Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.

Sunday, 9 January 2011

Two Ships in dock - Painting the 'Pacific Jewel' and the ex-HMAS Adelaide' at Glebe Island Wharf

In the dock*
*dock 1
1.The area of water between two piers or alongside a pier that receives a ship for loading, unloading, or repairs.
dock 2
1. To clip short or cut off
2. To deprive of a benefit or a part of something, especially as a punishment
3. To withhold or deduct a part from dock 3

An enclosed place where the defendant stands or sits in a court of law. Idiom: 'in the dock'
On trial or under intense scrutiny. (Definitions of 'Dock' courtesy of the Free Dictionary)


2 ships on Glebe Island Wharf- one under repair and one being systematically pulled to pieces, both literally and metaphorically.
After a problem developed in the propulsion system, the 'Pacific Jewel' had to cool its heels for quite a while, first at Barangaroo, then for over a week at Glebe Island and finally at Captain Cook dry dock over at Garden Island.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel'
en plein air at Glebe Island Wharf
Available
The engines had broken down and after a few days the cruise ship was moved to the Naval dry dock at Woolloomooloo on Saturday 30th November, unfortunately while I was at the Eveleigh field day.
When I asked a couple of blokes in overalls how long the repairs would take, one of them said that they had to move an item weighing about 45 tons to get to the broken bit. When I asked how that was going, they laughed and said that they had managed about 8 tons of it so far; about 37 to go.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel' en plein air
at Glebe Island Wharf,
oil painting by artist Jane Bennett 27th October 2010
Available 
Starting the new canvas. It was a sullen overcast day with very gusty winds. I knew it would be hopeless to try any painting on the open wharf next day. I didn't know how long that the 'Pacific Jewel' would be staying at Glebe Island. Nor did anyone else.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel' at Glebe Island
on 29th October 2010
Available 
I resumed painting on the 29th, which was just as well as the day after this, the 'Pacific Jewel' was sent to Captain Cook Dry Dock at Garden Island. I unfortunately missed this as I had committed myself to be "Artist in Residence" at the Eveleigh Field Day, and try as I might I still haven't mastered the knack of being in 2 places at the one time.
See my post in this blog about the Eveleigh Field Day
However I managed to catch up with the 'Pacific Jewel' a couple of days later at Captain Cook dock, courtesy of Eptec, who were also painting the ship.
White.
With really big rollers.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel' en plein air
at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 
When it started to rain again I didn't feel like going home so I went over to say hello to Chris and the guys and renew my acquaintance with the Adelaide. I was able to get a little shelter from the weather as they have containers and demountables.
The ex-HMAS Adelaide has been lying doggo off Glebe Island for over a year now. You can see it in the background of this canvas, to the left of the 'Pacific Jewel'.
The Adelaide has had a chequered career. Adelaide was the ship which intercepted SIEV 4 on 6th October 2001, which was the event that sparked the Children overboard affair
I have rather a collection of paintings of notorious ships e.g the 'MV Tampa'.  
Painting the ex HMAS Adelaide en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
'The 'ex HMAS Adelaide' 1 year later
at Glebe Island wharf' 2010
oil painting on canvas 25 x 51cm
Available 

The seemingly never-ending saga of the poor old Adelaide continues. There's not much left of her to sink now! Almost everything that can be removed has been removed.
There is a huge gang of workmen clad in fluoro orange overalls ( excellent colour choice from my point of view - it is the complementary opposite to the pale grey-green of the hull) busy stripping her out, but there is still a 'Waiting for Godot' atmosphere hanging over this flurry of activity.
You see, we've been through this all before.
The vessel had been prepared for scuttling from its arrival in late 2009 to early 2010. Her mast was cut off so that it wouldn't become a navigational hazard once the ship was scuttled. Dangerous materials, weapons, systems and potential toxins were removed, and diver access holes were cut in the ship's flanks.
Originally the Adelaide was scheduled to have been sunk on the 27th March, 2010, in 32 metres of water, 1.7 kilometres offshore from Avoca Beach, until a literally last minute court challenge nipped this in the bud. Local stirrers campaigned to prevent the scuttling, with claims that the wreck had the "potential to affect tides and littoral sand drift", and that the "removal of chemicals and hazardous materials in the ship had not been completely thorough".
An appeal by the protest groups to the Administrative Appeals Tribunal three days before the sinking saw the project placed on hold. The case was to have been heard on 5 May 2010, but this was postponed until July.
On 15th September, the Tribunal finally ruled that scuttling of the ship could go ahead after the removal of canvas, insulation, any remaining wiring, (which allegedly may contain polychlorinated biphenyls) and exfoliating paint (which may allegedly contain red lead).
There will be another attempt to scuttle her in April 2011, but there are no guarantees that there won't be further court action to delay or even stop proceedings.
The suspense continues...


Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting 'Pacific Jewel' en plein air
at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 

I'm usually the only painter on the wharf.
Other people are painting the ship too! White, and with really big rollers. Here is a glimpse of them at the top of the orange crane in the background. When I first arrived and said to the security guard that I had come to paint the ship, this is what he thought I meant.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting 'Pacific Jewel' en plein air at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 
The 'Pacific Jewel' was officially launched with its present name at White Bay Wharf, only about 500 metres to the north, on 14 December 2009, less than a year ago. Originally christened the 'Crown Princess', she was built in 1989 and her maiden call was on the 6th July 1990. Her curved 'dolphin-like' profile was apparently designed by Renzo Piano. The 'Pacific Dawn', her sister ship, is also a frequent visitor to Barangaroo.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting 'Pacific Jewel' en plein air at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 
Due to the ongoing repairs during October 2010, three cruises for October and November (to Vanuatu and Noumea, Melbourne for the Melbourne Cup, and Fiji) had to be cancelled in the start of one of Australia's busiest cruise ship seasons.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Portrait of the artist at work
Available 

Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
'The 'Pacific Jewel' at Glebe Island' 2010
oil painting on canvas 31 x 103cm.
Available 
The painting is completed.
This bit of bad luck for the ship was a bit of good luck for me. Normally a cruise ship is docked for a day or less, and the painting has to be small enough to be completed in the time available or the next time around. By now I have quite a comprehensive collection of 'Pacific Jewel' paintings from every conceivable viewpoint, several locations and at most hours of the day or night.

For more paintings and information about the 'MV Tampa':
See my Hungry Mile page in this blog
For more paintings and information about the ex-HMAS Adelaide:
See my White Bay Wharf / Glebe island Wharf page in this blog


Related posts


Tuesday, 14 December 2010

My paintings in the Xmas Exhibition at Camden Fine Art Gallery :

My Paintings for sale in 'Sydney Harbour and Country Links'

My Paintings will be for sale in the annual Xmas exhibition at Camden Civic Centre (Undercroft), Oxley Street, Camden, on 14-18 December 2010. 


A preview of some of my paintings on display in this exhibition:

Sydney Harbour Ferries

marne art, Sydney Harbour Bridge with Sydney ferry 'Charlotte'  oil painting by artist Jane Bennett
The 'Charlotte' arriving at Milson's Point Jetty 
2009  oil painting on canvas 25 x 25cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com
marne art, Sydney Harbour Bridge with Sydney ferry 'Charlotte'  oil painting by artist Jane Bennett
The 'Charlotte' departing from Milson's Point Jetty 
2009  oil painting on canvas 25 x 25cm 
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

Sydney Harbour Bridge by day and night

'Sydney Harbour Bridge Panorama- day' 
2009 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com
'Sydney Harbour Panorama- evening' 
2009 oil painting on canvas 31 x 61cm
Enquiries about this painting:
janecooperbennett@gmail.com
"Some pubs with no beer"

Paintings of 2 ex-pubs, once favourite wharfie watering holes at the northern end of Harris st, Pyrmont. The 'Pyrmont Arms' has now been redeveloped as an apartment complex and a boutique wine cellar. The aptly named 'Terminus' remains abandoned and derelict to this day.
 
streetscape, old pub in Pyrmont, 'Pyrmont Arms', oil painting by artist Jane Bennett
'The Pyrmont Arms from the roof of the C.S.R.' 
1990  oil on canvas 31 x 31 cm
Enquiries about this painting:
janecooperbennett@gmail.com


Painted from the roof of the CSR Boilerhouse, CSR Refinery, Pyrmont. This was during the 'Pyrmont Arms' Hotel's last days as a working pub.
streetscape, old pub in Pyrmont, 'Pyrmont Arms', oil painting by artist Jane Bennett
The ex- pub 'The Pyrmont Arms' 
1992  oil on canvas 31 x 31 cm
Enquiries about this painting:
janecooperbennett@gmail.com

A later chapter in the afterlife of this shabby old pub. Also painted from the roof of the CSR Boilerhouse, CSR Refinery, Pyrmont.
streetscape, old pub in Pyrmont, 'Pyrmont Arms', oil painting by artist Jane Bennett
'The ex- pub 'The Pyrmont Arms' from the CSR Boiler house' 1992 oil painting on canvas 40 x 80 cm
Enquiries about this painting:

This was also painted from the roof of the CSR Boilerhouse, CSR Refinery, Pyrmont. In the foreground are the rusty tin roofs of Bond Stores (now replaced by "Sanctuary Sanatorium') and the CSR Chem labs (now replaced by a vacant block, awaiting development of the last block of Jackson's Landing by Lendlease)
streetscape, old pub in Pyrmont, 'Terminus Hotel', oil painting by artist Jane Bennett
'The Terminus- pub with no beer' 
2010  oil on canvas 31 x 31 cm
SoldEnquiries about similar paintings:
janecooperbennett@gmail.com
Once a notorious bikie HQ, this picturesque vine covered ruin on the corner of John and Harris streets has been derelict since 1992.
The rumour mill has it that the Terminus was closed after the only son of the manager was shot. I have heard that it is owned by an odd couple with a penchant for collecting a portfolio of down at heel properties in similar condition, which to this date have not yet been redeveloped.
Why it has been derelict for 18 years remains a disquieting mystery.

For more information about my Pyrmont paintings :
My Pyrmont page in this blog 

 Update
This exhibition has now closed
Enquiries about my paintings:

Sunday, 12 December 2010

My Exhibition at the Eveleigh Field Day

Exhibition of my paintings of Eveleigh Railway Workshops in Bay 1/2 Australian Technology Park on Saturday 30th October 2010

oil painting of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett

'Wrought Artworks' Field Day October 30th' 
2010 oil on canvas 41 x 51 cm
$2,400 
 Enquiries about this painting
janecooperbennett@gmail.com

Guido Gouvernor, The blacksmith of 'Wrought Artworks' is in the centre next to the Massey Air Hammer. 'Wrought Artworks' gave a forging demonstration that afternoon. I painted about 80% of this on the day; then came back a couple of days later to complete it.
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
janecooperbennett@gmail.com
The paintings are displayed in the corridor between Bay1/2 North and Bay 1/2 South - most appropriate as a few of them were painted just a few metres away.
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
In the background lurks the majestic Davy Steam press
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
The chairs are for the residents and former employees and their families of Eveleigh Railway Workshops, who were invited to come and share their memories of the area on the day.
oil painting portrait of Blacksmith at the forgeof  'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
'The Blacksmith, 'Wrought Artworks' ' 
oil painting on canvas 122 x 152 cm
SOLD 
$13,000
Enquiries about similar paintings
janecooperbennett@gmail.com


This is Dave, who is the blacksmith from 'Wrought Artworks' I painted in this canvas. Art imitating life!

Better late than never! I had managed to destroy the USB ports of my laptop, which cramped my style a bit when adding photos!

Tuesday, 30 November 2010

Recently Sold Paintings : Pyrmont Paintings at Workplace 6

Plein air oil painting  of Union Square Pyrmont and Pyrmont Street from the roof of the Pyrmont Power Station painted by industrial heritage artist Jane Bennett
Pyrmont Panorama :
Union Square from the Roof of Pyrmont Power Station
1993 oil on canvas 91 x 122cm
SOLD
PRIVATE COLLECTION : SYDNEY
Enquiries about other Pyrmont paintings

This canvas was from one of my favourite studios - in Pyrmont the roof of the old Pyrmont Power Station.
Many of my paintings concentrate on the spectacular Sydney Harbour views, but for a change I painted the heritage precinct of worker’s cottages, Victorian terraces and bond stores, little knowing how much this view would soon change.
The bond stores next to the vacant lot would soon make way for the substation between Pyrmont and Harris streets. The old “Duke of Edinburgh” hotel on the corner of Union and Harris Streets was renovated and is now called the “Harlequin Inn”.
The handsome sandstone building with a red tiled roof was the Pyrmont Post Office, and has now become the Pyrmont branch of the Bendigo Community Bank.
I exhibited this work as part of my Pyrmont display at Workplace6 during the Sydney Open.
While that exhibition was not intended to be a commercial show, many people contacted my gallery, the Frances Keevil Gallery afterwards to enquire about the paintings.

Saturday, 27 November 2010

My Paintings at Sydney Open- Part 2




My exhibition of Pyrmont paintings at 'Workplace6'







Easel on left:
above: 'R.E.V.Y. from the top of the Elcom building' 1991 oil on board 31 x 25cm

centre:'Pyrmont Goods Yard and Miller's Point from the roof of the Pyrmont Power Station' 1993 oil on canvas 91 x 122cm

Easel on right:
above: 'Early morning, Jones Bay Road' 1997 oil on canvas 41 x 51cm

centre:'Building Star City Casino' 1995 oil on canvas 91 x 122cm

Enquiries about my Pyrmont paintings:


Note the reflections on the polished floor.
plein air oil paintings of Pyrmont exhibited at the Sydney Open in the Workplace6 building by industrial heritage artist Jane Bennett







Easel on left:
'Closing the gap' 1995 oil on canvas 91 x 122cm

Enquiries about my Pyrmont paintings:

Thursday, 25 November 2010

My Paintings at the Sydney Open : Part 1

My exhibition: "From the Hungry Mile to Barangaroo"
Foyer of LendLease 30,'The Bond',
30 Hickson Road, Millers Point
Exhibition of  plein air oil paintings of Barangaroo at the 2010 Sydney Open by industrial heritage artist Jane Bennett
Paintings of Barangaroo at Sydney Open - 30, The Bond
From left to right:
top : 'Relics from the Dead House 2' 2007 oil on canvas 91 x 61 cm
bottom left: "Hungry Dinosaurs" 2010 oil on canvas 36 x 46 cm
bottom right: "Grabber, Muncher,Ripper" 2010 oil on canvas 31 x 31cm
top: "I saw the number '8' in red" 2010 oil on canvas 61 x 183cm SOLD
centre: :"Red Square (Arrivals Hall) 2010 oil on canvas 61 x 183cm
bottom left: "The drill rig" 2010 oil on canvas 36 x 36cm
bottom right: "Red Square" 2010 oil on canvas 36 x 36cm
top left:"8 (ate)" 2010 oil on canvas 41 x 31cm SOLD
top right: "Dig it! (The archaeologists)"2010 oil on canvas 31 x 15cm SOLD
centre: "Storm warning, Barangaroo" 2010 oil on canvas 91 x 122cm SOLD
bottom left: "The last gantry" 2010 oil on canvas 41 x 31cm SOLD
bottom right: "Pump it! (The 'Watertank')" 2010 oil on canvas 31 x 41cm
Enquiries about these and other paintings

Exhibition of  plein air oil paintings of Barangaroo at the 2010 Sydney Open by industrial heritage artist Jane Bennett
top :"2 cranes" 2006 oil on canvas 41 x 51cm
below: "Boat Lift" 2007 oil on canvas 100 x 122cm
top left: "The tug "Karoo"" 2008 oil on canvas 20 x 25cm
top right: :"The tug "Woona" 2008 oil on canvas 20 x 25cm
below: "The 'Tamerlane' after rain" 2005 oil on canvas 75 x 100cm
Enquiries about these and other paintings

A small selection of my paintings of the East Darling Harbour Wharves and their transformation into the Barangaroo precinct were exhibited for one day only on Sunday 7th November 2010, in the foyer of the LendLease Headquarters in '30, The Bond' directly opposite the Barangaroo site itself.
On the same day a selection of my Pyrmont paintings were also exhibited in the foyer of 'Workplace6', headquarters of Google, and 2 of Paul Signorelli's new restaurants, 'Biaggio' and 'Gastronomia'.
In these photos, my paintings of Barangaroo are displayed in front of the spectacular escarpment wall of yellowblock sandstone, catching the dying embers of the afternoon sun.
I borrowed the "A" frame easels from John Sweaney of ASMA (The Australian Society of Marine Artists) and put my entire black ankle sock collection on their feet to prevent the floor being scratched!
This exhibition consisted of a total of 24 paintings crammed onto 8 easels. The larger canvases perched on the crossbars and the smaller ones tied to the top and bottom legs by cable ties. Not an ideal situation, aesthetically, but not bad under the circumstances.
Plein air oil painting and photo of the artist Jane Bennett on the Barangaroo construction site in 2010
Painting plein air on the
Barangaroo construction site 
"Storm warning, Barangaroo" 2010
oil on canvas 91 x 122cm SOLD




















Until a few days beforehand, I didn't even know if I'd be able to show my work at all.
The question of how to display paintings and what to display them on became the problem. Finally how to transport easels and paintings to 2 locations; one in Pyrmont, one in the CBD. Canvases and paintings could not be taken in the same car at the same time, or there was a good chance of piercing the canvases with an easel leg. Both '30, The Bond' and 'Workplace6' have majestic interiors with high ceilings and the paintings could be overwhelmed. Fortunately I received a great deal of help from the people at the Historic Houses Trust and my dealer Frances Keevil. They all arrived early on the Sunday and mastered the arcane mysteries of hanging paintings with cable ties in record time.

Related posts
 2014 solo exhibition "Under the Hammer"
2011 solo exhibition "May close without warning"
Barangaroo : Red Square, the Drill Rig and a little archaeology

Wednesday, 17 November 2010

Beyond the Sea

Invitation to an exhibition:

'Beyond the Sea' 
: an exhibition held by the Sydney Heritage Fleet and ASMA, The Australian Society of Marine Artists.
Opening night : Friday 26th November 2010 6 - 8pm
Wharf 7, Pirrama Road, Pyrmont 2009
Opening night admission : $10
RSVP Friday 19th November : please call (02) 9298 3888
The exhibition continues until 12th December
Hours 10am - 3pm
Admission free on all other days except for opening night

 Donation to the Sydney Heritage Fleet
I am donating this painting - it will be raffled and all proceeds are being donated to the Sydney Heritage Fleet
plein air oil painting of the tall ship 'James Craig' at Wharf 7 Pyrmont by industrial heritage artist Jane Bennett
'The Tall Ship 'James Craig' at Darling Harbour' 
2003  oil on paper 48 x 37 cm


This is painted opposite Wharf 7, the  headquarters of the Sydney Heritage Fleet.

  My Paintings will be for sale in the exhibition at Wharf 7, Headquarters of the Sydney Heritage Fleet

I will be one of the featured artists in this exhibition as my paintings depict historic moments in the development of both Pyrmont and Barangaroo.
plein air oil painting of Sydney Harbour from the roof of the Pyrmont Power Station by industrial heritage artist Jane Bennett
"Pyrmont and Miller's Point from the roof of Pyrmont Power station"  1993 
oil on canvas 91 x 122 cm
Enquiries about these and other Pyrmont, Millers Point, East Darling Harbour Wharves and Barangaroo paintings:

This canvas was painted from the roof of the old Pyrmont Power Station, now replaced by Star City Casino.The pile of rubble in the centre is an old signal box in the Pyrmont Goods Yard, the 'Spanish Cafe' in Baz Luhrman's classic Australian film 'Strictly Ballroom'. The bright red ship in the background is the notorious 'Tampa'! 
In the early 1980's,when I first started to paint in Pyrmont, the building in the centre of this painting was the site of Pier 13, where so many immigrantss first set foot on Australian soil. It was still connected to Jones Bay Road by an elegant land bridge. Later Pier 13 became the temporary casino, was painted a hideous shade of yellow and the land bridge was demolished. Pier 13 has since been replaced by 'Workplace6', home of 'Google' and Paul Signorelli's restaurants 'Gastronomia' and 'Biaggio'.
 Curving under the bridge is the old Pyrmont goods line, built in 1916, which looped through Darling Harbour and around Pyrmont across Wentworth Park and beyond. At vast expense, this goods line was torn up and replaced by the dubious benefit of light rail.
I have painted Pyrmont's metamorphosis from an industrial wasteland to a media and entertainment hub over a 30 year period. I painted from dozens of business and residential premises, painting panoramas of the dramatically changing urban landscape from rooftops, chimneys, demolition sites and even the summit of the half completed Anzac Bridge.

I will exhibit some of my Barangaroo paintings in this venue,showing the area's exciting transition from a working port to the preparations for its transformation into Sydney's new cultural and economic hub. I have been 'Artist in Residence' at Barangaroo since the early 2000's, compiling an archive of all the changes and so far I've maintained my position throughout the area's change of owners. I was granted unprecedented access to paint this area as a working port by Sydney Ports Corporation, Patrick Corporation and P & O. Now I am starting to paint the demolition and construction activities at Barangaroo South.


plein air oil painting of East Darling Harbour Wharves - now Barangaroo by industrial heritage artist Jane Bennett
'Barangaroo when it was a working port-The yard from the port captain's office'
2007 oil on canvas 91 x 122 cm
Enquiries about these and other Millers Point, East Darling Harbour Wharves and Barangaroo paintings:

This is Barangaroo as it used to be as a working port. Compare this painting with the empty wharf paintings that follow. Jeffrey Smart, eat your heart out!
plein air oil painting of East Darling Harbour Wharves - now Barangaroo by industrial heritage artist Jane Bennett
'The empty wharf'2007 oil painting on canvas 100 x 122cm
Enquiries about these and other Millers Point, East Darling Harbour Wharves and Barangaroo paintings:
The 2 horizontal paintings were painted from the same viewpoint exactly 1 year apart.
plein air oil painting of East Darling Harbour Wharves - now Barangaroo by industrial heritage artist Jane Bennett
'The Harbour Control Tower from the Hungry Mile' 
2008 oil on canvas 183 x 122cm.
Enquiries about these and other Millers Point, East Darling Harbour Wharves and Barangaroo paintings:

This canvas was painted as soon as the wharfies had left.
While the wharf was still operational I would never have been allowed to paint here as it was far too dangerous. Forklifts used to constantly whip in and out, and there was a deafening alarm that would go off when they did. I had earmarked this spot for an iconic painting as soon as I arrived. 
The doorway frames the Sydney Harbour Tower, the bond stores and the quirky architecture of the heritage Palisade Hotel perched on the golden sandstone escarpment to perfection.

Monday, 15 November 2010

Watch Paint Dry : My painting of the 'Classic and Wooden Boat Show'

plein air painting of the 2010 'Classic and Wooden Boat Show' at the Australian National Maritime Museum' by marine artist Jane Bennett
'Classic and Wooden Boat Show' 
2010 oil on canvas 31 x 61cm 
$2,000
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com