Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label ghost sign. Show all posts
Showing posts with label ghost sign. Show all posts

Monday 4 March 2013

Macdonaldtown - A Station without a suburb

I was asked by the National Trust After Hours Committee if I could help with a heritage walk "Macdonaldtown Meander" on Sunday 3rd March.
This was quite a challenge.
I have painted Macdonaldtown's majestic neighbour,the Eveleigh Railway Workshops many times,but Macdonaldtown itself had never appeared as an obvious source of inspiration.
But I was intrigued and decided to explore. I'm glad that I did. Often I can concentrate on more obviously spectacular vistas, and miss the subtle charms of smaller details, such as the exquisite series of classical heads as vignettes between each terrace in a row close to the start of Wilson Street.
Macdonaldtown's streets were full of delightful surprises.
This charming decorative corbel is carved into the classically inspired head of a lady.  It separates a row of five 3 storey terraces at the western end of Wilson street. Some of them have been tastefully gentrified in harmonious neutral shades, while their neighbours sport shabby yet garish liquorice all-sorts colours. 
The hot pink terrace on the right reminds me of the time in 1986 when  a couple of local lads decided to beautify Macdonaldtown Station by painting it pink. All of it. Tables, chairs walls and even a pot plant were glued down and painted pink in an "overall effort to enhance the station". No conviction was recorded and the State Rail Authority's claim for damages was rejected by the Magistrate. I had hoped that the hot pink terrace had been occupied by these 2 intrepid painters, but they actually lived in Enfield at the time.
plein air oil painting of urban landscape by artist Jane Bennett
 'The Lady of the house' 
Row of terraces in Wilson street
2012 oil on canvas 18 x 13cm
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Macdonaldtown, despite its freshly renovated railway station, is not actually a bona fide suburb.
It's a "locality". More of a state of mind, really. The slightly shabbier sister, always being dominated by her more prominent Newtown, St Peters, Enmore, Erskineville and Redfern.The hinterland ; with most of the local landmarks residing slightly outside her nebulous borders -the exciting King Street shopping strip; the funky CarriageWorks; the chimneys of the St Peters Brickworks; the Eveleigh Railway Workshops.
Macdonaldtown remains the almost invisible space in-between.
While painting in Macdonaldtown, I found most of her inhabitants actually denied living there. They lived in "Newtown", "South Newtown", "near Eveleigh", "west of CarriageWorks", "Hollis Park", "North Erskineville", even the marvellously convoluted "south of Wilson Street West". This could be influenced by the vagaries of  real estate prices rather than dislike of the name Macdonaldtown.
Macdonaldtown mostly consisted of terrace houses of the cheapest possible construction,generally 4 metres (13 ft) wide "two-up two-down" with a rear kitchen.They usually had adjoining walls only one brick thick and a continuous shared roofspace. Hundreds of these  formerly humble dwellings still remain and are rapidly being gentrified. 19th century property developers would build a row terminating in a house of 1 1/2 width at the corner of the street, to be used as a commercial premises, or "Corner Store".

plein air oil painting of urban landscape by artist Jane Bennett
'Someone to watch over me' 
2012 oil on canvas 20 x 25cm

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So this lion watching over a shabby shop on Erskineville Road opposite the Erskineville Hotel came as quite a surprise. This is the sort of rooftop sculpture that I would expect on a castle or mansion, rather than in the middle of a tatty row of terraces. It hints at a sort of delusion of grandeur.
 Only 1 person in the pub opposite had ever noticed it peering down at them!


plein air oil painting of urban landscape by artist Jane Bennett
'Derelict 'Edward Brooks'
factory in Wilson street  2012
oil on board 22 x 28cm

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Another architectural surprise.
The terraces at the northern and eastern end (closer to the University and the city) are as a rule far more prestigious than the workers cottages to the west and south, especially the row in Georgina Street and Warren Ball Avenue next to Hollis Park.
However, next to the very upmarket Hollis Park area, is the very large and very derelict 'Edward Brooks' factory, crumbling into Wilson Street. The winch above the window hints at its industrial past.

plein air oil painting of urban landscape by artist Jane Bennett
 'Edward Brooks building, Wilson Street'
2013 oil on canvas  46 x 92cm
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This larger painting shows the steps up to the lovely park next door, and how the old factory contrasts with the freshly renovated terrace next door.
 The former 'Edward Brooks building' was known locally, rightly or wrongly as the 'Hat Factory'. By the size of the winch hats (and presumably heads) were a lot bigger back in the good old days!
 None of the locals have so far been able to tell me very much about its history. One man from the Erskineville Hotel, whose dad used to live 3 doors down, said that it was a foundry, which seems possible, although records show the "IronWorks" as being a block further west down the road at no. 150 Wilson Street.
His dad, like so many of the former residents of Macdonaldtown's workers terraces, was an employee of the Eveleigh Railway Workshops.Built in 1878, the Eveleigh Railway yards housed the Government Railway Stores and Workshops, and the Locomotive Engineer’s Department from 1901. Production declined in the 1970s and ceased in 1988. The site lay mostly disused til 1996 when the northern (Darlington) end was developed for a communications and science research facility known as the Australian Technology Park.  In 2002 the central part of the north-eastern site became the too cool for school Carriageworks performance space. The forecourt hosts weekly farmers' markets and monthly craft markets. 

plein air oil painting of urban landscape by artist Jane Bennett
 'Pediment with wheat sheaf-
old Henninges bakery in Wilson street -
now 'Original Finish'
2012 oil on canvas 20 x 20cm
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The wheat sheaf on the pediment, reveals the original use of 'Original Finish' as a bakery.
The former Newtown Bread Factory, on the corner of Wilson and Watkin Streets, was run by Henry Henninges in the 19th century.The lane behind the factory still bears Henninges' name.
The building has been very sympathetically and respectfully restored, with small cracks and weathering bearing witness to its previous history,which is appropriate considering that its current occupier, 'Original Finish' specializes in antiques.
Henry Henninges Bakery in 1983

 The former 'Edward Brooks building had been occupied by squatters since about 2001.
The building had last changed hands (for a derisively small amount of money) in 1981. The owner apparently only lives a few blocks down the road, but allowed the property to rot, in a similar fashion to the Terminus Hotel and the Darling Island Bond and Free Store of Pyrmont. Landbanking played as an extreme sport.
Nature abhors a vacuum, so a variety of squatters and local community groups had apparently moved in.
They were forcibly evicted in a very heavy handed fashion by the riot squad on Thursday 31st July 2014.
The once-shunned building has now been bought for $1.7 million at a hotly contested auction and will now apparently be renovated rather than demolished. 

Thursday 29 November 2012

Wrong side of the tracks - Darling Island Bond and Free

Recently I have been painting yet another magnificent ruin from the notorious Wakil collection of derelict buildings.
The Wakils, who also own the Terminus Hotel and the old milkbar on the corner of John and Harris Street seem to be obsessed with playing a 30 year long game of Monopoly...with real buildings.
This is the Darling Island Bond and Free Store at 12 Pyrmont Street, Pyrmont.
My first drawings and paintings of this building date from nearly 30 years ago, and the changes are almost imperceptible. On the southern side, windows were cut into the brickwork during the 1980s. The plane trees have grown so that they obscure my view of the row of charming 1880s terraces next door. The residents of 14 Pyrmont St had planted ivy which crept up the wall, but later they cut the ivy and it died off before it could continue its conquest.
Otherwise it is as though I have been sent back in the Tardis to the Pyrmont of the 1980s.

Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting "Darling Island Bond and Free"
en plein air, in front of 27 Pyrmont Street
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Originally this bond store was home of "Australian Thermite Company Pty Ltd" and must have been built either just before the First World War or during its first few months.
As far as I know, the cutting for the Pyrmont Goods Line which curves around the north of this building dates from about 1911-14 (?) so the Bond store would have been built around then. It also has a faint whiff of the utilitarian 'Federation Free' style architecture seen in other red brick storehouses around the Pyrmont peninsula such as the Royal Edward Victualling Yards.


Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
My painting of "Darling Island Bond and Free"
2012 oil on canvas 61 x 51cm
on my french box easel, in Pyrmont Street
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Thermite is a mix of aluminium oxide and another metal oxide (usually iron).
It was used for welding in-place of thick steel sections such as locomotive axle-frames so that the repair can take place without removing the part from where it has been installed.
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
"Darling Island Bond and Free"
2012 oil on canvas 61 x 51cm
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A thermite weld is spectacular.
Molten metal drops into the mould in a blinding flash.
The still glowing edges are trimmed still glowing and then polished until you can't see the join with the steel rail on either side.
It is a very traditional work process, first patented in the 1890s, but it would still have been the last word in modern technology when 12 Pyrmont Street was first built.
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting 12 Pyrmont st,
from Jones Bay Road 27-12-2012
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Rail under stress can easily buckle.
Thermite can be used for quickly cutting or welding steel such as rail tracks, without requiring complex or heavy equipment.
However, thermite welding must be done carefully as defects are often present in such welded junctions.
Also the rails must remain straight, without dipped joints, which can cause wear on high speed and heavy axle load lines.

Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
P271 'Darling Island Bond and Free,
12 Pyrmont street' 2013
oil on canvas 46 x 46cm
Available

Thermite is not technically classed as an explosive, however anyone who's watched a certain early episode of 'Breaking Bad' will appreciate its force and effectiveness!
Back in those days living next door to a Bond store full of thermite would definitely have qualified as living "on the wrong side of the tracks".
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting 12 Pyrmont st,
from Jones Bay Road 27-12-2012

I'm not sure when the "Australian Thermite Company" building became the "Darling Island Bond and Free".
It must have been at least a couple of decades after its construction, as I have seen some unfortunately undated photos which must have been taken after 1916, but before 1948, as they show the empty yard to the east of the original 1904 Power Station building before the second power station was completed in 1951.
The faded letters "Darling Island Bond and Free" can still be just made out on the south and east side of the building.
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting 12 Pyrmont st,
from Jones Bay Road 27-12-2012

I'd like to thank the people who took photos of me while I was painting and sent them to me. Unfortunately their emails bounced and they used nicknames so I don't know how to personally credit them, but I'm grateful as I was far too hot and tired to cross the street to take photos.
I'd also like to thank the occupants of number 14 Pyrmont Street for reviving me with kindness and their excellent coffee while I was painting on an extremely hot day.
I displayed this painting in the Xmas exhibition at the Frances Keevil Gallery
The opening was on Saturday 1st December 2012, from 5-7pm.
The exhibition continued until 31st December 2012
FRANCES KEEVIL GALLERY,
Bay Village, 28-34 Cross Street Double Bay, NSW 2028
Hours M-F 10am-5pm Sat 10 - 4pm Sun 11-4pm
ph/fax: 02 93272475 mob: 0411 821550
info@franceskeevilgallery.com.au
Page of Jane Bennett paintings

For more information see My Pyrmont page in this blog


Related posts



Friday 31 August 2012

To the Point


plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
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Enquiries about similar paintings:
janecooperbennett@gmail.com

Last week I returned to a painting that I had started 2 years ago but had left half finished due to having to complete other projects.
I had painted the two hotels from this viewpoint on the corner of John and Harris Streets countless times before. I still had several canvases of the Terminus but I especially wanted to paint a panorama giving equal space to the Terminus and Pyrmont Point Hotels.
59 versus 61 Harris Street Pyrmont - the old versus the new Pyrmont, divided by the striding legs of the Anzac bridge looming over the towers of Jackson's Landing.



plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


I had completed a similar canvas from this viewpoint about 2 years ago, but had sold it almost immediately to a local couple who had met each other at the Point Hotel.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

In the first photo of the work in progress, the previous colour scheme of the "Pyrmont Point Hotel" from 2 years before is still visible. The strange faded plum tone reminded me of an over-ripe version of the once ubiquitous "Paddo pink" in the first wave of gentrification that spread all over the 1980s inner city. It clashed horribly with the dark crimson awning.
Now it is under new management, with a brand new colour scheme to mark the change. The walls are a more subdued and elegant pale yellow green, with awnings and window frames in chocolate. One effect of the new wall colour is to make the "ghost sign" of the hotel's original name the "Royal Pacific" more apparent.
Meanwhile the Terminus hasn't changed a bit.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


I spent the first afternoon repainting the walls of the "Pyrmont Point Hotel" to the new colour. It probably would have been quicker and easier to just start a completely new canvas.
The practice of plein air painting often results in many half finished and potentially unfinishable canvases, so that you have to grit your teeth and accept it as an inevitable part of the process. So many elements are beyond the artist's control that plein air painting becomes hopelessly frustrating if you can't cope with "unfinished business".
I love being able to revive a canvas that I have had to turn face to the wall for weeks, months or even years.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

By the end of the first day, I had the basics blocked out and the canvas only needed the finishing touches.
And just as well.
When I delivered another work to the Frances Keevil Gallery, I discovered that a couple from Pyrmont were extremely interested in this painting. They had actually watched me while I was painting it!
Unfortunately they were due to leave Australia the next week.
I would have to complete the painting by Wednesday at the latest if it was going to be dry (well... dryish!) by Saturday, when the clients came in to the Frances Keevil Gallery to view it.
I don't think that they realized that it was an oil painting and they were cutting it a bit fine if it was to be finished, dry and ready to be delivered.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


It was Tuesday.
And there were many distractions.
I love chatting to people as I paint. I get to meet interesting people and learn a lot of fascinating things about the location.
But I was under a bit of time pressure and I must admit that I was worried.
The painting looks almost finished in this photo, but the final touches which can make or break a painting are very fiddly and it's perilous to rush them.
One of the most important of these was the "ghost sign" of the Pyrmont Point's previous incarnation as the Royal Pacific. Another vital detail was the light coming from the interior of the Pyrmont Point which contrasted with the dead heart of the Terminus.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
The artist with local resident Van Le
with the nearly complete canvas
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
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Tuesday seemed to be an extremely busy day on the corner of John and Harris St.
I became a bit of a tourist attraction. Here I am with Van Le, a local resident.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
The artist with local resident
Francis Lee with the nearly complete canvas
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
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Enquiries about similar paintings:
janecooperbennett@gmail.com

And with Francis Lee, another local resident, who kindly took these pictures of me in action.
plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

I needn't have worried.
The painting was completed.
And the couple loved it and bought it.
Apparently one of the pair had been covertly watching me paint the finishing touches on this canvas from a safe distance at the pub opposite.
I'm glad that I didn't know that at the time or I would have suffered stage fright.
I actually think that this painting turned out better than the one that I had painted 2 years before. Mind you, I've certainly had quite enough practice painting these pubs. The first time was about 30 years ago - doesn't time fly when you're having fun!
Also watching me were 2 photographers who were checking out the Terminus. They took a few photos of me (no makeup, covered in paint from head to foot, looking like a bag lady...oh well!) and chatted about the charms of urban decay as I desperately tried to finish my commission. Like many photographers, they seemed more interested in the freshly squeezed oil paint on my palette than the actual canvas. The process not the result.
Check out the photos they took of me and my painting here at the blog on their site.
Tristan Stefan Edouard Photography

For more information about the Terminus and Pyrmont Point Hotels see
My Pyrmont page in this blog

Related posts

Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free
Pretty vacant 
 
A Tale of two hotels - the Terminus and the Point
Pyrmont Paintings past and present 
Paintings of Pink pubs - Painting the Jolly Frog Part 2