Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label paintings for sale. Show all posts
Showing posts with label paintings for sale. Show all posts

Friday 2 December 2011

Painting the Tugboats of Sydney Harbour - the 'Wilga', 'Wonga' 'Woona' and 'Watagan'

Looking for suitable subject matter to paint for the Xmas exhibition at the Frances Keevil Gallery, I couldn't resist the tugs.
Now that there are fewer large ships coming in to Sydney Harbour, they are harder to spot.
Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett




















The best opportunities are when they escort the tankers in and out of Gore Cove, and when the cruise ships come in to Barangaroo. Peak cruise ship season is from October to the end of February, so this means a bumper crop of tugboat paintings.
Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett
'The 'Wonga' 2011 oil on board 28 x 35cm
Enquiries about similar paintings



















My studio at Moore's Wharf, opposite Walsh Bay Wharves on the right and Barangaroo to the left, offers good vantage points for tug spotting.
As well as painting from the wharf at ground level when the weather permits, I have studio space on the top floor in the 'loft', which gives me a 'bird's eye view'.
Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett
'The 'Wilga' 2011 oil on board 28 x 35cm
Enquiries about similar paintings
In this set of paintings, I have varied the viewpoint and the background - the paintings of the 'Wilga' and the 'Wonga' feature the tugs alone against the sea and are painted from the top floor of Moore's Wharf; the 'Woona' (which has recently been repainted in its new livery of Naples yellow and navy - it used to be white with a black hull) is painted in late afternoon against the spectacular backdrop of Goat Island; and the 'Watagan', one of the smaller tugs, is shown dwarfed by the giant white cruise ship it is escorting.
Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett
And a tugboat in action - 'Watagan' bringing the 'Pacific Dawn' into Barangaroo's temporary cruise ship terminal.
Sydney's new cruise ship terminal will be built at White Bay, as soon as the old White Bay Transit Shed has been demolished.
In the meantime, there are a motley collection of vessels berthed there for me to paint.  
Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett






















All the previous paintings are of Svitzer tugs and painted from around Moore's Wharf.
This is the odd one out in the series, as it was painted at White Bay, and was tied up rather than out on the water. I thought that it would be a good contrast.
I fell in love with the pale blue tug PB Endeavour, one of the Pacific Basin Tugs.
I was admiring it when it has been berthed at White Bay Berth 5, next to the 'Bob Barker - Sea Shepherd'.
The PB Endeavour was launched just over a year ago, and was a bargain at $9 million or so ! I wish! But as it falls a little bit outside my budget, I'll have to settle for painting it.

Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett
'The 'PB Endeavour' at White Bay 
2011 oil on board 28 x 35cm
Painted en plein air at White Bay Wharf, Berth 5

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Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett
'The 'PB Endeavour' at White Bay 
2011 oil on board 28 x 35cm
Painted en plein air at White Bay Wharf, Berth 5
Sold
Marine painting- plein air oil painting of tug in Sydney Harbour by marine artist Jane Bennett
'The 'PB Endeavour' at White Bay 
2011 oil on board 28 x 35cm
Painted en plein air at White Bay Wharf, Berth 5

Sold

































































I'll display this set of little tugboat paintings in the Xmas show at Frances Keevil Gallery, opening on Saturday 10th December 2011

Thursday 24 November 2011

Ship to Shore - the 11th annual exhibition by the Australian Society of Marine Artists at Mosman Regional Art Gallery


Related Posts

Ghost ship - ex-HMAS Adelaide at Glebe - Part 1






See my Hungry Mile page in this blog

For more paintings and information about the ex-HMAS Adelaide:

See my White Bay Wharf / Glebe island Wharf page in this blog

Tuesday 25 October 2011

"May close without warning" My solo exhibition at the Frances Keevil Gallery : Part 3- Meet the artist

May close without warning" will soon close!

On Saturday 29th October 2011 from 2-4pm, I'm giving an artist's talk about how and why I created this series of paintings

Please join us this Saturday 29th October, 2011

from 2 - 4pm, to meet JANE BENNETT

Marine Art - plein air oil painting of the Sydney Ports Emergency Response tug Shirley Smith from Moore's Wharf Walsh Bay Wharves by maritime heritage artist Jane Bennett
MW2 'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 25 x 51cm
Available for sale
Enquiries about this painting
Marine Art - plein air oil painting of the Sydney Ports Emergency Response tug Shirley Smith from Moore's Wharf Walsh Bay Wharves by maritime heritage artist Jane Bennett
MW1 'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
Marine Art-plein air oil painting of Cruise Ship terminal East Darling Harbour Wharves (now Barangaroo) by marine artist Jane Bennett
BAR8 'I saw the number 8 in red'
2010 oil on canvas 61 x 183cm
SOLD
Enquiries about this painting

Marine Art-plein air oil painting of Cruise Ship terminal East Darling Harbour Wharves (now Barangaroo) by marine artist Jane Bennett
BAR7 'Red Square (Strange Customs)'
2010 oil on canvas 61 x 183cm
Available for sale
Enquiries about this painting


Tuesday 18 October 2011

"May close without warning" Solo exhibition at Frances Keevil Gallery Part 2 "All that is solid melts into air"

More Paintings and Drawings from my solo exhibition
"May close without warning"
at the Frances Keevil Gallery
11 - 30 OCTOBER 2011
info@franceskeevilgallery.com.au

'May Close without warning...'


 My paintings and drawings are accompanied by some excerpts from "The Meanings of Deindustrialization" by Jefferson Cowie and Joseph Heathcott, Saint Louis University 2003  Faculty Publications - Collective Bargaining, Labor Law, and Labor History. Paper 33
Urban decay - Industrial heritage artist Jane Bennett painting 'en plein air' at the White Bay Power Station
Painting 'en plein air'  "White Bay Power Station " 
2011 oil on canvas 102 x 152cm
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"The point of departure for any discussion of deindustrialization must be respect
for the despair and betrayal felt by workers as their mines, factories,
and mills were padlocked, abandoned, turned into artsy shopping spaces, or even dynamited."

Urban decay -  plein air oil painting of the White Bay Power Station by Industrial heritage artist Jane Bennett
"White Bay Power Station " 
2011 oil on canvas 102 x 152cm
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"While economists and business leaders often speak in neutral, even hopeful, terms such as "restructuring," "downsizing" or "creative destruction," metaphors of defeat and subjugation are more appropriate for the workers who banked on good-paying industrial jobs for the livelihoods of their families and their communities..."

Urban decay -  plein air oil painting of the White Bay Power Station by Industrial heritage artist Jane Bennett
Painting 'en plein air' 
"White Bay Power Station Chimney stacks"
2011 oil on canvas 51 x 25cm
Enquiries

"
In fact, the first public use of the term "deindustrialization" identified the Allies' policy toward Germany just after World War II: an active process of victors stripping a vanquished nation of its industrial power."

Urban decay -  plein air oil painting of the White Bay Power Station by Industrial heritage artist Jane Bennett
"White Bay Power Station Coal Loader" 
2011 oil on board 35 x 28cm

























"The dramatic evidence of industrial change and capital flight that litters our landscapes does, however, present a basic collective problem: How do we account for the destruction of an economic order that seemed so rooted and pervasive?"

Urban decay -  plein air  charcoal drawing of the Cooperage CSR Refinery now Jacksons Landing Pyrmont by Industrial heritage artist Jane Bennett
"Industrial Cathedral"
charcoal drawing on paper 131 x 131 cm 























This drawing was a finalist in the 1998 Dobell Prize for Drawing (Art Gallery of N.S.W.) ; Finalist in 1998 Blake Prize for Religious Art ; Winner of 1998 Hunter's Hill Open Art Prize
"In the end, what may be most troubling about these ruined industrial landscapes is not that they refer to some once stable era, but rather that they remind us of the ephemeral quality of the world we take for granted."

Industrial heritage - demolition of wharf 8 cruise ship terminal at Barangaroo plein air oil painting by artist Jane Bennett
"Grabber, Muncher, Ripper"
2010 oil on canvas 31 x 31 cm

























Outside the derelict wharf, the demolition team waited patiently for all the preliminary drilling and checks to be completed before they got the green light to start.
The parrot beaks of the excavation attachments and their scarred and scaly skin reminded me of the animated re-creations of Tyrannosaurus rex.
These particular attachments are actually really called "Munchers"! The names of other attachments eg. "Buckets", "Grabbers", "Rippers" and "Pulverizers" are also reminiscent of comic books and children's toys.

"If Karl Marx was right in saying "all that is solid melts into air," then the industrial culture forged in the furnace of fixed capital investment was itself a temporary condition. What millions of working men and women might have experienced as solid, dependable, decently waged work really only lasted for a brief moment in the history of capitalism."

Industrial heritage - Blacksmiths at Eveleigh Railway Workshops  oil painting by artist Jane Bennett
"Dave and Lok forging at 'Wrought Artworks', Eveleigh Railway Workshops" 2010 oil on canvas 36 x 46cm
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"Because capital was fixed in giant machines bolted to the floors of brick-and-mortar factories, the industrial culture that emerged in various places at various moments had an aura of permanence, durability, and heritage....."

Urban decay and Industrial heritage - charcoal and ink drawing of Mungo Scott Flour Mills Summer Hill by artist Jane Bennett
Panorama drawn from the top of the silos of the 
"Mungo Scott Flour Mills, Summer Hill" 
2010 charcoal, ink and gouache on paper 118 x 118cm


















The Operations of these flour mills have been transferred to Picton, on the periphery of the south western suburbs, about 2 years ago. Now this mill will be redeveloped into an apartment complex similar to other former mills in Dulwich Hill and Newtown.
Industrial heritage -Blacksmith Eveleigh Railway Workshops oil painting by artist Jane Bennett
"Forging chisels (Drawing down), 
'Wrought Artworks' Eveleigh Railway Workshops" 
2011 oil on canvas 122 x 152cm

"Working people saw in the decline of this industrial order the dissolution of their society, culture, and way of life, and the betrayal of their trust by those whose decisions shaped their fate."

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