Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Ways Terrace. Show all posts
Showing posts with label Ways Terrace. Show all posts

Wednesday 2 September 2020

Castle on a hill

Today's painting on the deck gallery was a panorama of Ways Terrace painted in 1994, when Pyrmont was a work in progress.
Ways Terrace is located at 12-20 Point Street, and is now known more prosaically as the Point Street flats.
Plein air oil painting of Ways Terrace in Pyrmont by Jane Bennett
P98 Ways Terrace 1994 oil on board 41 x 122cm








 
 
 
 
For nearly two decades, Ways Terrace was the sole occupant of the Point Street hilltop.
A castle on a hill, with a commanding position, precariously positioned on a rocky outcrop towering over the surrounding land.
Plein air ink & wash drawing of Ways Terrace in Pyrmont by artist Jane Bennett














 
 
P36 'Ways terrace from Lower Jones Bay Road'
1993 ink on paper 31 x 41cm 
However it is neither the rumoured birthplace of King Arthur, a crusader castle nor a Walt Disney fairytale castle, but Housing Commission flats. Many battles have been fought there, but they have involved residents and squatters against developers, residents against various government and semi-government departments, and old residents against new residents. These battles more often featured guerrilla tactics and ferocious political manoeuvering so they have remained uncelebrated in myth and legend.
The "moat" was the railway cutting. Then a second line of defence was excavated when CRI demolished the pretty flower garden planted by Karen and other residents, leaving a gaping wound of bare sandstone. After the 1987 stock market crash, CRI went bankrupt but their legacy of a hole in the ground remained for 15 years.
Two skeletons of dead trees atop a mound stood like an accusing two fingered salute pointing skyward in defiance.
The hole filled with water, becoming a moat to the Ways Terrace “castle” & attracted ducks & pelicans.
Plein air oil painting nocturne of Ways Terrace in Pyrmont by artist Jane Bennett
P86 Night,Ways Terrace   1994 
oil on canvas  91 x 61 cm
Ways Terrace was designed by notable architect Professor Leslie Wilkinson in association with architect Joseph Fowell and submitted for the Sydney City Council's Housing Project Competition in 1923, which it won. 
The land had become available after the completion of the construction of the Jones Bay finger wharves and their associated waterfront roadway, Jones Bay Road. The housing formerly on the land in the vicinity had been resumed by the government for wharf purposes and demolished except for a few individual buildings. Ways Terrace marked when the original working class housing was displaced by industrial and commercial development, followed by a concerted government endeavour to resettle residents in better quality accommodation.
It dramatically contrasts how the government attitude to low cost housing in Sydney has changed from the early twentieth century to a century later.
Plein air oil painting of Ways Terrace in Pyrmont by artist Jane Bennett
P98 Ways Terrace 1994 oil on board 41 x 122cm
Ways Terrace is a four storey rendered brick apartment block, located prominently on the skyline, in a series of five cubic blocks which step down the hillside. 
Leslie Wilkinson was a leading exponent of inter-war Mediterranean design, & this building is a key element of the Pyrmont cityscape. 
I always tried to pin down what it reminded me of. Finally when I visited Florence, I realized how similar in style it was to the structures built on the bridge over the Arno.
The Florentine character of Ways Terrace is established by the protruding balconies in the form of loggias & the trellised uppermost level of balconies. Plain rendered surfaces cast strong shadows. Windows are rectangular and multiple paned. Round arched openings define the entrance doors & there is a dramatic arched bridge over a laneway to the rear (the Ways Terrace street). The building has shallow pitched, terracotta tiled gable roofs with wide eaves. 

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Friday 26 June 2020

Royal Edward Victualling Yards (REVY), Darling Island, Pyrmont

Today's painting on the deck shows a small panorama of Sydney Harbour with a cargo ship berthed at the East Darling Harbour Wharves in the background. The strange looking building in the centre surrounded by piles of timber is the REVY C building on Darling Island. I painted it in the early 1990s from Ways Terrace.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett







 
 
 
P8'REVY C from Ways Terrace'
1992 oil on canvas 31 x 61cm
On Darling Island, nothing is now left of the timber and shipbuilding yards. Today the water’s edge bristles with new apartment blocks gazing over sheltered waters. Yet beneath the silvery surface lies a hidden history.
The Royal Edward Victualling Yard, ( REVY A,B & C), was built between 1890 and 1911, by the revered Government architect Walter Liberty Vernon in the Federation Free style.
They were some of the last working buildings on the Pyrmont waterfront and had rivettingly odd architecture. Revy A and B  consisted of a 5 storey and a 6 storey pair of large red brick warehouses set at right angles to each other and linked by a square central  water reservoir tower. They were built in a flamboyant neo-Gothic style which reminded me irresistibly of the Bargello in Florence.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett

 
 
 
 
 
 
 
 
 
 
P8'REVY C from Ways Terrace'
1992 oil on canvas 31 x 61cm
Revy C is a narrow, skinny, rather ungainly eight-storey, red brick Federation Warehouse, and still the tallest structure on Darling Island.  It had a rusticated ashlar bluestone ground floor, and a riveted truss jib crane facing Jones Bay Wharf. Its 4 large lift towers on the roof always reminded me of the crenellations on top of medieval castles.
Early fire fighting relied on steam pumped water pressure which could only reach up to a maximum of 2 storeys. So the set of external steel fire stairs at either end were a very practical solution to this problem, even though I used to curse them for being a perspective nightmare to paint.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett


 







 
P12B REVY 3 from Jones Bay Wharf with 'Nederburg'
1990 oil on canvas 25 x 51 cm
SOLD
Enquiries about other paintings of Darling Island

Revy's original purpose became obsolete due to the increasing size of cargo ships and the introduction of container shipping.
The painting above shows the 'Nederburg' one of the last cargo ships docking at the Pier 19/20/21 (now known as Jones Bay Wharf) opposite Revy C.
During the 1980s REVY C was remodelled for the Defence Science and Technology Organization.
Plein air oil painting of East Darling Harbour Wharves, Sydney Harbour and REVY, Darling Island in Pyrmont  painted by industrial heritage artist Jane Bennett














P12 REVY from Jones Bay Road
1990 oil on paper 25.5 x 31 cm

Available for sale
This small oil study shows the timber yard on the other side to the previous painting.
In 1994, REVY A and B were renovated for Naval Support Command , and I was commissioned to paint 3 huge paintings for their foyer.
They could be seen from Jones Bay Road until 2005 when Channel 7 moved in. Now these paintings are on Spectacle Island, where unfortunately they can't be seen by the public.
REVY C was vacant from 2005 until its recent redevelopment for apartments.
 
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