Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.

Thursday 24 March 2011

UPtown Festival 2011

The 30th Pyrmont Ultimo Festival
Saturday 19th March 2011
The industrial heritage artist Jane Bennett exhibiting her Pyrmont paintings at the 2011 Pyrmont Festival
The Pyrmont- Ultimo UPtown Festival 2011
Photo is courtesy of Jeffrey Mellefont,
Australian National Maritime Museum.

Quarry Green is a charming little park between Quarry St and Bulwara Road behind Harris St Ultimo. Its most famous landmarks are the church and tne pub, which lie close to the border between Pyrmont and Ultimo.
The festival began modestly thirty years ago, when it was started by two enterprising local residents, Debra Berryman and Olga Reader, as a simple get-together to unite the small local community. Since then, year by year, the UPTown Festival has witnessed the Ultimo Pyrmont precinct’s remarkable re-birth and transformation from a quiet, post-industrial area in the early 1980’s, with a population of under 2000, to today’s thriving business, media and education centre, with a dynamic, multi-ethnic community of around 20,000.
I had displayed some of my many paintings of Pyrmont and Ultimo in previous UPtown festivals, but always inside the church hall which made them difficult to see. This time I was given a large tent and a prime position outside the local community's favourite watering hole, the Lord Wolseley. This delightful old pub, at the northern end of Quarry Green on Bulwara Road, is one of the narrowest in Sydney, but makes up for that in 'character'. Its interior boasts a bullet hole left in the pub mirror by Neddy Smith, who had rather shakily aimed at the bartender during the 1980's gangland wars. Those were the days!
Despite the heavy rain the festival drew a large crowd-the organizers estimated that there were over 4,000 people attending. I caught up with lots of people I hadn't seen for years and met many new residents who were interested to see what their suburb used to look like.The tent sheltered my 40 paintings and 2 large drawings, attached with cable ties to the 14 easels I had again borrowed from my long suffering mate John from the Australian Society of Marine Artists. Lots of people helped me lug the easels from the Mustard Seed Centre where they were stored.
The paintings in this photo are some of my more recent Pyrmont artworks. In the foreground is the "Carpentaria and the James Craig" from just outside Wharf 7, and above it are 2 views of Jacksons Landing from Glebe Island Wharf and a painting of Pyrmont from the East Darling Harbour Wharves.

For more information see My Pyrmont page in this blog

Related posts
Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free
Pyrmont Paintings past and present
Paintings of Pink pubs - Painting the Jolly Frog Part 2 

Not the Writers Festival- Exhibition of Pyrmont Paintings by Jane Bennett at 2013 Pyrmont Festival
We like sheep - Waite and Bull Building 137 Pyrmont Street
Marine art exhibition at Australian National Maritime Museum
Pyrmont Sandstone - The Lizards of Oz

Monday 7 March 2011

A Royal Rendevous- Part 2 Farewell to the Queens

plein air oil painting of the 'Queen Elizabeth 2' docking at Circular Quay by maritime artist Jane Bennett
Unfinished painting of 'The Queen Elizabeth docking at Circular Quay '
oil painting on canvas 61 x 76cm
 $4,500 


Enquiries about this painting:
janecooperbennett@gmail.com 

        For information and price list -Artist information page




(Photo is courtesy of Callan Back)
plein air oil painting of the 'Queen Elizabeth 2' docking at Circular Quay by maritime artist Jane Bennett
Completed painting of  'The Queen Elizabeth docking at Circular Quay '
oil painting on canvas 61 x 76cm
 $4,500 

Enquiries about this painting:
janecooperbennett@gmail.com 

        For information and price list -Artist information page

Monday 28 February 2011

A Royal rendezvous

Painting the Queen Elizabeth's arrival at the Overseas Passenger Terminal, Circular Quay, Sydney Harbour 
Woke up at 4am on a grey, drizzly dawn; at the steps of the Opera House by 5am - must be cruise ship season again!
Waiting for the royal rendezvous when the Queen Mary 2 and her newer, smaller cousin the Queen Elizabeth pass each other with Fort Denison between them.
I have gouache paints and a large block of watercolour paper to catch the occasion. However this proves not to be the most sensible choice for this type of weather. The paintings turn out well, but by the time I have chased the Queen Elizabeth to its berth for the next day and a half at the Overseas Passenger Terminal at Circular Quay, all the pages are well and truly stuck together as it starts to rain.
After a few more promising attempts at painting gouaches of the docking super liner get partially washed away, I try plan B and swap them for oil paints.
 
Marine art plein air oil painting of the 'Queen Elizabeth 2' docking at Circular Quay by marine artist Jane Bennett
I'm starting a small plein air oil painting of the Queen Elizabeth at Circular Quay Tuesday 22nd February 2011
The Queen Elizabeth at Circular Quay from the Commissioners Steps' 2011 oil on canvas 31 x 61cm
Sold  Enquiries
A young couple from Melbourne happened to wander up just as I was wondering what to paint in the foreground to show the scale of the huge ship, and add some human interest. I painted them arm in arm at the top of the Commissioner's steps. (They now own the painting).
Marine art plein air oil painting of the 'Queen Elizabeth 2' docking at Circular Quay by marine artist Jane Bennett
Oil painting of ' The Queen Elizabeth at Circular Quay from the Commissioners Steps' 2011 oil on canvas 31 x 61cm
Sold  Enquiries

The rain nearly drove me crazy, stopping long enough to give me a false sense of security, then setting in as soon as I settled down to get some serious painting done, but I managed to finish this oil painting at the end of the first day.
The next day I bravely started a larger canvas, knowing that the ship was due to sail at midday.
I managed to paint most of the ship before it left, but have to return to fix up the sea, and sky to my satisfaction.
I will post the "Royal Rendezvous" gouaches of the 2 Queens passing each other, as soon as I can carefully prise the paintings apart, hopefully without damaging them too much.
I might be able to use them as studies to paint a canvas from in the studio.

A Tall Ship and a Lightship

The CLS 4 Carpentaria, unmanned lightship
plein air oil painting of the tall ship 'James Craig' and lightship 'Carpentaria' at Wharf 7 Pyrmont by maritime artist Jane Bennett
Starting a new canvas of the lightship 'Carpentaria'
with the James Craig behind it.
In the background is Barangaroo.
'The lightship 'Carpentaria' with the James Craig '
2010-11 oil painting on canvas 61 x 76cm
Enquiries about this painting
A lightship is a ship acting as a floating lighthouse to aid navigation and warn ships of hazards. Lightships anchor in waters that are too deep or dangerous for a permanent lighthouse to be built.
Commonwealth Lightship 4, 'Carpentaria', was one of four unmanned lightships built at Cockatoo Island Dockyard, Sydney, in 1916-17. After a close encounter with a container ship
in Bass Strait nearly scuttled her, the 'Carpentaria' finally retired in 1985.
Originally she had an automatic acetylene light mounted on its tall mast, with a sunlight-operated valve to switch it on and off.
The Carpentaria barely seems to need any additional light to make her visible to navigators as she has been painted an eye-ball burning bright red and has its name inscribed in huge letters on the side. She is difficult to miss against the bland white waterfront of Darling Harbour.
While I was Artist in Residence at Cockatoo Island (for the 2nd time from 2005 until 2007 when the island was being prepared for opening to the public, The 1st time was during the 1980s while the island was still an operational shipyard) I noticed the Carpentaria docked on the southern slipway adjoining Fitzroy dock for several months.
I had high hopes then that Cockatoo Island would be returned to its original purpose of a working shipyard, but no such luck.
plein air oil painting of the tall ship 'James Craig' and lightship 'Carpentaria' at Wharf 7 Pyrmont by maritime artist Jane Bennett
'The lightship 'Carpentaria' with the James Craig ' 2010-11
oil painting on canvas 61 x 76cm
Enquiries about this painting

The Tall Ship 'James Craig'
Behind the scenestealing lightship dominating the foreground is the square-rigger, the James Craig. She is a three-masted, iron-hulled barque currently berthed at Wharf 7 of Darling Harbour, near the Australian National Maritime Museum.
One of only 4 operational ships of her era and rig , she is a true link to the heroic age of the seafaring past. In 1972 volunteers from the Sydney Heritage Fleet refloated her and towed her to Hobart for initial repairs. She was then towed back to Sydney, and after an epic program of restoration and repairs, was finally able to set sail by 2001.
The 'James Craig' is open to the public, and is crewed and maintained by my good mates from the Sydney Heritage Fleet.
"Salt in the Air"
I am one of 10 women artists from the Australian Society of Marine Artists who have been Artists in Residence at the Sydney Heritage Fleet.
We'll hold an exhibition "Salt in the Air" aboard the James Craig to help provide funds to restore the vessels of the fleet.
This is one of the 17 paintings I'll exhibit.
The exhibition will be opened by Tanya Plibersek MP at 2pm on Saturday 27th April on board the James Craig. It is open daily 10am - 4pm from Saturday 27th April - Sunday 4th May 2013