Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label urban landscape. Show all posts
Showing posts with label urban landscape. Show all posts

Tuesday 30 June 2020

The Milky bar kid - old milkbar 74 Harris Street

Today's painting on the easel of my deck gallery is a 2009 plein air oil painting of a derelict abandoned old shop in Pyrmont, fondly, but wrongly known as the "old bakery".
Plein air oil painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P257A 'Old milkbar aka 'bakery'
corner of John and Harris St'
2009 oil on canvas 51 x 61cm
Available


















As far as I can remember the actual bakery was a few doors down and the corner shop was a milkbar, but we're talking at least 3 decades ago.
My standout memory of it when it was in its last days of operation was how rubbish I was at playing their "Fussball" machine, which was lines of wooden footballers attached to a stick that you tried to manoeuver by a lever to kick the ball.
Not a single goal!
The legendary Terminus Hotel on the opposite side of Harris Street, and like its more famous counterpart, was part of the Wakil's real life Monopoly game. They had a landbanking empire of quirky, derelict buildings which were loathed by local residents as eyesores but cherished by artists like myself.
Aren't Artists a perverse bunch - we ignore all the shiny new developments and make straight for the 'shame of the neighbourhood' to immortalize it!
Plein air oil painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P257A 'Old milkbar aka 'bakery'
corner of John and Harris St'
2009 oil on canvas 51 x 61cm
Available



















The continuous row of 19th century 2 storey terrace houses between Nos 74 and 80 Harris Street are still part of the Wakil collection of formerly derelict buildings, which once included the iconic Terminus Hotel opposite.
The row of  terraces have rendered brick shopfronts and skillion roofed wings at the rear. They are plainly detailed, with only a string course to the facades as decoration, and a Victorian/Georgian flavour in their design. Door openings are rectangular, and window openings are also rectangular as well as slightly segmentally arched. They are without parapet or verandahs and feature corrugated iron gable roofs with low corniced or corbelled chimneys.

Plein air acrylic painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P256A 'Old Milkbar (aka 'Bakery'),
corner of Harris and John St'
2009 acrylic on paper 21 x 28cm
Available

















No 74 is similar to the rest, but was a corner shop and is faceted with a corner entrance. It  was a milkbar for a long time, although often and wrongly referred to as the 'old bakery'.
Number 82 was the actual site of the "old bakery", although now the entire block seems to have adopted this name.

Plein air oil painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P257 'Old bakery corner of John and Harris St'
2012 oil on board  35 x 28cm

Available





















For many years the corner and north facing doorways were boarded up and featured an endless layering of illegal posters promoting long forgotten bands.
 
Plein air acrylic painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P256B 'Old Milkbar and 'Chicks on Harris''
2009 acrylic on paper 21 x 28cm

Available

















Until about 2014, No 82 still partly kept up the milk bar tradition,traded as a "charcoal chicken" outlet called "Chicks on Harris".
Bearing in mind the seedy reputations of previous establishments at the north end of Harris St, I'm not sure that the owners had really thought through the implications of their name!
Milk bars are now imbued with mythical qualities they never possessed in life. In decline and death, they’re trendy and retro.


P256 'Black Dog (old milkbar -
aka 'bakery' from John St)'
2009 oil on board 31 x 25cm
Available


No 74 has now been recently and very sympathetically redeveloped by the current occupants - appropriately, 'Belle Property' real estate agents. And now it really is a 'belle' property indeed.
It's been painted a tasteful off-white shade, and the former layers of peeling posters have been replaced by large picture windows.
I couldn't resist having a sneaky peek inside.
The interior still has the original wall material visible, and the beautiful old hardwood stairs have been polished, but otherwise in their original state. The architraves are dark walnut stained hardwood, but the rotting floors had collapsed long ago and had to be replaced with polished concrete.
The huge tree outside is a relic from when both sides of John Street were edged with a row of trees whose branches would meet in the middle of the street to form a cathedral-like canopy. Lush and cool in summer, but most beautiful in winter when the feeble rays of the sun would pierce through the tracery of bare branches.
A lovely tree, but its roots went straight for the plumbing, and the pavement outside is cracked and humped by the twisting roots underneath. I know that a few years ago, several people had considered this old shop on as a renovation project, but weren't quite crazy-brave enough to take it on.

For more information about Harris and John Street in Pyrmont, including the Terminus and Pyrmont Point Hotels
see My Pyrmont page in this blog

Related posts



Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free

Pretty vacant

A Tale of two hotels - the Terminus and the Point

The bad twin of Pyrmont Street

Pyrmont Paintings past and present


Thursday 25 June 2020

Barangaroo - tabula rasa

Today's painting on the deck is a panorama painted on the East Darling Harbour Wharves. It includes 2 of my former studios - the Harbour Control Tower and Moore's Wharf.
The now demolished Harbour Control Tower dominates the empty wharf. A row of pink terraces perch on top of the golden sandstone escarpment
while the Sydney Harbour Bridge can be glimpsed behind Moore's Wharf, a handsome heritage sandstone building housing the Sydney Ports Corporation.
The cute little federation building on the left is a Federation era sewage pumping station. It has since been cleaned up and relocated.
plein air oil painting of  the former East Darling Harbour Wharves about to be redeveloped into  Barangaroo Headland Park with the Harbour Tower painted by industrial heritage artist Jane Bennett
BAR60 'Barangaroo north -
The Harbour Tower,
escarpment and Moore's Wharf 2'
2010 oil on canvas 38 x 76cm
















This canvas was painted just after the wharves had been cleared of all their maritime infrastructure, and just before work began on the construction of the Barangaroo Headland Park that replaced it.
It shows a place in a state of limbo.
I've included a couple of photos of this and a couple of other canvases as works in progress, to show some of the process involved in their creation.
I had to lug a french box easel, paint, brushes, medium, canvases, a couple of tables, a chair, and my lunch, packed inside trolley luggage. After doing this for several decades, I've become quite fit and strong!
plein air oil painting of  the former East Darling Harbour Wharves about to be redeveloped into  Barangaroo Headland Park with the Harbour Tower painted by industrial heritage artist Jane Bennett
Plein air oil painting behind the barrier
on the East Darling Harbour Wharves
Showing this canvas as a work in progress
with my trolley luggage, table, chair, french box easel,
paints, brushes and other equipment.

























Barangaroo is a paradox.
The area now known as Barangaroo was off limits to the public for over a hundred years but was the central core of Sydney's economy. Necessary, yet ignored ; in full view yet strangely invisible.
Now it is centre stage, hotly debated and fought over, yet still unknown to the vast majority of Sydney.
Once a despised slum - now prime waterfront. Only the fashion has changed...
plein air oil painting of  the former East Darling Harbour Wharves about to be redeveloped into  Barangaroo Headland Park with the Harbour Tower painted by industrial heritage artist Jane Bennett
BAR60 'Barangaroo north -
The Harbour Tower,
escarpment and Moore's Wharf 2'
2010 oil on canvas 38 x 76cm
















It had a complex. fascinating multi-layered history but has been treated as though it is tabula rasa - a blank canvas for architects to impose their will upon.
Nearly 200 years of maritime heritage disappeared with barely a token gesture to its previous existence.

Sunday 8 April 2018

Terminus Redux

I have mixed feelings about the renovation of the Terminus.
Although it's been restored,not demolished or replaced by apartment blocks as so often happens, it has been stripped of its poetry.
Plein air ink and charcoal painting of the renovation and redevelopment of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
P286A 'Terminus Redux'
2017-8 ink, charcoal on paper 131 x 106cm
Enquiries :
janecooperbennett@gmail.com
I painted a large mixed media work on paper, as well as an even larger oil on canvas, just before the iconic vines were removed. The awning had been stripped back to a fragile skeleton, but the bricks had yet to be sand-blasted.
However well a place is renovated, inevitably there must be compromises between keeping the original character and making it a viable business.
No expense was spared on the fitout.The designers and architects have done their best to restore the old pub building while retaining quite a lot of the original pub from tiles to timber. The pressed metal ceiling upstairs is a sympathetic replacement not the original, which was too badly damaged.
Plein air oil painting of the renovation and redevelopment of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
P286 'Terminus Redux'
2017-8 oil on canvas 122 x 183cm

I miss the vine-covered facade. It had probably been planted early in the 20th century by a CSR employee, as the same species of Virginia creeper covered the manager's residence and the courtyard of the 'Rum Store'.
Recently I attended the launch of Shirley Fitzgerald's wonderful book on the history of the Terminus. I was honoured that Shirley had asked me to contribute a photo of one of my paintings of the Terminus facing opposite its longtime companion and rival, the Pyrmont Point Hotel (aka the Royal Pacific).
Plein air oil painting of the Point Hotel and the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
P252 'The Terminus and the Point'
2011 oil on canvas 31 x 61cm
Private Collection : Sydney
Enquiries :
janecooperbennett@gmail.com
When I went upstairs, I almost walked into one of the walls, not from one too many cocktails, but because I'd expected the hall that once led through to the building next door. I believe this passageway had to be closed off due to updated fire regulations.
A typical pub menu, priced rather steeply, cashes in on the hipster ambience from the 32 years that the Terminus spent as an icon of urban decay.
As a contrast, when I'd visited the Terminus prior to its closure in the early 1980s, they were giving out free food. Possibly this had contributed to its original decline and fall.
The new owners aren't making that mistake, quite the opposite.
Ironically despite having kept the ghost sign outside, no Resch's is on tap.
For more information about the Terminus and Pyrmont Point Hotels

Sunday 27 August 2017

Let there be rock

Plein air oil painting of the excavation between Harris and Mount street Pyrmont for the 'New Life' development  painted by industrial heritage artist Jane Bennett
Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available

Not far south of the Terminus Hotel, another formerly ignored and derelict site is being gentrified.
There was a 'no man's land' between Harris and Mount streets which was an overgrown wasteland, with the southern end used as a carpark for the past 3 decades.
Plein air oil painting painted from the roof of the Pyrmont Power Station showing Harris Street, the CSR Distillery, by industrial heritage artist Jane Bennett
P241B 'Panorama from the roof of Pyrmont Power Station
from Harris St, Mount St to the CSR Distillery'
1991 oil on canvas 31 x 61cm
Available
This is a small canvas I painted from the roof of the Chem-Lab of the Pyrmont Power Station in 1991, looking west towards the ethanol tanks of the CSR Distillery. In the centre is the handsome vine-covered Federation building that was once the house of the CSR Manager. The carpark can be seen to the right of the Manager's house.
Clumps of pampas grass used to poke through the badly laid bitumen, which was covered with weeds and strewn with discarded bongs.
This wasteland occasionally featured as a backdrop for early 1980s rock video clips.
Only a brick pier wall facing Mount st and a tumbledown graffitied sandstone block wall remained above ground level as relics of the row of terraces once occupying that site. The terraces had been pulled down long before I started to paint in Pyrmont.
Plein air oil painting of the excavation between Harris and Mount street Pyrmont for the 'New Life' development  painted by industrial heritage artist Jane Bennett
Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
The carpark has now been excavated, revealing the golden sandstone beneath. This is one of the few remaining still undeveloped sites in Pyrmont, and I took the rare opportunity to paint the honey coloured tones of the yellowblock sandstone before it is removed and construction starts.
It isn't far from the McCaffery's stables, which had been built over the legendary 'Paradise Quarry', where the best quality sandstone in Sydney had been extracted.
Plein air oil painting of the excavation between Harris and Mount street Pyrmont for the 'New Life' development  painted by industrial heritage artist Jane Bennett
Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
Under the bitumen, an archaeologist's dig had revealed a cobbled sandstone path, a neatly finished sandstone cesspit, carved sandstone steps and mysterious carvings. One of the carved images resembled a child-like version of a church or chapel. Paul Gye aka 'Pyrmonstrosity Pyrmontosis', who has dedicated many hours into painstakingly and expertly researching Pyrmont's hidden history, has concluded that these carvings might have dated from as early as 1840 and could refer to Dr JD Lang’s Presbyterian ‘Long Lost Chapel of Pyrmont’. The full album of photos of 'Pyrmonstrosity Pyrmontosis' site visit with photos of the carvings can be seen at Facebook album : Archaeological Site Visit - Mount & Harris Streets - 10 May 2017
The chapel was later relocated to Ultimo, and its current location is the 'Mustard Seed' ministry in Bulwara Street (ironically opposite the Lord Wolseley Hotel).
Unfortunately despite their unique heritage value, the carvings have by now been completely destroyed by the excavation.

Plein air oil painting of the excavation between Harris and Mount street Pyrmont for the 'New Life' development  painted by industrial heritage artist Jane Bennett
Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
During my site visit, I tried to persuade the archaeologists to let me paint on site before the demolition started, but they gave me the brush off, no pun intended.
Frustratingly I had to peer through the hoardings and shadecloth.
Plein air oil painting of the excavation between Harris and Mount street Pyrmont for the 'New Life' development  painted by industrial heritage artist Jane Bennett
Starting my painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
The 2,300sq metre site on the south-western side of the Terminus Hotel, will be soon transformed into a collection of 15 low-rise terrace houses, aka the 'New Life Pyrmont' project.
Plein air oil painting of the excavation between Harris and Mount street Pyrmont for the 'New Life' development  painted by industrial heritage artist Jane Bennett
My painting of the
'Excavation between Harris and Mount Streets, Pyrmont'
2017 oil on canvas 51 x 61cm
Available 
I persuaded a kind passer-by to hold up my painting so I could take a good photo of it against the demolition.
The top half of the stairs once leading from Harris Street to the carpark have already been demolished, and the Harris Street frontage has been completely excavated and removed to allow trucks to enter and remove the sandstone.
I've heard that the terraces have been designed to incorporate some of the excavated sandstone from the site.

Sunday 20 August 2017

Terminus Indeterminate

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm

The Terminus Hotel, corner of John and Harris St, Pyrmont is being renovated after over 20 years of not so benign neglect as part of the Wakil's collection of derelict inner city buildings.
The former poster child of urban decay has fallen to the inexorable tide of gentrification. It won't be totally obliterated as so many unfortunate heritage icons all over Sydney have been.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available
Enquiries
Hopefully as much as possible of its quirky heritage will be retained, but at this stage it is difficult to predict the outcome, as so much depends on the personal taste of the developers, architects and designers.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

The cantilevered rusty steel awning has just been stripped down to a skeletal framework. It matches the bare branches of the tree on the corner of John and Harris St opposite the old bakery.
I don't know if the awning will be removed or restored.
Usually I paint the Terminus from the other side of Harris St, to pair it with its rival pub, the Pyrmont Point (aka 'the Royal Pacific). However, one of its most distinctive characteristics, the distinctive parapet skyline, a key feature of Federation Free Style architecture is best displayed from the John st vantage point.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

Some tendrils of the Virginia creeper that once covered most of its facade still cling to the top. It was possibly the only thing binding all the bricks together.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available
Enquiries
The creeper is usually (and wrongly) known as 'ivy', however ivy doesn't change to russet tones in autumn, or drop its leaves for winter.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

The same creeper also covers much of the facade of the CSR manager's house further south down Harris St. An entire courtyard in the CSR refinery used to resemble a jungle.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

Long before 'green walls' became fashionable decor, the south facade of the building now rather bizarrely known as the 'Rum Store' was entirely covered in Virginia creeper from floor to ceiling.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

I've always wondered whether the Virginia creeper so prevalent in the Pyrmont of the last part of the 20th century had been planted by the same shade craving person.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

I'm glad that I took the opportunity to capture this moment. This is possibly the last time the Terminus will be in anything resembling its original state or composed of its original materials.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

It won't be very long before the Terminus is boarded up to undergo the sort of serious structural alterations that will be required for its reinvention.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

It's unknown at this stage whether the famous ghost sign on Harris St will be retained, as it is painted on the original brickwork.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel'
2017 oil on canvas 56 x 76cm
Available 
For more information about the Terminus and Pyrmont Point Hotels