Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label interior. Show all posts
Showing posts with label interior. Show all posts

Wednesday 8 March 2017

Ghost train

Plein air oil painting of interior of the Large Erecting Shop in Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
Work in progress - 'Engine shop,
Large Erecting Shop, Eveleigh Railway Workshops'
2017 oil on canvas 46 x 46cm
There has been a lot of uncertainty about the future of the 3801 Ltd, and even of the Large Erecting Shop itself. Many of the relics will probably be lost or put into storage if the site is to become a running shed. This would mean that trains would still run from the shed, but no repair or maintenance work could be carried out. Anything not required merely to run the trains would then be removed from the interior and either sent to Thirlmere, put in storage or even put in a skip bin.
Already a lot of items have been put in the skip or just disappeared.
Plein air oil painting of interior of the Large Erecting Shop in Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
Work in progress - 'Engine shop,
Large Erecting Shop, Eveleigh Railway Workshops'
2017 oil on canvas 46 x 46cm
This old office in the Large Erecting shop of Eveleigh Railway Workshops, had been used to store stacks of windows and doors waiting to be repaired to refurbish a carriage.
In front of it are lathes, drills and boxes of rusting tools that obviously are many decades old.
Plein air oil painting of interior of the Large Erecting Shop in Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
Work in progress - 'Engine shop,
Large Erecting Shop, Eveleigh Railway Workshops'
2017 oil on canvas 46 x 46cm
This old office is an example of the sort of item that may not be kept, despite its historical interest.
Before it was used to store windows, it had been the headquarters of the 51⁄2 year restoration of 3830, which was carried out by a team of about 12 volunteers from the Powerhouse Museum and 3801 Limited.
There are still ghost signs that haven't been erased from when the restoration of 3830 started in 1992.
Plein air oil painting of interior of the Large Erecting Shop in Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
Work in progress - 'Engine shop,
Large Erecting Shop, Eveleigh Railway Workshops'
2017 oil on canvas 46 x 46cm
Enquiries
On the weathered sky blue boards are inscriptions in white chalk about its time of service.
"3830 18 years 11 months 4 days
Into service 27/9/49
Withdrawn 31/10/67 (Illegible) birthday 23 years
Cost £53,145/2/0 Basic Wage 4/8 11/20d/hour
Builders' No 170 40 hours £8/12/0 approx"

Plein air oil painting of interior of the Large Erecting Shop in Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
Work in progress - 'Engine shop,
Large Erecting Shop,
Eveleigh Railway Workshops'
2017 oil on canvas 46 x 46cm
The blackboard on the left hand side of the window of the old office has a mysterious list of the 38 class locos, split into 2 sections.
The left hand side of the blackboard starts with 3826, 3830, 3802, 3801, 3810, 3812, 3825, 3804, 3813, 3826, 3823, 3818, 3808, 3807, then there is a vertical line.
On the other side 3806 has been almost erased, then 3814, 3811, 3819, 3828, 3806, 3809, 3811, then a few illegible words with "38's are great mate" written over them.
Plein air oil painting of interior of the Large Erecting Shop in Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
'Engine shop, Large Erecting Shop,
Eveleigh Railway Workshops'
2017 oil on canvas 46 x 46cm
I had wondered why the numbers had been written in such a haphazard order, and why some were missing and others repeated.
It was obviously not chronological, but there was obviously a reason behind it.
The secret was finally revealed by a veteran of the restoration.
The 3830 was a sort of 'Frankenstein's monster', composed of parts cannibalized from other 38 class locos.
The list of 38 class locos refers to the original source of particular items that finally ended up as part of 3830.
Ironically, the current (although now non-functioning) boiler of the 3830, was the original boiler of the 3801! The saga of the many attempts to fix /replace the current boiler of 3801 has been dragging on since 2007.
Now in 2020, ironically the boiler has been fixed and the loco is operational, but due to the Covid restrictions, the planned grand opening has had to be postponed.
Plein air oil painting of interior of the Large Erecting Shop in Eveleigh Railway Workshops painted by industrial heritage artist Jane Bennett
'Engine shop, Large Erecting Shop,
Eveleigh Railway Workshops'
2017 oil on canvas 46 x 46cm
Unfortunately restoration and maintenance may not be regarded as priorities in the proposed future of this building.
I think that this is a short sighted policy that shows an appalling lack of respect to all the hard work carried out over so many decades by so many volunteers. This attitude will lead to the loss of irreplaceable heritage items and skills.

Related Posts

Sunday 18 May 2014

Strike while the iron is hot

Plein air oil painting of an anvil in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Starting a small painting of an anvil,
one of the blacksmith's
basic tools of the trade
" Anvil" 2014 31 x 31cm oil on canvas

Enquiries

At the ATP community heritage days on the 16th and 17th May, I had 2 exhibitions, one in Bay 1 and 2 of the Blacksmith's workshop and the other in the carriage displayed by the volunteers of 3801 limited, as well as painting throughout the blacksmith's demonstrations .
I am still recovering from being seriously injured not long ago, (fractured pelvis) so I had to be extremely careful. I was given a great deal of help by the volunteers and the management of the ATP, who gave me a room to store my paintings and easels, and a trolley to move them. I am truly grateful, as even just walking still causes me a great deal of pain.
Plein air oil painting of an anvil in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
" Anvil" 2014
31 x 31cm oil on canvas

Enquiries
This time I kept the paintings fairly small and simple, so as to not put too much pressure on myself, while I'm still recuperating.
However, I have always meant to paint some of the heritage tools anyway. I have previously painted anvils as part of a larger, more complex painting, but it is a beautiful and evocative item in its own right.
Plein air oil painting of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
I had often painted Chris before in a variety of poses, but you have to be fast!
However, after I watch for a while I notice various stages of the process, and get a feeling for the timing and rhythm.
It's hard to decide on which of the hundreds of potential poses to choose to paint. I leave the arms in an unfinished state, as I can't decide on whether to paint him wielding a hammer or a pair of tongs.
Decisions, decisions.
Plein air oil painting of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Starting a painting of the blacksmith Chris.
The blacksmiths of "Wrought Artworks" move quickly.
"Strike while the iron is hot" isn't just an old proverb - it's a way of life.
They must strike quickly, decisively and with force, however their movements must be controlled and accurate as well.
They also must work as a team and have awareness of who and what is around them.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Chris quenching chisels
2011-12 oil on canvas 152 x 122cm
Enquiries

I exhibited some of my paintings of the Blacksmiths in a corner of their workshop, so that onlookers could compare the paintings with the real thing.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
"Blacksmith" 2009 oil on canvas 100 x 75cm
Enquiries
It gave viewers an opportunity to see parts of the workshop not visible to the public due to safety concerns.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
i displayed some of my smaller paintings and books of photos of paintings of other areas of industrial Sydney on a pair of old dusty workbenches.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
The ATP  has largely retained the old industrial ambience of the Eveleigh Railway Workshops.

Plein air oil painting of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett













All Fired up -the Blacksmiths
Eveleigh Railway Workshops"
2012 oil on canvas 91x 122cm

Enquiries
Some more of my paintings of the blacksmiths were exhibited in front of an old signal box.
Exhibition of oil paintings of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
The visitors on the first day were mostly retired former Eveleigh workers.
Exhibition of oil paintings of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
However, there was a much larger and more diverse group of people attending on the Saturday.
I hope there will be another heritage day next year.

Related posts

Macdonaldtown - A Station without a suburb
ATP Open Day - Saturday, 25 Feb 2012
Singing the body electric
(sydney-eye.blogspot.com)
The village smithy (sydney-eye.blogspot.com)
En plein air with street cred (sydney-eye.blogspot.com)

Sunday 11 May 2014

Eveleigh Community Heritage Day

The ATP Heritage Community Days run from 10am to 3pm on both Friday 16th and Saturday 17th May 2014.

This is a preview of some of the paintings I will display in the Blacksmith's workshop Bay 1 and 2 

 "ATP" is the acronym for the Australian Technology Park.
Not to be confused with Carriageworks! 
plein air oil painting of heritage steam train 3801 painted at the Large Erecting Shop, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
"3801 steaming, Large Erecting Shop,
Eveleigh Railway Workshops"
 2006 oil on canvas 36 x 28cm

Enquiries
The ATP is on the southern side of  Redfern station, while Carriageworks is on the northern side.
I will also have some paintings of the 3801 and other historic steam locomotives as well as interiors of the Large Erecting Shop exhibited in and around the heritage carriages. 
These carriages will be displayed by the volunteers of the 3801 at the western end, near Channel 7's new building.
plein air oil painting of heritage steam train 3801 painted at the Large Erecting Shop, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
'Geoff and the 3801 
outside the Large Erecting Shop'
2006  oil on canvas  38 x 76cm

Enquiries
As well as the trains, I've even immortalized a few of the volunteers!
oil painting of Blacksmith painted at the Australian Technology Park, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
 'Forging,Wrought Artworks '
2010 oil on canvas 20 x 25cm

Enquiries
I will also be painting the blacksmiths from "Wrought Artworks", who will be giving a couple of forging demonstrations in Bay 2 south on both days. 
oil painting of Blacksmith's Forge painted at the Australian Technology Park, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
"Forge, Wrought Artworks, Eveleigh"
2008  oil on canvas 56 x 76cm
Enquiries
In the centre of this painting is the legendary 'Davy Press', built in the era when industry operated on a heroic scale.
Richard Butcher,heritage volunteer and an ex- Eveleigh Workshop Blacksmith, will give tours of Bay 1 and 2 (which has the enormous Davy Press). Richard has written the most amazing book about the Eveleigh Railway Workshops and is a genuine living legend!
More details about the Eveleigh Community heritage days

Tuesday 14 February 2012

ATP Open Day - Saturday, 25 Feb 2012

Just wanted to let you know about the forthcoming Open Day, to be held at the Australian Technology Park on 25 February, 2012 from 10 am - 4 pm which includes a large range of heritage related events.
The inaugural Eveleigh Film Festival will commence a little earlier at 9.30 am with a tribute to JP McGowan, the son of an Eveleigh Railway steam locomotive driver who made many railway related films in Hollywood in the early 1900’s.
oil painting of blacksmith from 'Wrought Artworks' at the Australian Technology Park, Eveleigh Railway workshops by industrial heritage artist Jane Bennett
“Blacksmith of 'Wrought Artworks',
Eveleigh Railway Workshops” 

2009 oil on canvas 100 x 75cm
                                  
In Bay 1 / 2 I will be exhibiting a selection of my paintings of the blacksmiths of Wrought Artworks on the very site on which they were painted.
The blacksmiths will be giving hand forging demonstrations on the anvil every half hour.
At 11 am and 2pm the Master Blacksmith Guido Gouvernor will give a spectacular demonstration of forging using the massive Victorian era heritage power hammers. I will be painting canvases to record these exciting events as they happen.
oil painting of blacksmith from 'Wrought Artworks' at the Australian Technology Park, Eveleigh Railway workshops by industrial heritage artist Jane Bennett
"The Forging Demonstration - All fired up"
2011 oil on canvas 36 x 46cm

Enquiries : janecooperbennett@gmail.com

oil painting of blacksmith from 'Wrought Artworks' at the Australian Technology Park, Eveleigh Railway workshops by industrial heritage artist Jane Bennett
My half - finished canvas of the
blacksmith forging a chisel. 

oil painting of blacksmith from 'Wrought Artworks' at the Australian Technology Park, Eveleigh Railway workshops by industrial heritage artist Jane Bennett
My half - finished canvas of
the blacksmith forging a chisel. 

This shows the entire canvas against the background of this atmospheric time capsule of a bygone era.

oil painting of blacksmith from 'Wrought Artworks' at the Australian Technology Park, Eveleigh Railway workshops by industrial heritage artist Jane Bennett
My half - finished canvas of
the blacksmith forging a chisel.

Enquiries : janecooperbennett@gmail.com

 This shows  even more of the interior and the fascinating relics of the Industrial Revolution. Most of the machines are still in working order, as they have been lovingly cared for by the blacksmiths of Wrought Artworks.
These photos show my half finished large canvas of Chris Sulis, one of the blacksmiths quenching a chisel which he had just forged with one of the majestic Victorian era power hammers, which can be seen lurking in the background of the horizontal photo.
The forges of Bay 1/2, Australian Technology Park, Eveleigh Railway Workshops have been kept glowing for over 140 years!


plein air oil painting of the heritage steam locomotive 3801 at the Large Erecting Shop, Eveleigh Railway workshops by industrial heritage artist Jane Bennett
The 3801 steaming” 
2008 oil on canvas 36 x 28cm
 Enquiries about this painting:
janecooperbennett@gmail.com 

plein air oil painting of the heritage steam locomotive "18" at the Large Erecting Shop, Eveleigh Railway workshops by industrial heritage artist Jane Bennett
'The 'SMR 18'-interior of Large Erecting Shop' 
2007 oil on canvas 51 x 76cm
Enquiries : janecooperbennett@gmail.com
There will be a steam train, SMR 18, displayed near Channel 7 by the volunteers from 3801 limited
 I will also exhibit a selection of my paintings of the steam trains of the Large Erecting Shop nearby. 

Friday 8 July 2011

White Bay Power Station : Inside Out

Plein air oil painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
Work in progress on the easel
"Inside the Boiler House of White Bay Power Station"
2011 oil on board 51 x 25cm
Enquiries about paintings of White Bay Power Station

As 'Artist in Residence', I'm painting the chimney stacks from inside the Boiler House of the White Bay Power Station.
It's so dark inside that it is difficult to take photos and I've never really learned how to use the flash properly.
Plein air oil painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
Work in progress on the easel
"Inside the Boiler House of White Bay Power Station"
2011 oil on board 51 x 25cm
Enquiries about paintings of White Bay Power Station
Painting inside the Boiler House is a strange experience.
I balanced the exterior space revealed by the open rusting door with the muted light coming through the window.
Under the window, sheets of rusting corrugated iron are also letting in some light as they are disintegrating at the edges and pierced with holes.
The parallel vertical lines of the window sheeting contrast with the horizontal pattern of the iron. The severe geometry is interrupted by a mad little squiggle of barbed wire perches on top of the corrugated iron sheeting with a baroque flourish.
Plein air oil painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
"Inside the Boiler House of White Bay Power Station"
2011 oil on board 51 x 25cm
Enquiries about paintings of White Bay Power Station
The White Bay Power Station has had many strange uses in its time.
After its official closure in the early 1980s, it had a strange afterlife as the site of mysterious scientific experiments for several years. There was a joint venture between the CSIRO and the University of Sydney and possibly other entities. I don't know exactly what it was all about, but it involved the use of thegiant turbines in the now defunct Turbine Hall. 3 out of 4 of them have since been removed, hopefully after the experiments came to a satisfactory conclusion.
This vast cavernous room is now about absence rather than presence.
Plein air ink and charcoal mixed media painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
WBPS82 'Interior of Boiler House White Bay Power Station'
2016 ink charcoal gouache on paper 106 x 121cm
Enquiries about paintings of White Bay Power Station
It does, however, rejoice in the world's largest fishbone fern which reaches through the infinite void towards the floor from the parrot beak of one of the huge coal hoppers.
It's a bit hard to tell which way up this huge drawing should be. It's sort of reverse vertigo - I feel dizzy from looking up, rather than down!
In later years the interior has frequently been used as a location for films, especially science fiction - the 'Matrix' especially springs to mind.
I know exactly what the future is going to look like - the interior of the White Bay Power Station!
The real future of the White Bay Power Station itself is as yet unknown. It is in limbo, waiting for a purpose, in search of another afterlife.



Related posts


Tower of power

Power House

Artist in Residence at the White Bay Power Station Part 2

Power Base - Artist in Residence at the White Bay Power Station

Steady Rest

Rust Bucket

 
Spin me round

Monday 30 May 2011

Eveleigh Windows - (Very) Stained Glass Windows Part 3

Hidden Beauty
E85 Eveleigh Windows 2011 oil on canvas 51x 41cm

Sold : $2,400

Enquiries

Wednesday 25 May 2011

Eveleigh - (Very) Stained Glass Windows Part 2

Flaws in the Glass
E84 Eveleigh Windows 2011 mixed media on paper 76x 56cm

Available for sale : $4,500

Enquiries
I have painted in the Large Erecting Shop for many years now, and usually I have concentrated on the trains rather than the building itself, as the trains were there for only a short time. 
However the fabric of the building itself is to alter soon, so my focus has shifted.
I completed a lovely little oil on canvas of a nondescript corner of the building, but then I decided to concentrate on the play of light, as so little colour was visible. Then I thought, why not paint a series of works in black and white.
I was reminded of some of my favourite Lloyd Rees paintings, his series of the medieval stained glass windows of Chartres Cathedral.
Painting E78 'Window, Large Erecting Shop' 2011ink pastel acrylic on paper 115 x 75cm
Tools of the trade. Large bottle of black acrylic paint and a small bottle of water spray.
I paint with black and white acrylic paint, alternating with black Indian ink to produce areas of thin wash or impasto.
Painting E78 'Window, Large Erecting Shop' 2011ink pastel acrylic on paper 115 x 75cm
Then alternately tilting the enormous work from side to side to get the effect of the cracks in the glass by spraying the ink with water until it freely drips, then quickly laying it on the floor when I have the effect I want. 
High risk technique - really working without a safety net.

Painting E78 'Window, Large Erecting Shop' 2011ink pastel acrylic on paper 115 x 75cm

Then I take soft white Schminke pastel - so soft that it crumbles into powder- and broadly sweep it down the ares of the most intense light. With the palm of my hand I briskly smear it across highlights on the brickwork, then partially rub it off ink lines where I want cracks in the shattered panes to appear. 
Also a high risk technique, and very messy.
Painting E78 'Window, Large Erecting Shop' 2011ink pastel acrylic on paper 115 x 75cm
This is next to the old signal box where I sometimes keep my easel. 
I have heard a rumour that they will paint the floors white!
I can't believe this!  They will still be using this area for trains - possibly even steam trains! There will be oil, diesel, soot all over the floor by the end of the first day! A white coloured floor will aid visibility only as long as it stays white, which probably won't be for long, whereas fixing the electricity and replacing some of the broken lights will go much further to reducing OH and S problems.
Well I had better make the most of working "wet in wet" with ink and pastel while I'm still able to put my painting on the floor before it all becomes too gentrified.

Painting E78 'Window, Large Erecting Shop' 2011 ink, pastel, acrylic on paper 115 x 75cm
Most people looking at these works thought at first glance that they were actual stained glass windows from  St Mary's cathedral. 
But they are just windows with a lot of stains on them. Stains made by decades of hard work, accident, even a little vandalism.
The light transforms them into visions worthy of Chartres or Sainte Chapelle.
My dealer, Frances Keevil, only half-jokingly suggested that I enter one of these works in the Blake Prize for Religious Art. 

E78 'Window, Large Erecting Shop' 2011 ink pastel acrylic on paper 115 x 75cm

Available for sale : $7,700

Enquiries
' Eveleigh Window 1' 2011 mixed media on paper 131x 115cm by Jane Bennett Artist
' Eveleigh Window 1' 2011 mixed media on paper 131x 115cm.
Available for sale : $11,000

Enquiries: janecooperbennett@gmail.com

The completed drawing.

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