Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label plein air. Show all posts
Showing posts with label plein air. Show all posts

Sunday 20 August 2017

Terminus Indeterminate

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm

The Terminus Hotel, corner of John and Harris St, Pyrmont is being renovated after over 20 years of not so benign neglect as part of the Wakil's collection of derelict inner city buildings.
The former poster child of urban decay has fallen to the inexorable tide of gentrification. It won't be totally obliterated as so many unfortunate heritage icons all over Sydney have been.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available
Enquiries
Hopefully as much as possible of its quirky heritage will be retained, but at this stage it is difficult to predict the outcome, as so much depends on the personal taste of the developers, architects and designers.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

The cantilevered rusty steel awning has just been stripped down to a skeletal framework. It matches the bare branches of the tree on the corner of John and Harris St opposite the old bakery.
I don't know if the awning will be removed or restored.
Usually I paint the Terminus from the other side of Harris St, to pair it with its rival pub, the Pyrmont Point (aka 'the Royal Pacific). However, one of its most distinctive characteristics, the distinctive parapet skyline, a key feature of Federation Free Style architecture is best displayed from the John st vantage point.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

Some tendrils of the Virginia creeper that once covered most of its facade still cling to the top. It was possibly the only thing binding all the bricks together.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available
Enquiries
The creeper is usually (and wrongly) known as 'ivy', however ivy doesn't change to russet tones in autumn, or drop its leaves for winter.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

The same creeper also covers much of the facade of the CSR manager's house further south down Harris St. An entire courtyard in the CSR refinery used to resemble a jungle.
Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

Long before 'green walls' became fashionable decor, the south facade of the building now rather bizarrely known as the 'Rum Store' was entirely covered in Virginia creeper from floor to ceiling.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

I've always wondered whether the Virginia creeper so prevalent in the Pyrmont of the last part of the 20th century had been planted by the same shade craving person.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

I'm glad that I took the opportunity to capture this moment. This is possibly the last time the Terminus will be in anything resembling its original state or composed of its original materials.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

It won't be very long before the Terminus is boarded up to undergo the sort of serious structural alterations that will be required for its reinvention.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel',
2017 oil on canvas 56 x 76cm
Available

It's unknown at this stage whether the famous ghost sign on Harris St will be retained, as it is painted on the original brickwork.

Plein air oil painting of the renovation of the Terminus Hotel corner of John and Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Starting a new canvas of the 'Terminus Hotel'
2017 oil on canvas 56 x 76cm
Available 
For more information about the Terminus and Pyrmont Point Hotels

Monday 8 October 2012

Tower of Power- Drawings of the White Bay Power Station

White Bay, an often overlooked part of Sydney's industrial and maritime heritage will soon be radically overhauled.
ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'White Bay Power Station' 2012
ink gouache on paper 30 x 21cm

FINALIST : 2012 KEDUMBA DRAWING PRIZE




















Enquiries

I have painted many of its current and former landmarks, including the Unilever site, the White Bay Power Station and the notorious White Bay Hotel, (which was 'mysteriously' burnt down) ever since they were all operational in the late 70s - early 80s.

ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'Chimneys of the White Bay Power Station 2' 2012
ink gouache on paper 30 x 21cm
FINALIST : 2012 KEDUMBA DRAWING PRIZE
Enquiries
This is a group of 4 small ink wash and gouache drawings on paper, which I have decided to enter in the 2012 Kedumba Invitational Drawing Prize.
ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'Coal Loader White Bay Power Station' 2012
ink gouache on paper 30 x 21cm

FINALIST : 2012 KEDUMBA DRAWING PRIZE





















It seems a strange distortion of scale to create such small works in response to such a slumbering beast as the gigantic Power Station. Usually I paint an enormous canvas to try to capture its heroic proportions.
However there are so many exquisite details which can get lost in a larger composition that I was glad of the opportunity to focus on them. Every inch of this rusting monster is worthy of a painting, so that it is difficult to choose.
ink wash and gouache drawing on paper of White Bay Power Station, Rozelle by artist Jane Bennett
'Coal Loader and Chimney White Bay Power Station'
 2012 ink gouache on paper 30 x 21cm
FINALIST : 2012 KEDUMBA DRAWING PRIZE


And I will have to choose quickly.
Now the White Bay Transit Shed has been partially demolished and the site re-developed as the controversial new Cruise ship terminal.
Glebe Island wharf, once used for offloading cars, has been eerily empty since the departure of ex-HMAS Adelaide to its watery grave off North Avoca in 2011.
A temporary exhibition venue will soon be built on this space to replace the Darling Harbour complex while it is being refurbished.
A road will soon be built on the empty site where the "Great Gatsby" had been filmed last year, to link all these new developments to civilization.
oil painting on canvas of White Bay Power Station, Rozelle by artist Jane Bennett
"White Bay Power Station after rain"
2012 oil on canvas 183 x 112cm
Sold 
PRIVATE COLLECTION : SYDNEY

So I feel that the days of the White Bay Power Station as a hulking urban ghost are numbered. 
One day the sleeping giant will wake.... 
To what sort of future? 
Update

Tuesday 27 July 2010

May close without warning

Paintings of former cruise ship terminal Wharf 8, Barangaroo.
This building was demolished in late August 2010.
It had only been opened in July 1999, for the expected influx of cruise ships for the 2000 Sydney Olympic Games.
This painting shows the entrance to the loading dock, normally off limits to the public.
The door is open to the view north towards the Sydney Harbour Control Tower on the right and the new temporary cruise ship facilities in the marquee to the left.
Poignant reminders of the site's previous function create ironic, even surrealist undertones.
plein air oil painting of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"May open without warning "
2010 oil on canvas 56 x 76cm
Enquiries about this painting

















Painted from a similar viewpoint as "May close without warning..."
I changed the title from "Inside the loading dock of the former Cruise ship Terminal at Darling Harbour 8" to the more catchy "May Open without warning".
I had painted the sign on the ground but hadn't really noticed how it made a neat bookend to the other painting until my gallery pointed it out!
Through the doorway is the Sydney Harbour Control Tower and the marquee used for the temporary cruise ship facilities by Sydney Ports Corporation.
plein air oil painting of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"May close without warning "
2010 oil on canvas 56 x 76cm
Enquiries about this painting

The title of this painting could double as my motto!
"May close without warning" says it all.
I never need to make jokes - the truth is quite adequately hilarious.