Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label terminal. Show all posts
Showing posts with label terminal. Show all posts

Wednesday 15 September 2010

Barangaroo : Red Square, the Drill Rig and a little archaeology

Barangaroo:

plein air painting of Wharf 8 at Barangaroo by industrial heritage artist Jane Bennett


plein air painting of 'Red Square' Wharf 8 at Barangaroo by industrial heritage artist Jane Bennett
'Red Square' oil painting on canvas
30 x 103cm 2011
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This canvas is still a little unfinished, but you can get the general idea of what I'm attempting to do here. It's an interior versus exterior painting, playing with light, transparency and reflections. Unlike the other doors in the loading dock, which are solid slabs of brilliant scarlet, these are translucent fluted sheets that both reveal and conceal the view. 
The "Red square" to the left was the bright scarlet entrance to the passenger walkways allowing access to the cruise ship

"The Red Square is haunting Painting"

In 20th century art history a famous quote about early abstract art was "The red square is haunting painting", about the work by Kazimir Malevich and similar Russian painters involved with "avant-garde" movements such as Constructivism and Suprematism during the 1920's. The red square has certainly haunted this building! It reminds me how quickly the 'new' and 'modern' passes into history. It is ironic how "Modernism" is now a historic term referring to the art of 50-80 years ago, and the architect of this former wharf has either deliberately or unknowingly raided its vocabulary!
De-construction of Constructivism! Art chasing its own tail.
In the background, realism intrudes into the chilly geometry with the two drill rigs of the geophysics team, Coffey and Macquarie Drilling.

The Drill Rig at South Barangaroo
plein air oil painting of drill rig at Barangaroo by industrial heritage artist Jane Bennett
"The Drill rig" 2010 oil painting on canvas 31 x 41cm 
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A core sample is being taken on South Barangaroo, to make sure that there are no nasty little surprises when construction starts.
Incidently, all of Barangaroo is landfill.
When I painted on the K.E.N.S. Site (the "Kent, Erskine, Napoleon and Sussex street block " which is now the new Westpac headquarters) next to Moreton's pub (known as the 'Big House' by the wharfies) I saw steps that were unearthed that once belonged to an early 19th century Fingerwharf, and must have roughly coincided with the original shoreline. They were halfway between Kent and Sussex Street - so anything west of Sussex Street is fill.
You can see my paintings of the KENS Site on my Urban Landscape page.
Don't forget your toothpaste!
A couple of the men from Coffey and Macquarie Drilling have worked at the same sites that I have painted at!
These include the former A.G.L. Site at Mortlake, developed by Rosecorp (which is now known as 'Breakfast Point') and the Carleton United Brewery site at Chippendale, which is still underway.
One wet and miserable day at the Carleton United Brewery site, I was offered some of the old bottles and jars to paint by the archaeologists, instead of struggling through the mud laden with an easel to paint the chimney in the pouring rain.
A few weeks later, the archaeologists generously made their spare finds available for the construction workers to souvenir. I suppose that an old brewery site wouldn't lack bottles! I took a small selection of 19th century ceramic and glass bottles, including perfume jars, ink bottles and a big brown 'Geneva' bottle (mother's ruin or gin), but one of the men on the drill rig team had a real prize - a small ceramic jar with lacy craquelure that once contained an early 19th century version of toothpaste!
When we realized that we both were proud owners of these relics, I brought my paintings of the CUB finds and the bottles to Barangaroo and he brought in his toothpaste jar for me to paint.
See paintings of the Carleton United Brewery construction site on my post
Brewers Droop - Painting the Carleton United Brewery
My Carleton United Brewery still life can be seen on my 'Urban Landscape' page on this blog.
This is their 2nd last hole before the drill rig team pack up and leave Barangaroo.

Wednesday 25 August 2010

Gantry

Demolition of Cruise ship Terminal at Darling Harbour 8
The Gantry
I had wondered if the gantries were to be kept intact and possibly recycled for use at the new cruise ship terminal soon to be built at White Bay.
Ironically they are instead about to be demolished by the very same man who built the orange gantry only 8 years ago.
More irony :
At the foot of the gantry is an incongrous inscription in fading and cracked fluorescent cadmium yellow capital letters :
"KEEP"
plein air oil painting of the demolition of the Cruise Ship Terminal at the East Darling Harbour Wharves by industrial heritage artist Jane Bennett
Breakfast in the ruins with my half finished canvas
of the last gantry of Wharf 8,
the former cruise ship terminal of Barangaroo
plein air oil painting of the demolition of the Cruise Ship Terminal at the East Darling Harbour Wharves by industrial heritage artist Jane Bennett
My painting of the last gantry of Wharf 8
plein air oil painting of the demolition of the Cruise Ship Terminal at the East Darling Harbour Wharves by industrial heritage artist Jane Bennett



































































Sunday 8 August 2010

Terminal, End or Extremity

Paintings of the Arrivals Hall of the former cruise ship terminal Wharf 8 at Barangaroo.
These are unfinished oil paintings on canvas of the interior of the deserted former cruise ship terminal at Darling Harbour Wharf 8.
My first day of painting this canvas:
oil painting of interior of the now demolished  Wharf 8 cruise ship terminal at Barangaroo by industrial heritage artist Jane Bennett
'I saw the number '8' in red... '
oil painting on canvas 61 x 91cm
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The title is my homage to the 1928 Charles Demuth painting "I saw the number 5 in gold..", an icon of American Modernism. Like Demuth, I never let go of reality.
Though not a physical likeness, Demuth used imagery from William Carlos Williams’ poem "The Great Figure," to create an abstract portrait of his friend. The intersecting lines, repeated "5," round forms of the numbers, lights, street lamp, and blaring sirens of the red fire engine speeding down the street infuse the painting with a vibrant, urban energy.

Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city
"The Great Figure" William Carlos Williams
oil painting of interior of the now demolished  Wharf 8 cruise ship terminal at Barangaroo by industrial heritage artist Jane Bennett
'I saw the number '8' in red... '
oil painting on canvas 61 x 91cm

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Private Collection : Sydney
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The 2nd day of this painting- nearly finished, but needs glazing to emphasize the reflections and the dramatic shafts of light from the doorways.
oil painting of interior of the now demolished  Wharf 8 cruise ship terminal at Barangaroo by industrial heritage artist Jane Bennett
The completed painting: "I saw the number '8' in red... "2010  
oil painting on canvas  61 x 91cm 
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Private Collection : Sydney
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Starting my 2nd painting of the interior of the Arrivals Hall:
Setting out a rough idea of the composition:
oil painting of interior of the now demolished  Wharf 8 cruise ship terminal at Barangaroo by industrial heritage artist Jane Bennett
"I saw the number '8' in red" 2010
oil painting on canvas  61 x 183cm

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Private Collection : Sydney
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Starting work on a large panoramic interior of the Arrivals Hall.
This is a Saturday, and apart from the bored security guards on the gate I have the whole place more or less to myself so it is eerily silent.
For a change I have managed to get here early.
I've been battling a killer bout of flu for over a month and I've had to push myself to keep working. My throat has been so sore that I can only eat jelly and chicken soup for the last week.
I've taken in a thermos of icecubes to numb my throat and they seem to help. Whinge, whinge. This is totally self inflicted- I've been painting outdoors in the middle of winter on a freezing cold wharf in a howling gale and to misquote Alice in Wonderland it is bound to disagree with you sooner or later. However I wouldn't swap what I do for anything; it keeps me endlessly fascinated.
I only wish that I wouldn't get ill just at this crucial point in the history of Sydney Harbour - this is the last wharf on the historic Hungry Mile, which has been the fountainhead of Australia's maritime industry since settlement over 200 years ago, and it will be demolished in less than a fortnight!
No other artist in Australia seems to have an MSIC or a greencard; so I am the only person permitted to paint any of this.
Half way through my 1st day of painting :
oil painting of interior of the now demolished  Wharf 8 cruise ship terminal at Barangaroo by industrial heritage artist Jane Bennett
"I saw the number '8' in red" 2010
 oil painting on canvas  61 x 183cm
Sold 
Private Collection : Sydney
Work in progress on the easel at the end of the first day.




oil painting of interior of the now demolished  Wharf 8 cruise ship terminal at Barangaroo by industrial heritage artist Jane Bennett
I saw the number '8' in red" 2010
oil painting on canvas 61 x 183cm
Sold
Private Collection : Sydney
Enquiries about similar paintings

I have used 'terminal' as part of the title of paintings in this series as a play on words. The following nuances of meaning I found particularly apt :

1.situated at or forming the end or extremity of something...
2. occuring at or forming the end of a series, succession, or the like; closing; concluding
7.pertaining to or placed at a boundary, as a landmark.
8. occuring at or causing the end of life: a terminal disease.
9.(Informal) utterly beyond hope, rescue or saving...
10. a terminal part of a structure; end or extremity.
13. a station on the line of a public carrier,as in a city centre ... where passengers embark or disembark...
(Courtesy of Dictionary.com)
Take your pick!

Related Posts





See more at my Hungry Mile page
See more at my Millers Point page

Out of Time

Painting inside the hall of the former cruise ship terminal at Wharf 8, South Barangaroo

plein air oil painting of demolished cruise ship terminal Wharf 8 on the Hungry mile, now Barangaroo painted by maritime heritage artist Jane Bennett
"Out of time " 2010
oil painting on canvas 31 x 31 cm

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A poignant little genre painting. Stopped clocks; a security sign; an abandoned storeroom.
Industrial memento mori.
A memento mori, or "reminder of death" is a familiar motif from medieval art. Sometimes a gruesome skeleton clothed in tattered flesh holds a scroll bearing the Latin inscription, "I am what you will be. I was what you are. For every man is this so."
Other paintings have more subtle ways of implying the same message - a piece of rotting fruit or an overblown rose in a Dutch 17th century still life; an hourglass or a mirror may mark the passage of time in a portrait.
Every good still life painting should have at least a whiff of mortality about it; a slight sting in the tail; a spoonful of medicine to make the sugar go down.
I found a plaque commemorating the opening of this building - 1999. Not all that long ago, but already it seems like an eon has passed.
Sydney Ports Corporation has just arrived to take possession of this sign.
I found its inscription hilarious - it was about how passengers with cardiac pacemakers were not to go through the X ray machines, but had to be bodily searched by the security guards!
if they didn't have heart problems to start with they would when they finished; all the excitement might prove too much!
It is such an insecure security sign.

Behind the Red Door

Barangaroo : Terminal - Loading Dock
Plein air oil paintings on canvas of the former Cruise ship Terminal at Darling Harbour 8  painted in July 2010
plein air oil painting of now demolished cruise ship terminal at Barangaroo by industrial heritage and marine artist Jane Bennett
"Behind the red door " 2010
oil on canvas 31 x 31cm
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A tantalizing glimpse of Jones Bay Wharf, Pyrmont behind the door within a door.
Painted inside the loading dock of the former Cruise ship Terminal at Darling Harbour Wharf 8, which will be demolished in a few weeks time.

Tuesday 27 July 2010

May close without warning

Paintings of former cruise ship terminal Wharf 8, Barangaroo.
This building was demolished in late August 2010.
It had only been opened in July 1999, for the expected influx of cruise ships for the 2000 Sydney Olympic Games.
This painting shows the entrance to the loading dock, normally off limits to the public.
The door is open to the view north towards the Sydney Harbour Control Tower on the right and the new temporary cruise ship facilities in the marquee to the left.
Poignant reminders of the site's previous function create ironic, even surrealist undertones.
plein air oil painting of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"May open without warning "
2010 oil on canvas 56 x 76cm
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Painted from a similar viewpoint as "May close without warning..."
I changed the title from "Inside the loading dock of the former Cruise ship Terminal at Darling Harbour 8" to the more catchy "May Open without warning".
I had painted the sign on the ground but hadn't really noticed how it made a neat bookend to the other painting until my gallery pointed it out!
Through the doorway is the Sydney Harbour Control Tower and the marquee used for the temporary cruise ship facilities by Sydney Ports Corporation.
plein air oil painting of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"May close without warning "
2010 oil on canvas 56 x 76cm
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The title of this painting could double as my motto!
"May close without warning" says it all.
I never need to make jokes - the truth is quite adequately hilarious.