Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label hotel. Show all posts
Showing posts with label hotel. Show all posts

Sunday 16 February 2014

There's nothing...Painting the Jolly Frog Part 3

Tis the season to be jolly.... not.
Not if you happen to be a frog, anyway, after a nasty outbreak of "Spontaneous Pub Combustion".

plein air oil painting of the "Jolly Frog" in Windsor by artist Jane Bennett
 WJF5 'The 'Jolly Frog' (there's nothing...) 
2013 oil on canvas 25 x 31cm
Available
When I looked more closely at my painting (this canvas was painted in December 2013, just a month before the fire) I noticed the prophetic words "There's nothing" in the background to the left.
It is part of the "Holden" sign of the neighbouring car yard, and says in full "There's nothing quite like a Holden".

plein air oil painting of the "Jolly Frog" in Windsor by artist Jane Bennett
Detail of WJF5 'The 'Jolly Frog' (there's nothing...)
2013 oil on canvas 25 x 31cm

The entire sign was rather ironic, come to think of it.
"There's nothing like a Holden" ?
Oh, but there is - Ford, Ansett, Gowings,Toyota, possibly even SPC Ardmona and Qantas to join them.
I chose the phrase "the boiling frog" as appropriate to christen my first post about painting the "Jolly Frog".
The differences from one day to the next are apparently imperceptible, but it is harder and harder to go back.
I've just read the excellent historical notes on the self-guided Windsor Heritage Walk, that I discovered in the Macquarie Arms Hotel. 
Apparently this area on the bank of South Creek was the Green Hills Burial Ground. It was in use from the early 1800s until Governor Lachlan Macquarie proclaimed the new burial ground in 1811,now the cemetery of  St Matthews Anglican Church. It is thought that until the 1840s criminals continued to be buried on the bank of South Creek in unmarked graves.
No wonder I felt uneasy around the riverbank behind the Jolly Frog.
A ghost town in more ways than one.
They might well be spinning in them now.
To mix my metaphors, I hope the frog is a phoenix in disguise and will rise from its ashes.
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(abc news)

Friday 24 January 2014

Paintings of Pink pubs - Painting the Jolly Frog Part 2

Another painting of the "Jolly Frog" before the fire.
I've just read the excellent historical notes on theself-guided Windsor Heritage Walks, that I found in the Macquarie Arms Hotel.
I painted this view from the site of the Windsor Barracks and Guardhouse opposite.
According to the guide "in 1818 a substantial brick barracks accommodating up to 60 soldiers was completed on this site by Richard Fitzgerald. The foundations of the guardhouse constructed in 1830 at the entrance to the barracks were unearthed by roadworks in 1976 and the site preserved. The guardhouse consisted of 3 small cells which were used for the confinement of subordinate soldiers. The site was surrounded by a high wall, remnants of which survive today. The barracks and guardhouse were demolished in about 1928 to make way for the construction of a police station and lockup."
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF4 'The 'Jolly Frog' from the foundations
of the Military Barracks
 2013 oil on canvas 31 x 61cm
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Whenever I painted the "Jolly Frog" I found myself thinking about Edward Hopper's paintings, while listening to the Buena Vista Social Club on my mp3 player.In Edward Hopper's paintings, encroaching shadows express the tension between nature and culture, and past and present.
Although roads are typically associated with the noise, speed, and rapid change of modern life, this scene is curiously still and silent.
I've finally tracked down the Edward Hopper painting that I feel it most resembles " Early Sunday Morning" 1930.
After crossing the Fitzroy bridge over South Creek, for a minute I thought I had arrived at a sleepy Cuban shanty town. The shabby facade of the "Jolly Frog" painted like a block of liquorice allsorts , a combination of sublime architecture and gorblimey colour evoked the streets of Old Havana.
I've always wondered about the inspiration behind the surprising and lurid colour schemes of moribund pubs.
For comparison, I have included 2 of my paintings of the ex-pub "The Pyrmont Arms".
plein air oil painting of the "ex Pyrmont Arms" in Pyrmont by artist Jane Bennett
"P248A The 'Pyrmont Arms' from the CSR 2
1991 oil on canvas 31 x 31cm

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The pink paint job is startling enough on the close up bird's eye view study I painted from the roof of the CSR boilerhouse (now the 'Elizabeth' apartment of the Jackson's Landing LendLease development)
But just look at how it sticks out like a sore thumb amongst all the dark decaying bond stores and warehouses!
plein air oil painting of the "ex Pyrmont Arms" in Pyrmont by artist Jane Bennett
P249 "Pyrmont panorama- from the CSR 2"
 1991 oil on canvas 38 x 76cm
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Same fabulously horrid "glow in the dark" shade of "Paddo pink", but a very different fate was in store for the ex- Pyrmont Arms Hotel. It is no longer a hotel, but has been reasonably sympathetically renovated and is now a combination of apartments above and a bottle-o below.
The real mystery is how the "Terminus Hotel" a block further south in Pyrmont has so far escaped. The Terminus has been derelict since the mid 1980s, and must surely be a candidate for the Guinness Book of Records for the longest existence as a derelict building without having suffered a mysterious fire. If you're interested in its strange history see my posts in this blog "To the Point" , "Looking over the overlooked" and "A tale of Two Pyrmont Hotels"

Update
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF4 'The 'Jolly Frog' from the foundations
of the Military Barracks
 2013 oil on canvas 31 x 61cm

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Past and present at the Jolly Frog, 26th January 2014
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF4 'The 'Jolly Frog' from the foundations
of the Military Barracks
 2013 oil on canvas 31 x 61cm

Enquiries
 Past and present at the Jolly Frog, 26th January 2014
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF5 'The 'Jolly Frog' (there's nothing...)
 2013 oil on canvas 25 x 31cm
Private Collection : Windsor
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Related posts

See my page of Pyrmont paintings

Wednesday 22 January 2014

The Boiling Frog

plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
 WJF1 'Door of the 'Jolly Frog' 
2013 oil on canvas 15 x 15cm
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The "Jolly Frog", was "mysteriously" burnt down at about 10pm on the 20th January.
A popular local watering hole, it had been derelict for several years.
Its lurid fluoro pink paint job was the first visible landmark after crossing the bridge into Windsor.
Now it's gone up in smoke.
A few months before, I painted some small studies from a small road opposite the "Frog"  I also painted a few small studies from my car behind the pub, where there was a wasteland used as a carpark.
The "Jolly Frog" certainly had the atmosphere of an accident waiting to happen. it reminded me of  the former White Bay Hotel, which a couple of years ago had suffered a similar fate.
plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
 WJF3 'Study of the 'Jolly Frog' 
2013 oil on canvas 18 x 13cm
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plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
WJF2 'Sign of the 'Jolly Frog' 
2013 oil on canvas 18 x 13cm
Private Collection : Winmalee
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This trio of tiny oil studies have a slightly "Edward Hopper" air about them; never a bad thing to have.
Closed shutters, boarded up doors and a disquieting mystery inside.
In my next post about painting the 'Jolly Frog' I have some 'before and after' paintings.

Monday 4 March 2013

Macdonaldtown - A Station without a suburb

I was asked by the National Trust After Hours Committee if I could help with a heritage walk "Macdonaldtown Meander" on Sunday 3rd March.
This was quite a challenge.
I have painted Macdonaldtown's majestic neighbour,the Eveleigh Railway Workshops many times,but Macdonaldtown itself had never appeared as an obvious source of inspiration.
But I was intrigued and decided to explore. I'm glad that I did. Often I can concentrate on more obviously spectacular vistas, and miss the subtle charms of smaller details, such as the exquisite series of classical heads as vignettes between each terrace in a row close to the start of Wilson Street.
Macdonaldtown's streets were full of delightful surprises.
This charming decorative corbel is carved into the classically inspired head of a lady.  It separates a row of five 3 storey terraces at the western end of Wilson street. Some of them have been tastefully gentrified in harmonious neutral shades, while their neighbours sport shabby yet garish liquorice all-sorts colours. 
The hot pink terrace on the right reminds me of the time in 1986 when  a couple of local lads decided to beautify Macdonaldtown Station by painting it pink. All of it. Tables, chairs walls and even a pot plant were glued down and painted pink in an "overall effort to enhance the station". No conviction was recorded and the State Rail Authority's claim for damages was rejected by the Magistrate. I had hoped that the hot pink terrace had been occupied by these 2 intrepid painters, but they actually lived in Enfield at the time.
plein air oil painting of urban landscape by artist Jane Bennett
 'The Lady of the house' 
Row of terraces in Wilson street
2012 oil on canvas 18 x 13cm
Available
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Macdonaldtown, despite its freshly renovated railway station, is not actually a bona fide suburb.
It's a "locality". More of a state of mind, really. The slightly shabbier sister, always being dominated by her more prominent Newtown, St Peters, Enmore, Erskineville and Redfern.The hinterland ; with most of the local landmarks residing slightly outside her nebulous borders -the exciting King Street shopping strip; the funky CarriageWorks; the chimneys of the St Peters Brickworks; the Eveleigh Railway Workshops.
Macdonaldtown remains the almost invisible space in-between.
While painting in Macdonaldtown, I found most of her inhabitants actually denied living there. They lived in "Newtown", "South Newtown", "near Eveleigh", "west of CarriageWorks", "Hollis Park", "North Erskineville", even the marvellously convoluted "south of Wilson Street West". This could be influenced by the vagaries of  real estate prices rather than dislike of the name Macdonaldtown.
Macdonaldtown mostly consisted of terrace houses of the cheapest possible construction,generally 4 metres (13 ft) wide "two-up two-down" with a rear kitchen.They usually had adjoining walls only one brick thick and a continuous shared roofspace. Hundreds of these  formerly humble dwellings still remain and are rapidly being gentrified. 19th century property developers would build a row terminating in a house of 1 1/2 width at the corner of the street, to be used as a commercial premises, or "Corner Store".

plein air oil painting of urban landscape by artist Jane Bennett
'Someone to watch over me' 
2012 oil on canvas 20 x 25cm

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So this lion watching over a shabby shop on Erskineville Road opposite the Erskineville Hotel came as quite a surprise. This is the sort of rooftop sculpture that I would expect on a castle or mansion, rather than in the middle of a tatty row of terraces. It hints at a sort of delusion of grandeur.
 Only 1 person in the pub opposite had ever noticed it peering down at them!


plein air oil painting of urban landscape by artist Jane Bennett
'Derelict 'Edward Brooks'
factory in Wilson street  2012
oil on board 22 x 28cm

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Another architectural surprise.
The terraces at the northern and eastern end (closer to the University and the city) are as a rule far more prestigious than the workers cottages to the west and south, especially the row in Georgina Street and Warren Ball Avenue next to Hollis Park.
However, next to the very upmarket Hollis Park area, is the very large and very derelict 'Edward Brooks' factory, crumbling into Wilson Street. The winch above the window hints at its industrial past.

plein air oil painting of urban landscape by artist Jane Bennett
 'Edward Brooks building, Wilson Street'
2013 oil on canvas  46 x 92cm
Available
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This larger painting shows the steps up to the lovely park next door, and how the old factory contrasts with the freshly renovated terrace next door.
 The former 'Edward Brooks building' was known locally, rightly or wrongly as the 'Hat Factory'. By the size of the winch hats (and presumably heads) were a lot bigger back in the good old days!
 None of the locals have so far been able to tell me very much about its history. One man from the Erskineville Hotel, whose dad used to live 3 doors down, said that it was a foundry, which seems possible, although records show the "IronWorks" as being a block further west down the road at no. 150 Wilson Street.
His dad, like so many of the former residents of Macdonaldtown's workers terraces, was an employee of the Eveleigh Railway Workshops.Built in 1878, the Eveleigh Railway yards housed the Government Railway Stores and Workshops, and the Locomotive Engineer’s Department from 1901. Production declined in the 1970s and ceased in 1988. The site lay mostly disused til 1996 when the northern (Darlington) end was developed for a communications and science research facility known as the Australian Technology Park.  In 2002 the central part of the north-eastern site became the too cool for school Carriageworks performance space. The forecourt hosts weekly farmers' markets and monthly craft markets. 

plein air oil painting of urban landscape by artist Jane Bennett
 'Pediment with wheat sheaf-
old Henninges bakery in Wilson street -
now 'Original Finish'
2012 oil on canvas 20 x 20cm
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The wheat sheaf on the pediment, reveals the original use of 'Original Finish' as a bakery.
The former Newtown Bread Factory, on the corner of Wilson and Watkin Streets, was run by Henry Henninges in the 19th century.The lane behind the factory still bears Henninges' name.
The building has been very sympathetically and respectfully restored, with small cracks and weathering bearing witness to its previous history,which is appropriate considering that its current occupier, 'Original Finish' specializes in antiques.
Henry Henninges Bakery in 1983

 The former 'Edward Brooks building had been occupied by squatters since about 2001.
The building had last changed hands (for a derisively small amount of money) in 1981. The owner apparently only lives a few blocks down the road, but allowed the property to rot, in a similar fashion to the Terminus Hotel and the Darling Island Bond and Free Store of Pyrmont. Landbanking played as an extreme sport.
Nature abhors a vacuum, so a variety of squatters and local community groups had apparently moved in.
They were forcibly evicted in a very heavy handed fashion by the riot squad on Thursday 31st July 2014.
The once-shunned building has now been bought for $1.7 million at a hotly contested auction and will now apparently be renovated rather than demolished. 

Friday 31 August 2012

To the Point


plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

Last week I returned to a painting that I had started 2 years ago but had left half finished due to having to complete other projects.
I had painted the two hotels from this viewpoint on the corner of John and Harris Streets countless times before. I still had several canvases of the Terminus but I especially wanted to paint a panorama giving equal space to the Terminus and Pyrmont Point Hotels.
59 versus 61 Harris Street Pyrmont - the old versus the new Pyrmont, divided by the striding legs of the Anzac bridge looming over the towers of Jackson's Landing.



plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


I had completed a similar canvas from this viewpoint about 2 years ago, but had sold it almost immediately to a local couple who had met each other at the Point Hotel.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

In the first photo of the work in progress, the previous colour scheme of the "Pyrmont Point Hotel" from 2 years before is still visible. The strange faded plum tone reminded me of an over-ripe version of the once ubiquitous "Paddo pink" in the first wave of gentrification that spread all over the 1980s inner city. It clashed horribly with the dark crimson awning.
Now it is under new management, with a brand new colour scheme to mark the change. The walls are a more subdued and elegant pale yellow green, with awnings and window frames in chocolate. One effect of the new wall colour is to make the "ghost sign" of the hotel's original name the "Royal Pacific" more apparent.
Meanwhile the Terminus hasn't changed a bit.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


I spent the first afternoon repainting the walls of the "Pyrmont Point Hotel" to the new colour. It probably would have been quicker and easier to just start a completely new canvas.
The practice of plein air painting often results in many half finished and potentially unfinishable canvases, so that you have to grit your teeth and accept it as an inevitable part of the process. So many elements are beyond the artist's control that plein air painting becomes hopelessly frustrating if you can't cope with "unfinished business".
I love being able to revive a canvas that I have had to turn face to the wall for weeks, months or even years.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

By the end of the first day, I had the basics blocked out and the canvas only needed the finishing touches.
And just as well.
When I delivered another work to the Frances Keevil Gallery, I discovered that a couple from Pyrmont were extremely interested in this painting. They had actually watched me while I was painting it!
Unfortunately they were due to leave Australia the next week.
I would have to complete the painting by Wednesday at the latest if it was going to be dry (well... dryish!) by Saturday, when the clients came in to the Frances Keevil Gallery to view it.
I don't think that they realized that it was an oil painting and they were cutting it a bit fine if it was to be finished, dry and ready to be delivered.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


It was Tuesday.
And there were many distractions.
I love chatting to people as I paint. I get to meet interesting people and learn a lot of fascinating things about the location.
But I was under a bit of time pressure and I must admit that I was worried.
The painting looks almost finished in this photo, but the final touches which can make or break a painting are very fiddly and it's perilous to rush them.
One of the most important of these was the "ghost sign" of the Pyrmont Point's previous incarnation as the Royal Pacific. Another vital detail was the light coming from the interior of the Pyrmont Point which contrasted with the dead heart of the Terminus.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
The artist with local resident Van Le
with the nearly complete canvas
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
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Tuesday seemed to be an extremely busy day on the corner of John and Harris St.
I became a bit of a tourist attraction. Here I am with Van Le, a local resident.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
The artist with local resident
Francis Lee with the nearly complete canvas
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

And with Francis Lee, another local resident, who kindly took these pictures of me in action.
plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

I needn't have worried.
The painting was completed.
And the couple loved it and bought it.
Apparently one of the pair had been covertly watching me paint the finishing touches on this canvas from a safe distance at the pub opposite.
I'm glad that I didn't know that at the time or I would have suffered stage fright.
I actually think that this painting turned out better than the one that I had painted 2 years before. Mind you, I've certainly had quite enough practice painting these pubs. The first time was about 30 years ago - doesn't time fly when you're having fun!
Also watching me were 2 photographers who were checking out the Terminus. They took a few photos of me (no makeup, covered in paint from head to foot, looking like a bag lady...oh well!) and chatted about the charms of urban decay as I desperately tried to finish my commission. Like many photographers, they seemed more interested in the freshly squeezed oil paint on my palette than the actual canvas. The process not the result.
Check out the photos they took of me and my painting here at the blog on their site.
Tristan Stefan Edouard Photography

For more information about the Terminus and Pyrmont Point Hotels see
My Pyrmont page in this blog

Related posts

Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free
Pretty vacant 
 
A Tale of two hotels - the Terminus and the Point
Pyrmont Paintings past and present 
Paintings of Pink pubs - Painting the Jolly Frog Part 2