Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Eveleigh Railway Workshops. Show all posts
Showing posts with label Eveleigh Railway Workshops. Show all posts

Sunday 18 May 2014

Strike while the iron is hot

Plein air oil painting of an anvil in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Starting a small painting of an anvil,
one of the blacksmith's
basic tools of the trade
" Anvil" 2014 31 x 31cm oil on canvas

Enquiries

At the ATP community heritage days on the 16th and 17th May, I had 2 exhibitions, one in Bay 1 and 2 of the Blacksmith's workshop and the other in the carriage displayed by the volunteers of 3801 limited, as well as painting throughout the blacksmith's demonstrations .
I am still recovering from being seriously injured not long ago, (fractured pelvis) so I had to be extremely careful. I was given a great deal of help by the volunteers and the management of the ATP, who gave me a room to store my paintings and easels, and a trolley to move them. I am truly grateful, as even just walking still causes me a great deal of pain.
Plein air oil painting of an anvil in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
" Anvil" 2014
31 x 31cm oil on canvas

Enquiries
This time I kept the paintings fairly small and simple, so as to not put too much pressure on myself, while I'm still recuperating.
However, I have always meant to paint some of the heritage tools anyway. I have previously painted anvils as part of a larger, more complex painting, but it is a beautiful and evocative item in its own right.
Plein air oil painting of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
I had often painted Chris before in a variety of poses, but you have to be fast!
However, after I watch for a while I notice various stages of the process, and get a feeling for the timing and rhythm.
It's hard to decide on which of the hundreds of potential poses to choose to paint. I leave the arms in an unfinished state, as I can't decide on whether to paint him wielding a hammer or a pair of tongs.
Decisions, decisions.
Plein air oil painting of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Starting a painting of the blacksmith Chris.
The blacksmiths of "Wrought Artworks" move quickly.
"Strike while the iron is hot" isn't just an old proverb - it's a way of life.
They must strike quickly, decisively and with force, however their movements must be controlled and accurate as well.
They also must work as a team and have awareness of who and what is around them.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Chris quenching chisels
2011-12 oil on canvas 152 x 122cm
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I exhibited some of my paintings of the Blacksmiths in a corner of their workshop, so that onlookers could compare the paintings with the real thing.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
"Blacksmith" 2009 oil on canvas 100 x 75cm
Enquiries
It gave viewers an opportunity to see parts of the workshop not visible to the public due to safety concerns.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
i displayed some of my smaller paintings and books of photos of paintings of other areas of industrial Sydney on a pair of old dusty workbenches.
Exhibition of oil paintings in blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
The ATP  has largely retained the old industrial ambience of the Eveleigh Railway Workshops.

Plein air oil painting of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett













All Fired up -the Blacksmiths
Eveleigh Railway Workshops"
2012 oil on canvas 91x 122cm

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Some more of my paintings of the blacksmiths were exhibited in front of an old signal box.
Exhibition of oil paintings of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
Enquiries
The visitors on the first day were mostly retired former Eveleigh workers.
Exhibition of oil paintings of blacksmith's workshop, Eveleigh Railway Workshops painted during ATP Open Day by industrial heritage artist Jane Bennett
However, there was a much larger and more diverse group of people attending on the Saturday.
I hope there will be another heritage day next year.

Related posts

Macdonaldtown - A Station without a suburb
ATP Open Day - Saturday, 25 Feb 2012
Singing the body electric
(sydney-eye.blogspot.com)
The village smithy (sydney-eye.blogspot.com)
En plein air with street cred (sydney-eye.blogspot.com)

Sunday 11 May 2014

Eveleigh Community Heritage Day

The ATP Heritage Community Days run from 10am to 3pm on both Friday 16th and Saturday 17th May 2014.

This is a preview of some of the paintings I will display in the Blacksmith's workshop Bay 1 and 2 

 "ATP" is the acronym for the Australian Technology Park.
Not to be confused with Carriageworks! 
plein air oil painting of heritage steam train 3801 painted at the Large Erecting Shop, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
"3801 steaming, Large Erecting Shop,
Eveleigh Railway Workshops"
 2006 oil on canvas 36 x 28cm

Enquiries
The ATP is on the southern side of  Redfern station, while Carriageworks is on the northern side.
I will also have some paintings of the 3801 and other historic steam locomotives as well as interiors of the Large Erecting Shop exhibited in and around the heritage carriages. 
These carriages will be displayed by the volunteers of the 3801 at the western end, near Channel 7's new building.
plein air oil painting of heritage steam train 3801 painted at the Large Erecting Shop, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
'Geoff and the 3801 
outside the Large Erecting Shop'
2006  oil on canvas  38 x 76cm

Enquiries
As well as the trains, I've even immortalized a few of the volunteers!
oil painting of Blacksmith painted at the Australian Technology Park, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
 'Forging,Wrought Artworks '
2010 oil on canvas 20 x 25cm

Enquiries
I will also be painting the blacksmiths from "Wrought Artworks", who will be giving a couple of forging demonstrations in Bay 2 south on both days. 
oil painting of Blacksmith's Forge painted at the Australian Technology Park, Eveleigh Railway Workshops by industrial heritage artist Jane Bennett
"Forge, Wrought Artworks, Eveleigh"
2008  oil on canvas 56 x 76cm
Enquiries
In the centre of this painting is the legendary 'Davy Press', built in the era when industry operated on a heroic scale.
Richard Butcher,heritage volunteer and an ex- Eveleigh Workshop Blacksmith, will give tours of Bay 1 and 2 (which has the enormous Davy Press). Richard has written the most amazing book about the Eveleigh Railway Workshops and is a genuine living legend!
More details about the Eveleigh Community heritage days

Monday 4 March 2013

Macdonaldtown - A Station without a suburb

I was asked by the National Trust After Hours Committee if I could help with a heritage walk "Macdonaldtown Meander" on Sunday 3rd March.
This was quite a challenge.
I have painted Macdonaldtown's majestic neighbour,the Eveleigh Railway Workshops many times,but Macdonaldtown itself had never appeared as an obvious source of inspiration.
But I was intrigued and decided to explore. I'm glad that I did. Often I can concentrate on more obviously spectacular vistas, and miss the subtle charms of smaller details, such as the exquisite series of classical heads as vignettes between each terrace in a row close to the start of Wilson Street.
Macdonaldtown's streets were full of delightful surprises.
This charming decorative corbel is carved into the classically inspired head of a lady.  It separates a row of five 3 storey terraces at the western end of Wilson street. Some of them have been tastefully gentrified in harmonious neutral shades, while their neighbours sport shabby yet garish liquorice all-sorts colours. 
The hot pink terrace on the right reminds me of the time in 1986 when  a couple of local lads decided to beautify Macdonaldtown Station by painting it pink. All of it. Tables, chairs walls and even a pot plant were glued down and painted pink in an "overall effort to enhance the station". No conviction was recorded and the State Rail Authority's claim for damages was rejected by the Magistrate. I had hoped that the hot pink terrace had been occupied by these 2 intrepid painters, but they actually lived in Enfield at the time.
plein air oil painting of urban landscape by artist Jane Bennett
 'The Lady of the house' 
Row of terraces in Wilson street
2012 oil on canvas 18 x 13cm
Available
Enquiries about these paintings :
























Macdonaldtown, despite its freshly renovated railway station, is not actually a bona fide suburb.
It's a "locality". More of a state of mind, really. The slightly shabbier sister, always being dominated by her more prominent Newtown, St Peters, Enmore, Erskineville and Redfern.The hinterland ; with most of the local landmarks residing slightly outside her nebulous borders -the exciting King Street shopping strip; the funky CarriageWorks; the chimneys of the St Peters Brickworks; the Eveleigh Railway Workshops.
Macdonaldtown remains the almost invisible space in-between.
While painting in Macdonaldtown, I found most of her inhabitants actually denied living there. They lived in "Newtown", "South Newtown", "near Eveleigh", "west of CarriageWorks", "Hollis Park", "North Erskineville", even the marvellously convoluted "south of Wilson Street West". This could be influenced by the vagaries of  real estate prices rather than dislike of the name Macdonaldtown.
Macdonaldtown mostly consisted of terrace houses of the cheapest possible construction,generally 4 metres (13 ft) wide "two-up two-down" with a rear kitchen.They usually had adjoining walls only one brick thick and a continuous shared roofspace. Hundreds of these  formerly humble dwellings still remain and are rapidly being gentrified. 19th century property developers would build a row terminating in a house of 1 1/2 width at the corner of the street, to be used as a commercial premises, or "Corner Store".

plein air oil painting of urban landscape by artist Jane Bennett
'Someone to watch over me' 
2012 oil on canvas 20 x 25cm

Enquiries about these paintings :


So this lion watching over a shabby shop on Erskineville Road opposite the Erskineville Hotel came as quite a surprise. This is the sort of rooftop sculpture that I would expect on a castle or mansion, rather than in the middle of a tatty row of terraces. It hints at a sort of delusion of grandeur.
 Only 1 person in the pub opposite had ever noticed it peering down at them!


plein air oil painting of urban landscape by artist Jane Bennett
'Derelict 'Edward Brooks'
factory in Wilson street  2012
oil on board 22 x 28cm

Enquiries about these paintings :

Another architectural surprise.
The terraces at the northern and eastern end (closer to the University and the city) are as a rule far more prestigious than the workers cottages to the west and south, especially the row in Georgina Street and Warren Ball Avenue next to Hollis Park.
However, next to the very upmarket Hollis Park area, is the very large and very derelict 'Edward Brooks' factory, crumbling into Wilson Street. The winch above the window hints at its industrial past.

plein air oil painting of urban landscape by artist Jane Bennett
 'Edward Brooks building, Wilson Street'
2013 oil on canvas  46 x 92cm
Available
Enquiries about these paintings :

This larger painting shows the steps up to the lovely park next door, and how the old factory contrasts with the freshly renovated terrace next door.
 The former 'Edward Brooks building' was known locally, rightly or wrongly as the 'Hat Factory'. By the size of the winch hats (and presumably heads) were a lot bigger back in the good old days!
 None of the locals have so far been able to tell me very much about its history. One man from the Erskineville Hotel, whose dad used to live 3 doors down, said that it was a foundry, which seems possible, although records show the "IronWorks" as being a block further west down the road at no. 150 Wilson Street.
His dad, like so many of the former residents of Macdonaldtown's workers terraces, was an employee of the Eveleigh Railway Workshops.Built in 1878, the Eveleigh Railway yards housed the Government Railway Stores and Workshops, and the Locomotive Engineer’s Department from 1901. Production declined in the 1970s and ceased in 1988. The site lay mostly disused til 1996 when the northern (Darlington) end was developed for a communications and science research facility known as the Australian Technology Park.  In 2002 the central part of the north-eastern site became the too cool for school Carriageworks performance space. The forecourt hosts weekly farmers' markets and monthly craft markets. 

plein air oil painting of urban landscape by artist Jane Bennett
 'Pediment with wheat sheaf-
old Henninges bakery in Wilson street -
now 'Original Finish'
2012 oil on canvas 20 x 20cm
Enquiries about these paintings :

The wheat sheaf on the pediment, reveals the original use of 'Original Finish' as a bakery.
The former Newtown Bread Factory, on the corner of Wilson and Watkin Streets, was run by Henry Henninges in the 19th century.The lane behind the factory still bears Henninges' name.
The building has been very sympathetically and respectfully restored, with small cracks and weathering bearing witness to its previous history,which is appropriate considering that its current occupier, 'Original Finish' specializes in antiques.
Henry Henninges Bakery in 1983

 The former 'Edward Brooks building had been occupied by squatters since about 2001.
The building had last changed hands (for a derisively small amount of money) in 1981. The owner apparently only lives a few blocks down the road, but allowed the property to rot, in a similar fashion to the Terminus Hotel and the Darling Island Bond and Free Store of Pyrmont. Landbanking played as an extreme sport.
Nature abhors a vacuum, so a variety of squatters and local community groups had apparently moved in.
They were forcibly evicted in a very heavy handed fashion by the riot squad on Thursday 31st July 2014.
The once-shunned building has now been bought for $1.7 million at a hotly contested auction and will now apparently be renovated rather than demolished. 

Saturday 12 May 2012

Keep your eyes on the prize (and your finger off the trigger)

3 "Highly Commended" Awards in the past 3 days!
One off winning $1,250.
One off winning another $1,250.
And one off winning $5,000.
Don't know whether I should accept congratulations or commiserations.
I hadn't known until I collected my paintings today that I had been awarded two "High Commendations" for my entries in the Camden Art Prize.
I had been awarded the "Highly Commended" for  "The Art of Navigation". This is a memento mori painting of antique navigation instruments, and pays tribute to the famous 18th century navigator La Perouse.

still life oil painting of antique navigation instruments"The Art of Navigation" oil on canvas 75 x 100cm by Artist, Jane Bennett
"The Art of Navigation" oil on canvas 75 x 100cm














Yet another "Highly Commended" in the "Works on Paper" Section for a moody charcoal and ink interior, "The Turbine Hall Of the White Bay Power Station"

charcoal drawing of industrial Heritage"The Turbine Hall Of the White Bay Power Station" 2011 charcoal, pastel and ink on paper 75 x 100cm by Jane Bennett, Artist
"The Turbine Hall Of the White Bay Power Station"
2011 charcoal, pastel and ink on paper 75 x 100cm
The "Blacksmiths, Eveleigh" ranked first of the five "High Commendations" awarded in the Open Section of the Hunters Hill Art prize, making it the runner-up.

oil painting on canvas  of industrial heritage"The Blacksmiths, Eveleigh Railway Workshops" oil on canvas 91 x 122cm by Artist, Jane Bennett
"The Blacksmiths, Eveleigh Railway Workshops" 
oil on canvas 91 x 122cm
"The Navigator and the King"
The Art of Navigation
New still life paintings of navigation instruments
Inside Out
Power
Time for Safety
The fire within
Eveleigh - Industrial Heritage Artist at Work
Strike while the iron is hot
All fired up
The village smithy (sydney-eye.blogspot.com)
En plein air with street cred (sydney-eye.blogspot.com)