Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label painter. Show all posts
Showing posts with label painter. Show all posts

Sunday 9 January 2011

Two Ships in dock - Painting the 'Pacific Jewel' and the ex-HMAS Adelaide' at Glebe Island Wharf

In the dock*
*dock 1
1.The area of water between two piers or alongside a pier that receives a ship for loading, unloading, or repairs.
dock 2
1. To clip short or cut off
2. To deprive of a benefit or a part of something, especially as a punishment
3. To withhold or deduct a part from dock 3

An enclosed place where the defendant stands or sits in a court of law. Idiom: 'in the dock'
On trial or under intense scrutiny. (Definitions of 'Dock' courtesy of the Free Dictionary)


2 ships on Glebe Island Wharf- one under repair and one being systematically pulled to pieces, both literally and metaphorically.
After a problem developed in the propulsion system, the 'Pacific Jewel' had to cool its heels for quite a while, first at Barangaroo, then for over a week at Glebe Island and finally at Captain Cook dry dock over at Garden Island.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel'
en plein air at Glebe Island Wharf
Available
The engines had broken down and after a few days the cruise ship was moved to the Naval dry dock at Woolloomooloo on Saturday 30th November, unfortunately while I was at the Eveleigh field day.
When I asked a couple of blokes in overalls how long the repairs would take, one of them said that they had to move an item weighing about 45 tons to get to the broken bit. When I asked how that was going, they laughed and said that they had managed about 8 tons of it so far; about 37 to go.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel' en plein air
at Glebe Island Wharf,
oil painting by artist Jane Bennett 27th October 2010
Available 
Starting the new canvas. It was a sullen overcast day with very gusty winds. I knew it would be hopeless to try any painting on the open wharf next day. I didn't know how long that the 'Pacific Jewel' would be staying at Glebe Island. Nor did anyone else.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel' at Glebe Island
on 29th October 2010
Available 
I resumed painting on the 29th, which was just as well as the day after this, the 'Pacific Jewel' was sent to Captain Cook Dry Dock at Garden Island. I unfortunately missed this as I had committed myself to be "Artist in Residence" at the Eveleigh Field Day, and try as I might I still haven't mastered the knack of being in 2 places at the one time.
See my post in this blog about the Eveleigh Field Day
However I managed to catch up with the 'Pacific Jewel' a couple of days later at Captain Cook dock, courtesy of Eptec, who were also painting the ship.
White.
With really big rollers.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting the 'Pacific Jewel' en plein air
at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 
When it started to rain again I didn't feel like going home so I went over to say hello to Chris and the guys and renew my acquaintance with the Adelaide. I was able to get a little shelter from the weather as they have containers and demountables.
The ex-HMAS Adelaide has been lying doggo off Glebe Island for over a year now. You can see it in the background of this canvas, to the left of the 'Pacific Jewel'.
The Adelaide has had a chequered career. Adelaide was the ship which intercepted SIEV 4 on 6th October 2001, which was the event that sparked the Children overboard affair
I have rather a collection of paintings of notorious ships e.g the 'MV Tampa'.  
Painting the ex HMAS Adelaide en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
'The 'ex HMAS Adelaide' 1 year later
at Glebe Island wharf' 2010
oil painting on canvas 25 x 51cm
Available 

The seemingly never-ending saga of the poor old Adelaide continues. There's not much left of her to sink now! Almost everything that can be removed has been removed.
There is a huge gang of workmen clad in fluoro orange overalls ( excellent colour choice from my point of view - it is the complementary opposite to the pale grey-green of the hull) busy stripping her out, but there is still a 'Waiting for Godot' atmosphere hanging over this flurry of activity.
You see, we've been through this all before.
The vessel had been prepared for scuttling from its arrival in late 2009 to early 2010. Her mast was cut off so that it wouldn't become a navigational hazard once the ship was scuttled. Dangerous materials, weapons, systems and potential toxins were removed, and diver access holes were cut in the ship's flanks.
Originally the Adelaide was scheduled to have been sunk on the 27th March, 2010, in 32 metres of water, 1.7 kilometres offshore from Avoca Beach, until a literally last minute court challenge nipped this in the bud. Local stirrers campaigned to prevent the scuttling, with claims that the wreck had the "potential to affect tides and littoral sand drift", and that the "removal of chemicals and hazardous materials in the ship had not been completely thorough".
An appeal by the protest groups to the Administrative Appeals Tribunal three days before the sinking saw the project placed on hold. The case was to have been heard on 5 May 2010, but this was postponed until July.
On 15th September, the Tribunal finally ruled that scuttling of the ship could go ahead after the removal of canvas, insulation, any remaining wiring, (which allegedly may contain polychlorinated biphenyls) and exfoliating paint (which may allegedly contain red lead).
There will be another attempt to scuttle her in April 2011, but there are no guarantees that there won't be further court action to delay or even stop proceedings.
The suspense continues...


Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting 'Pacific Jewel' en plein air
at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 

I'm usually the only painter on the wharf.
Other people are painting the ship too! White, and with really big rollers. Here is a glimpse of them at the top of the orange crane in the background. When I first arrived and said to the security guard that I had come to paint the ship, this is what he thought I meant.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting 'Pacific Jewel' en plein air at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 
The 'Pacific Jewel' was officially launched with its present name at White Bay Wharf, only about 500 metres to the north, on 14 December 2009, less than a year ago. Originally christened the 'Crown Princess', she was built in 1989 and her maiden call was on the 6th July 1990. Her curved 'dolphin-like' profile was apparently designed by Renzo Piano. The 'Pacific Dawn', her sister ship, is also a frequent visitor to Barangaroo.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Painting 'Pacific Jewel' en plein air at Glebe Island Wharf,
oil painting by artist Jane Bennett
Available 
Due to the ongoing repairs during October 2010, three cruises for October and November (to Vanuatu and Noumea, Melbourne for the Melbourne Cup, and Fiji) had to be cancelled in the start of one of Australia's busiest cruise ship seasons.
Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
Portrait of the artist at work
Available 

Painting the Pacific Jewel en plein air at Glebe Island Wharf painted by industrial heritage artist Jane Bennett
'The 'Pacific Jewel' at Glebe Island' 2010
oil painting on canvas 31 x 103cm.
Available 
The painting is completed.
This bit of bad luck for the ship was a bit of good luck for me. Normally a cruise ship is docked for a day or less, and the painting has to be small enough to be completed in the time available or the next time around. By now I have quite a comprehensive collection of 'Pacific Jewel' paintings from every conceivable viewpoint, several locations and at most hours of the day or night.

For more paintings and information about the 'MV Tampa':
See my Hungry Mile page in this blog
For more paintings and information about the ex-HMAS Adelaide:
See my White Bay Wharf / Glebe island Wharf page in this blog


Related posts


Sunday 12 December 2010

My Exhibition at the Eveleigh Field Day

Exhibition of my paintings of Eveleigh Railway Workshops in Bay 1/2 Australian Technology Park on Saturday 30th October 2010

oil painting of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett

'Wrought Artworks' Field Day October 30th' 
2010 oil on canvas 41 x 51 cm
$2,400 
 Enquiries about this painting
janecooperbennett@gmail.com

Guido Gouvernor, The blacksmith of 'Wrought Artworks' is in the centre next to the Massey Air Hammer. 'Wrought Artworks' gave a forging demonstration that afternoon. I painted about 80% of this on the day; then came back a couple of days later to complete it.
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
janecooperbennett@gmail.com
The paintings are displayed in the corridor between Bay1/2 North and Bay 1/2 South - most appropriate as a few of them were painted just a few metres away.
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
In the background lurks the majestic Davy Steam press
exhibition of oil paintings of Blacksmiths forge 'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
Exhibition of oil paintings of Eveleigh Railway Workshops painted on site by industrial heritage artist Jane Bennett
Enquiries about these paintings
The chairs are for the residents and former employees and their families of Eveleigh Railway Workshops, who were invited to come and share their memories of the area on the day.
oil painting portrait of Blacksmith at the forgeof  'Wrought Artworks' Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
'The Blacksmith, 'Wrought Artworks' ' 
oil painting on canvas 122 x 152 cm
SOLD 
$13,000
Enquiries about similar paintings
janecooperbennett@gmail.com


This is Dave, who is the blacksmith from 'Wrought Artworks' I painted in this canvas. Art imitating life!

Better late than never! I had managed to destroy the USB ports of my laptop, which cramped my style a bit when adding photos!

Monday 15 November 2010

Watch Paint Dry : My painting of the 'Classic and Wooden Boat Show'

plein air painting of the 2010 'Classic and Wooden Boat Show' at the Australian National Maritime Museum' by marine artist Jane Bennett
'Classic and Wooden Boat Show' 
2010 oil on canvas 31 x 61cm 
$2,000
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


Tuesday 26 October 2010

Eveleigh- Industrial Heritage Artist at Work

Eveleigh Rail Yards Community Consultation Open Day
Saturday 30 October 2010
Plein air painting of still life in the interior of the Large Erecting Shop Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
'Ned Kelly at Eveleigh' an Eveleigh still life
oil painting on canvas 91 x 61 cm
Enquiries

 This was an invitation to share the passion for this important part of Sydney’s industrial heritage and be part of an exciting opportunity to shape the Eveleigh Rail Yards Interpretation Plan.
Rail Songs and Films
Creative Soundscapes in an old workshop
Heritage Artist at Work
Venue: Innovation Plaza, Australian Technology Park, Locomotive St, Eveleigh 10:00 am-3:30 pm 30 October 2010

You can also download the RWA Eveleigh Interpretation Plan Consultation Invite and pass it on to people who might be interested.
(I was the "Heritage Artist at Work", and also exhibited paintings of various parts of the Eveleigh Rail Yards )
Plein air painting of blacksmith at the forge in Bay 1/2 Locomotive Workshop, Australian Technology park, Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
'Blacksmith ,Wrought Artworks'
Bay 1/2 Australian Technology Park,
Eveleigh Railway Workshops
2010 oil on canvas 122 x 152 cm
SOLD
PRIVATE COLLECTION : SYDNEY

Enquiries

See my
 Eveleigh paintings in this blog Irons in the fire
Watching the forge fires fade
Macdonaldtown - A Station without a suburb
Eveleigh- Industrial Heritage Artist at Work
The village smithy (sydney-eye.blogspot.com)
Time for Safety 
The slow return from the fire 
The fire within 
En plein air with street cred (sydney-eye.blogspot.com)

Monday 27 September 2010

Marine Art Exhibition at the Australian National Maritime Museum

 Australian National Maritime Museum

I will be exhibiting these paintings at the  Australian Society of Marine Artists exhibition at the "Wooden Boat Festival"
WHEN: From 10 am - 4pm Saturday 16th October and Sunday 17th October 2010
WHERE: at the Australian National Maritime Museum
EVENT: Wooden Boat Festival
These are some of the paintings which I will be exhibiting on the October 16-17 weekend with the Australian Society of Marine Artists exhibition at the "Wooden Boat Festival"
The Australian Society of Marine Artists are a group of artists and others interested in marine and maritime art : painters, lithographers and printmakers, sculptors, model-makers and historians. Every painting style from traditional to contemporary, realist to abstract is represented : ships, seascapes, maritime history and heritage.
Plein air painting of the final departure of the 'Spirit of Tasmania 3" from the East Darling Harbour Wharves in October 2006.painted by industrial heritage artist Jane Bennett
'The 'Spirit of Tasmania' departs for the last time
from Darling Harbour' 2006
oil painting on canvas 25 x 31 cm
Sold
This painting is of a landmark in the history of Sydney Harbour - the final departure of the 'Spirit of Tasmania 3" from the East Darling Harbour Wharves in October 2006.
The 'Spirit of Tasmania 3" , (nicknamed 'Spot' by all the wharfies) was later sold to an overseas shipping line and I have heard that she has been renamed and is in use as a ferry in the North Sea.
The 'Spirit of Tasmania" numbers 1 and 2, are still in Australian waters, but their journeys are between Melbourne and Devonport. Occasionally they come to Garden Island, Sydney Harbour dry dock for repairs and maintenance.
The Sydney Heritage Fleet's tall ship, the 'James Craig' and Wharf 7, Pyrmont can be seen in the background.

The last journey of the 'Spirit of Tasmania 3'
It was an atmosphere reminiscent of the last day of school. People running around taking photos and swapping addresses. Manic excitement, regret, and a strange undercurrent of foreboding about what the future may bring.
To add to the sense of occasion was a touch of glamour. Added to the usual queue of cars and bikes waiting in the sun was a line of lovingly restored vintage cars, bound for a rally in Tasmania. In one of the many paintings that I started that day, I featured a green Rover and its patient driver in the foreground. I certainly had enough time to paint them as they were sitting in the queue from 9.30am to 2.30pm when they were finally allowed to drive on board. The Mitchell Library, State Library of NSW, later acquired this canvas.
Everything that wasn't nailed down was hauled off and dragged on board. I mean 'Everything that wasn't nailed down' absolutely literally and not as a lazy cliche. I had been storing some canvases and easels in a little shed and suddenly had to leap up from my wet painting and rescue them from making an unscheduled visit to Tasmania. I nearly lost my cup of coffee which I had left perched on a concrete barrier when forklifts started to load all of the concrete onto the ship.
Plein air painting of HMB Endeavour from the East Darling Harbour Wharves.painted by industrial heritage artist Jane Bennett
"'Endeavour ' Tall ship race -Australia Day"
oil painting on canvas 20 x 25cm
A close up of the 'HMB Endeavour', one of the 'Tall Ships' making its way back to its mooring after the Tall Ships Parade on Australia Day 2007.
This was painted from the East Darling Harbour Wharves (now called Barangaroo) while the area was still a working port.
Plein air painting of the tug 'Karoo' from the East Darling Harbour Wharves.painted by industrial heritage artist Jane Bennett
'The Tug 'Karoo' 2006
oil painting on canvas 28 x 36 cm
Available

For more information see My Pyrmont page in this blog

Related posts

Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free
Pyrmont Paintings past and present My Exhibition in the Australian National Maritime Museum
Paintings of Pink pubs - Painting the Jolly Frog Part 2 

2012 Classic and Wooden Boat Show at the Australian National Maritime Museum

Sunday 19 September 2010

A Tribute to 'The Pleasures and Sorrows of Work' by Alain de Botton

Theory versus Practice
Alain de Botton, I feel as though I have been unknowingly illustrating your fine book all of my working life!
Naturally as a realist plein air painter, the chapter about the realist plein air painter spoke to me most directly. Very few art critics and even fewer philosophers have ever valued the empirical point of view, i.e. the experience of what actually happens as opposed to their pristine theory of what should happen. I could not name a single other living art critic or philosopher who has bothered to observe from close quarters what is actually involved in the creation of a work of art. The labour involved, the struggle with materials and the entire process is always taken for granted or even treated with disdain. The work of art is expected to appear as if by magic on the gallery wall, and increasingly the 'idea' or theory is given the respect formerly due to the artist's skill and the actual 'work' is carried out by nameless assistants.
De Botton is the only writer in recent memory to bother to accompany an artist on the long journey from the idea to the completed canvas on the gallery wall. Some art critics have visited the homes or galleries of wealthy and famous art collectors, but de Botton is certainly the only one to visit the home of an ordinary person who happened to recently purchase a painting to try to understand their motives and observe their interaction with their new purchase. De Botton is also the only writer with the patience to watch an artist at work and the only one to attempt to understand what that work actually involves.This wonderful chapter is full of respect, tenderness and wryly understated humour, and I was deeply moved by it.

See my page on this blog : 'The Hungry Mile ' where I quote from his chapter on cargo ship spotters.