Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Isolation. Show all posts
Showing posts with label Isolation. Show all posts

Sunday 21 June 2020

Tie a yellow ribbon


Today's painting on the deck gallery is a streetscape of Merriman Street, Millers Point.
These colourful terraces are just next to the Barangaroo Headland Park, and at the time of painting, still lay in the shadow of the now demolished Harbour Control Tower, which actually used to have an entrance on Merriman street directly opposite the terraces in this canvas. The Palisade Hotel is just at the end of the street.
They face west and I caught them in the full light of the setting sun to enhance their faded gelato colours so reminiscent of the dilapidated charm of urban Cuba. I kept expecting to hear the Buenavista Social Club from every doorway.
They also reminded me of streetscapes by Jeffrey Smart and Edward Hopper. Behind the colourful facade is a threatening storm.
 
Plein air oil painting of Merriman Street Millers Point near Barangaroo painted by industrial heritage artist Jane Bennett
MP11 'Merriman st' 2014
oil on canvas 46 x 61cm
Available






















Sharp eyed viewers will be able to see yellow ribbons tied to the doors. A yellow ribbon had been used to mark a building destined for demolition, during the original Rocks clearances in the late 19th - early 20th century. The current residents adopted and repurposed this symbol to signal a building where the occupants were threatened with eviction.
Plein air oil painting of Merriman Street Millers Point near Barangaroo painted by industrial heritage artist Jane Bennett
MP11 'Merriman st' 2014
oil on canvas 46 x 61cm
Available


















The early 20th century slum clearances in Millers Point and the Rocks were performed under the pretext of saving the city from bubonic plague. The early 21st century clearances were of the community rather than the architecture, under the guise of economic rationalism.
First the maritime workforce, then the surrounding community was dispersed.
Until recently, the inner city had been regarded as a crowded, squalid slum, so the rich flocked to the suburbs. Now this has reversed, and the poor are pushed to the periphery. The city is spoilt rotten for resources and transport, while the hinterland has been starved.
Plein air oil painting of Merriman Street Millers Point near Barangaroo painted by industrial heritage artist Jane Bennett
MP11 'Merriman st' 2014
oil on canvas 46 x 61cm
Available





















Nearly 200 years of its colourful maritime past has been swept away with barely a token gesture to its previous existence.
Since this canvas was painted, most of Millers Point has passed into private hands, and many of the workers cottages were transformed into short term rental Air B'n'B. Ironically, due to another outbreak of plague (Covid 19 this time, not bubonic) almost exactly a century later, these short term rentals are now mostly vacant and from March to mid June 2020 the Isolation restrictions turned Millers Point into a ghost town.

Related posts


Wednesday 17 June 2020

Isolation Gallery- Walsh Bay

Today's painting featured in my Isolation gallery is from over 20 years ago. It shows the redevelopment of Walsh Bay Wharves.
Isolation gallery-oil painting of redevelopment of Walsh Bay Wharves by artist Jane Bennett
W33 'Walsh Bay Wharves from Wharf 8-9'
1999 oil on canvas 61 x 101cm
I was 'Artist in Residence' at the Woolloomooloo Fingerwharves during their redevelopment & refurbishment in the late 1990s. Many of the same construction workers later worked on the transformation of Walsh Bay Wharves a couple of years later, so they inherited me as 'Artist in Residence'.
I painted the derelict, fire-ravaged and soon to be demolished Wharves 6-7  from the interior of Wharf 8-9.
The green netting and bright yellow boom contrasts with the red brick and weathered timber of the wharves.
Isolation gallery-oil painting of redevelopment of Walsh Bay Wharves by artist Jane Bennett
W33 'Walsh Bay Wharves from Wharf 8-9'
1999 oil on canvas 61 x 101cm
I can't believe how much this area has changed since this painting!
Barangaroo has replaced the East Darling Harbour Wharves, aka 'The Hungry Mile', one of the last relics of Sydney's Working Harbour. 
The residents of Millers Point have mostly been relocated, & the area almost resembles a ghost town.
W33 'Walsh Bay Wharves from Wharf 8-9'
1999 oil on canvas 61 x 101cm

 
 
 

Tuesday 16 June 2020

Isolation Gallery on the deck - Ex HMAS Adelaide on Glebe Island

Due to the Covid-19 restrictions, my wings have been clipped.
I'm caring for my elderly and very frail mum at home, so even when restrictions are relaxed, my obligations as a carer mean I'll still be very restricted in the amount of plein air painting I can do.

Oil paintings of 'ex HMAS Adelaide' painted en plein air at Glebe Island Wharf, by industrial heritage artist Jane Bennett
Paintings on the deck

I've used my enforced downtime to repair old paintings. When canvases are taken to exhibitions and handled a lot they can get scuffed at the edges.
I'd spent the start of the Covid season putting up a pergola over the front deck so it would be a nice breakfast nook. But it's been really useful as.a studio extension as it's sheltered from rain and all but the fiercest winds.
I started putting some large canvases out there to dry after repairs, just to get them out of my way so I don't trip over them.
Down the side of my garden is a walkway to the local park and I noticed a few people staring at the paintings. I did this for a few weeks, but when I didn't have anything on the easel for a couple of days they asked me to put some paintings back up.

Oil paintings of 'ex HMAS Adelaide' painted en plein air at Glebe Island Wharf, by industrial heritage artist Jane Bennett
A3 Ex HMAS Adelaide late afternoon panorama
2011 oil on canvas 61 x 183cm                            
A25 'ex HMAS Adelaide sinking'
2011 oil on canvas 25 x 51 cm


The galleries are shut, so I thought 'Why not? At least it gets them out of my studio'
Since then I've had a different painting every day on the deck gallery. Sometimes two if they have a connection to each other.
I choose at random - it's a chance to wander through my past.
Enjoy.

Oil painting of 'ex HMAS Adelaide' painted en plein air at Glebe Island Wharf, by industrial heritage artist Jane Bennett
A3 Ex HMAS Adelaide late afternoon panorama
 2011 oil on canvas 61 x 183cm









This is a sort of before and after pairing.
The Ex HMAS Adelaide on Glebe Island being stripped of most of her interior fittings before scuttling, and a small painting of her scuttling off Terrigal.

Oil paintings of 'ex HMAS Adelaide' painted en plein air being scuttled at Terrigal, by industrial heritage artist Jane Bennett
A25 'ex HMAS Adelaide sinking'
2011 oil on canvas 25 x 51 cm












See the posts about these paintings
"Two ships in dock"
"Ghost Ship Part 2" 
"Ghost Ship Part 1"