Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.

Monday 28 February 2011

A Tall Ship and a Lightship

The CLS 4 Carpentaria, unmanned lightship
plein air oil painting of the tall ship 'James Craig' and lightship 'Carpentaria' at Wharf 7 Pyrmont by maritime artist Jane Bennett
Starting a new canvas of the lightship 'Carpentaria'
with the James Craig behind it.
In the background is Barangaroo.
'The lightship 'Carpentaria' with the James Craig '
2010-11 oil painting on canvas 61 x 76cm
Enquiries about this painting
A lightship is a ship acting as a floating lighthouse to aid navigation and warn ships of hazards. Lightships anchor in waters that are too deep or dangerous for a permanent lighthouse to be built.
Commonwealth Lightship 4, 'Carpentaria', was one of four unmanned lightships built at Cockatoo Island Dockyard, Sydney, in 1916-17. After a close encounter with a container ship
in Bass Strait nearly scuttled her, the 'Carpentaria' finally retired in 1985.
Originally she had an automatic acetylene light mounted on its tall mast, with a sunlight-operated valve to switch it on and off.
The Carpentaria barely seems to need any additional light to make her visible to navigators as she has been painted an eye-ball burning bright red and has its name inscribed in huge letters on the side. She is difficult to miss against the bland white waterfront of Darling Harbour.
While I was Artist in Residence at Cockatoo Island (for the 2nd time from 2005 until 2007 when the island was being prepared for opening to the public, The 1st time was during the 1980s while the island was still an operational shipyard) I noticed the Carpentaria docked on the southern slipway adjoining Fitzroy dock for several months.
I had high hopes then that Cockatoo Island would be returned to its original purpose of a working shipyard, but no such luck.
plein air oil painting of the tall ship 'James Craig' and lightship 'Carpentaria' at Wharf 7 Pyrmont by maritime artist Jane Bennett
'The lightship 'Carpentaria' with the James Craig ' 2010-11
oil painting on canvas 61 x 76cm
Enquiries about this painting

The Tall Ship 'James Craig'
Behind the scenestealing lightship dominating the foreground is the square-rigger, the James Craig. She is a three-masted, iron-hulled barque currently berthed at Wharf 7 of Darling Harbour, near the Australian National Maritime Museum.
One of only 4 operational ships of her era and rig , she is a true link to the heroic age of the seafaring past. In 1972 volunteers from the Sydney Heritage Fleet refloated her and towed her to Hobart for initial repairs. She was then towed back to Sydney, and after an epic program of restoration and repairs, was finally able to set sail by 2001.
The 'James Craig' is open to the public, and is crewed and maintained by my good mates from the Sydney Heritage Fleet.
"Salt in the Air"
I am one of 10 women artists from the Australian Society of Marine Artists who have been Artists in Residence at the Sydney Heritage Fleet.
We'll hold an exhibition "Salt in the Air" aboard the James Craig to help provide funds to restore the vessels of the fleet.
This is one of the 17 paintings I'll exhibit.
The exhibition will be opened by Tanya Plibersek MP at 2pm on Saturday 27th April on board the James Craig. It is open daily 10am - 4pm from Saturday 27th April - Sunday 4th May 2013

Sunday 27 February 2011

Irons in the Fire - Part 5 'Playing with Fire'

Paintings of the Blacksmiths at Wrought Artworks,
Bay 1/2 Australian Technology Park,
Eveleigh Railway Workshops
oil painting of blacksmith at Australian Technology Park, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
'Lok forging at Wrought Artworks' 
2010 oil painting on canvas 
36 x 46 cm
Sold
Enquiries about similar paintings

It was hard to catch Lok on his own without Dave (who was centre stage in the previous painting) from the viewpoint I had, but worth it -he looks quite heroic! I didn't want to move my position in case I got in the way.
I feel that the movement implied in the pose and the glow cast by the light from the furnace capture the element of danger of this ancient craft.
I've always loved the paintings of Caravaggio,  Georges de La Tour and the 18th century painter of the early days of the Industrial Revolution, Joseph Wright of Derby. As well as his most famous masterpieces about the dawn of the Age of Enlightenment, the 'Orrery' and 'Experiment on a bird in an Airpump', Joseph Wright of Derby had painted a wonderful series of canvases of blacksmiths at the forge.
I stayed in Derby while I was on my Marten Bequest Travelling Art Scholarship, and frequently visited the Derby Art Gallery, where most of Wright's work is displayed.
My paintings of the blacksmiths are painted from life, but also pay tribute to these masters of the effects of light and shadow.

The village smithy (sydney-eye.blogspot.com)

Irons in the Fire - Part 4 'Strike while the Iron is Hot'

Paintings of the Blacksmiths at Wrought Artworks,
Bay 1/2 Australian Technology Park,
Eveleigh Railway Workshops
'Strike while the iron is hot'  is a very old proverb, and like the phrase 'irons in the fire' comes directly from blacksmithing.
It means when you have an opportunity to do something, do it before you lose your chance.
Plein air painters and blacksmiths both need quick reflexes.
oil painting by industrial heritage artist Jane Bennett of blacksmith forging at Wrought Artworks, Eveleigh Railway Workshops, Australian Technology Park
Forging,Wrought Artworks 
2010 oil on canvas 20 x 25cm

Sold
Enquiries about similar paintings
I grabbed the opportunity and caught a dramatic moment in a small canvas.
I don't know whether the small white hot bit of metal is supposed to be on the floor and is part of the process, or whether it was a bit of accidental run off. We're all wearing safety boots anyway, and it looks spectacular.

Irons in the Fire - Part 3 'Hot'

Paintings of the Blacksmiths at Wrought Artworks,
Bay 1/2 Australian Technology Park,
Eveleigh Railway Workshops

The phrase 'iron in the fire' refers to an undertaking or project in progress. The phrase 'several irons in the fire' refers to a number of jobs or possibilities available at the same time.
A person who has a 'few irons in the fire' has a number of things working to their advantage at the same time. 
All of the above apply to me as well as the blacksmiths I'm painting.
I haven't been rushing between furnace and anvil, while juggling white hot metal, except metaphorically.
I have been painting at many locations recently - 3 separate places within the huge Eveleigh Railway Workshop complex ( the Heritage Store next to Carriageworks, the large Erecting Shop and Wrought Artworks in the Australian Technology Park); the ships moored off Wharf 7 near the Australian National Maritime Museum; the top of the Sydney Ports Corporation Harbour Control Tower; finishing a panorama of Summer Hill from the top of the soon to be renovated Mungo Scott Flour Mills; and most recently, standing out in the pouring rain on the OPT (Overseas Passenger Terminal) at Circular Quay while painting the maiden call of the gigantic luxury cruise ship the 'Queen Elizabeth'.
I could have done with a bit of fire during that last one, as despite wearing a Driza-bone, which I had thought might be overkill for February, I got soaked to the skin and froze.
I've managed to time it this summer so that I am painting a blazing forge in 40C degree heat and ships in the harbour on a chilly grey dawn.
Oil painting of blacksmith's forge painted in the Australian Technology Park, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
'Hot' 2010 oil on canvas 25 x 20 cm
  Enquiries about this painting