling Island.  It had a rusticated ashlar bluestone ground floor, and a riveted truss jib crane facing Jones Bay Wharf. Its 4 large lift towers on the roof always reminded me of the crenellations on top of medieval castles.
Early fire fighting relied on steam pumped water pressure which could only reach up to a maximum of 2 storeys. So the set of external steel fire stairs at either end were a very practical solution to this problem, even though I used to curse them for being a perspective nightmare to paint.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett


 







 
P12B REVY 3 from Jones Bay Wharf with 'Nederburg'
1990 oil on canvas 25 x 51 cm
SOLD
Enquiries about other paintings of Darling Island

Revy's original purpose became obsolete due to the increasing size of cargo ships and the introduction of container shipping.
The painting above shows the 'Nederburg' one of the last cargo ships docking at the Pier 19/20/21 (now known as Jones Bay Wharf) opposite Revy C.
During the 1980s REVY C was remodelled for the Defence Science and Technology Organization.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett














P12 REVY from Jones Bay Road
1990 oil on paper 25.5 x 31 cm

Available for sale
This small oil study shows the timber yard on the other side to the previous painting.
In 1994, REVY A and B were renovated for Naval Support Command , and I was commissioned to paint 3 huge paintings for their foyer.
They could be seen from Jones Bay Road until 2005 when Channel 7 moved in. Now these paintings are on Spectacle Island, where unfortunately they can't be seen by the public.
REVY C was vacant from 2005 until its recent redevelopment for apartments.
 
Related Posts 
 
 
 

Thursday, 29 October 2015

Sydney Sandstone - Painting the Lands Department building

The Lands Department building 22-33 Bridge Street Sydney, is one of the most outstanding surviving Victorian buildings in Sydney. The building had been used continuously for the purpose which it was designed for - as the administrative head office of Department of Lands.
Unfortunately, this will soon change.
I don't know whether all the original features which makes this building so wonderful will be retained, but I thought that I should attempt to paint it while it is still in its original state.
I managed to set up my easel in Macquarie Place Park, directly opposite the corner of Bridge and Gresham street.
plein air oil painting of Lands Department building in Bridge st Sydney by heritage artist Jane Bennett
U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm

Enquiries
James Barnet was the architect mostly responsible for the design of the Lands Department building, although Walter Liberty Vernon and William Edmund Kemp also made contributions.
plein air oil painting of Lands Department building in Bridge st Sydney by heritage artist Jane Bennett
U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm

Enquiries





































The foundation stone was laid in 1876 by the Minister of Lands and it was completed in 1893. The Renaissance Revival Style facades are of dressed Pyrmont sandstone
The ground, first, and second floors have pilasters and entablatures of the Doric, Ionic and Corinthian orders respectively, each standing on appropriate pedestals.  
plein air oil painting of Lands Department building in Bridge st Sydney by heritage artist Jane Bennett
U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm

Enquiries
A large copper dome, 55' square at the base, but changing to an octagon at the top, rises above the Bridge Street facade.
The clock tower has a copper onion-shaped dome which was allegedly influenced by the shape of the water carafe of Sir Henry Parkes.
plein air oil painting of Lands Department building in Bridge st Sydney by heritage artist Jane Bennett
U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm

Enquiries




















The best of Classical tradition was fused with the most cutting edge technology for the period. Heating, lighting, ventilation and a system of communication involving speaking through tubes and operating pneumatic bells was incorporated in the design.
Builder John Young introduced one of Sydney’s first reinforced-concrete floor slabs, with concrete vaults to improve fire resistance.
plein air oil painting of Lands Department building in Bridge st Sydney by heritage artist Jane Bennett
U235'Statues of Explorers', Lands Department
 2015 oil on canvas 31 x 31cm

Enquiries























There are 12 niches on each facade, which were all intended to be filled with sculptures of explorers or legislators who made a major contribution to the settlement of the nation.
Although 48 men were nominated by the architect as being suitable subjects, most were rejected and only 23 statues were commissioned, leaving 25 niches unfilled. 
In 2010-11 a new statue of colonial surveyor James Meehan (1774-1826) was created and placed in an empty niche on corner of Loftus/Bent Streets.
plein air oil painting of Lands Department building in Bridge st Sydney by heritage artist Jane Bennett
U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm

Enquiries






































In my painting the statue of the botanist Sir Joseph Banks is on the left, and the statue of the explorer Sturt on the right.
plein air oil painting of Lands Department building in Bridge st Sydney by heritage artist Jane Bennett
U235'Statues of Explorers', Lands Department
2015 oil on canvas 31 x 31cm

Enquiries
In the late 1980s the building was earmarked by the NSW Governnment as one of the potential sites for conversion into a casino.
To protect the building from unsympathetic development, a Permanent Conservation Order was passed by the NSW Heritage Council. 
However, although it is one of the most beautiful and historic buildings in Australia, it still faces an uncertain future.
Both Sydney’s historic
The hotel will open in 2021 after the government employees finally leave in 2018.


Related Posts