Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Sydney Ports Corporation. Show all posts
Showing posts with label Sydney Ports Corporation. Show all posts

Saturday 23 July 2011

Painting the Shirley Smith at Moores Wharf

Although I’d been Artist in Residence’ at the East Darling Harbour Wharves, and even in the Harbour Control Tower for almost a decade, it wasn’t until July 2011 that I was invited to become Artist in Residence’ at Moore’s Wharf, the Sydney HQ of Sydney Ports Corporation.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale

The East Darling Harbour Wharves finally closed in October 2007.
I managed to keep access to the wharves during the demolition of the wharves & even during the early stages of the construction on Barangaroo.
I even retained occasional access to the Harbour Control Tower after April 2011 when it ceased to be used for maritime operations by Sydney Ports Corporation.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
Moore’s Wharf is a handsome 3 storey sandstone warehouse that was originally built in the 1830s by convict labour.
There are still some convict marks, such as arrows on some of the sandstone blocks which were quarried locally.
The surrounding suburb, Millers Point, is built on a ridge of yellowblock sandstone that is of high quality, although not quite up to the standard of the famous Pyrmont yellowblock.
Bizarrely, the entire building was moved stone by stone, a few hundred metres to its existing position, when the adjoining wharves were extended and redeveloped for containerization.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
In front of Moore’s Wharf, Sydney Ports Corporation has two highly visible, verging on garish, bright scarlet and yellow firefighting tugs, the ‘Shirley Smith’, and the ‘Ted Noffs’. They are part of a fleet of emergency response vessels and specialised equipment used for fire-fighting, oil spill response, salvage and providing assistance to stricken vessels.
The marine operations teams work closely with Fire and Rescue NSW to prepare for fighting fires which may not be accessible to the fire teams by land.

Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
You can see the crew in the background next to the Shirley Smith.
The weird crumpled red and black object, that looks slightly like a giant version of the sort of caterpillars found on citrus trees is a boom to enclose oil spills and similar hazards. Booms are kept near the boat, so they can be rapidly deployed. My first painting as ‘Artist in Residence’ at Moores Wharf was of a classic everyday task - the marine operations team cleaning one of the recently deployed booms.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
Shirley Smith was built in 1987 and normally based in Port Jackson, whereas the ‘Ted Noffs’ is usually stationed at Port Botany, although occasionally both are there when I've been painting. They are manned 24/7, 365 days a year. They each have a capacity for delivering 16,000 litres of water per minute. As well as emergency response to fires, this water spray is also used for spectacular displays during celebrations such as New Year’s Eve, and to welcome the ‘maiden call’ of a ship into Port Jackson.
The tug was named in honour of Shirley Smith (Mum Shirl), an Aboriginal woman who dedicated her life to welfare services.


Related Posts

Boat at Goat

Lashed to the Mast

Painting the 'Poolya' at Glebe Island 



Wednesday 25 August 2010

Sydney Harbour Control Tower (The 'Pill')

Painting the Sydney Harbour Control Tower at Barangaroo
Plein air painting of the Harbour Control Tower from Barangaroo by industrial heritage artist Jane Bennett
Painting the Sydney Harbour Control Tower
at Barangaroo : Art versus life
My canvas is sitting on top of my trolley luggage, which contains my essential equipment.
My paints, my brushes, my palette, my easel, my toilet paper and my lunch. It's a long walk back and the French box easel weighs over 10 kilos with the paint inside. All French box easels have annoying design flaws. With this one the easel legs have an alarming tendency to detach and whack me on the back of shins whenever I least expect it. Shoving it inside the trolley luggage was the best compromise I could come up with.
Plein air painting of the Harbour Control Tower from Barangaroo by industrial heritage artist Jane Bennett
BAR53 'Barangaroo north -
The Harbour Tower, escarpment and Moore's Wharf'
2010 oil on canvas 61 x 91cm
Enquiries about these paintings 

Plein air painting of the Harbour Control Tower from Barangaroo by industrial heritage artist Jane Bennett
Painting the Sydney Harbour Control Tower
at Barangaroo
While I was painting this, the radio station Nova was holding some kind of promotional event, on the knuckle of the northern end of Barangaroo.
It was a bit distracting and I felt a bit nervous leaving all of my things lying around at the mercy of the crowd whenever I had to have a loo break.
But they had set up a pop-up coffee bar in the middle of the wharf, so I'm everlastingly grateful to them as I love my coffee and never usually get a chance to drink any while I'm painting - it tends to go sour in a thermos and milk turns to yoghurt in the sun.
The Sydney Harbour Control Tower will still be used by Sydney Ports Corporation until their room in their spiffy new purple and silver headquarters at Port Botany has been fitted out in April 2011. I don't know whether there will be a role for the Sydney Harbour Control Tower in the new plans for Barangaroo. Hope so. I still have an easel and paint stashed on the amenities floor; I don't want to lose them.
Plein air painting of the Harbour Control Tower from Barangaroo by industrial heritage artist Jane Bennett
BAR54 'Tower of Power'
2010 oil on canvas 61 x 61cm
Enquiries about these paintings 
 

View more of my Barangaroo paintings at my Barangaroo blog 'Painting Barangaroo'

Related posts

Barangaroo - Tabula Rasa  

Sunday 8 August 2010

Out of Time

Painting inside the hall of the former cruise ship terminal at Wharf 8, South Barangaroo

plein air oil painting of demolished cruise ship terminal Wharf 8 on the Hungry mile, now Barangaroo painted by maritime heritage artist Jane Bennett
"Out of time " 2010
oil painting on canvas 31 x 31 cm

Available
Enquiries about this painting


























A poignant little genre painting. Stopped clocks; a security sign; an abandoned storeroom.
Industrial memento mori.
A memento mori, or "reminder of death" is a familiar motif from medieval art. Sometimes a gruesome skeleton clothed in tattered flesh holds a scroll bearing the Latin inscription, "I am what you will be. I was what you are. For every man is this so."
Other paintings have more subtle ways of implying the same message - a piece of rotting fruit or an overblown rose in a Dutch 17th century still life; an hourglass or a mirror may mark the passage of time in a portrait.
Every good still life painting should have at least a whiff of mortality about it; a slight sting in the tail; a spoonful of medicine to make the sugar go down.
I found a plaque commemorating the opening of this building - 1999. Not all that long ago, but already it seems like an eon has passed.
Sydney Ports Corporation has just arrived to take possession of this sign.
I found its inscription hilarious - it was about how passengers with cardiac pacemakers were not to go through the X ray machines, but had to be bodily searched by the security guards!
if they didn't have heart problems to start with they would when they finished; all the excitement might prove too much!
It is such an insecure security sign.

My Studio at Barangaroo

Works in progress
Unfinished oil paintings on canvas.
Painting inside the the former Cruise ship Terminal at Darling Harbour 8 painted in July-August 2010
plein air oil painting of the demolished Wharf 8 cruise ship terminal at South Barangaroo by industrial heritage and marine artist Jane Bennett
BAR7 'Empty Hall, Wharf 8' 2010
oil on canvas 61 x 183cm
Enquiries about these paintings
plein air oil painting of the demolished Wharf 8 cruise ship terminal at South Barangaroo by industrial heritage and marine artist Jane Bennett
My paintings of the soon to be demolished
Wharf 8 cruise ship terminal at South Barangaroo
Enquiries about these paintings 
I make the big move out of the terminal, as it is soon to be demolished.
plein air oil painting of the demolished Wharf 8 cruise ship terminal at South Barangaroo by industrial heritage and marine artist Jane Bennett
"Grabber, ripper,muncher"
2010 oil painting on canvas 31 x 31cm
Enquiries about these paintings 
Yes, they actually are the proper names of the attachments to the excavators! I'm not making them up. Truly.
The "Grabber" is in the centre, the "Ripper" is the wicked looking blade on the right, while the "Muncher" is the monster with the mad fluoro pink "eye" and the toothy jaws in front of the red door to the left. The workmen promised me that there is also a "Pulverizer" that will arrive later.
This I have to see!
plein air oil painting of the demolished Wharf 8 cruise ship terminal at South Barangaroo by industrial heritage and marine artist Jane Bennett
Left to right and top to bottom:
"Behind the red door"
2010 oil painting on canvas 31 x 31cm
"Grabber, ripper,muncher"
2010 oil painting on canvas 31 x 31cm
"Excavators at rest"
2010 oil painting on canvas 56 x 76cm
Enquiries about these paintings

A good day at the office! Three paintings completed before I was kicked out!
plein air oil painting of the demolished Wharf 8 cruise ship terminal at South Barangaroo by industrial heritage and marine artist Jane Bennett
Left to right and top to bottom:
"May open without warning"
2010 oil painting on canvas 56 x 76cm
"May close without warning"
2010 oil painting on canvas 56 x 76cm
Enquiries about these paintings
Everything must go!
This was the very last day that I was able to leave my easels and canvases inside the terminal.
I've been kicked out of Wharf 8 and now have moved my stuff into a room in the loading dock of the old Sydney Ports Corporation Maintenance Depot that has been recently used to display the designs for Barangaroo.
Not for long, apparently - Bovis LendLease has already moved the entrance twice and I've noticed construction of new site offices starting in the north-west corner.
This building will obviously be the next to go after the DH8 terminal.
Exactly when is anyone's guess.