Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label landbanking. Show all posts
Showing posts with label landbanking. Show all posts

Tuesday 30 June 2020

The Milky bar kid - old milkbar 74 Harris Street

Today's painting on the easel of my deck gallery is a 2009 plein air oil painting of a derelict abandoned old shop in Pyrmont, fondly, but wrongly known as the "old bakery".
Plein air oil painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P257A 'Old milkbar aka 'bakery'
corner of John and Harris St'
2009 oil on canvas 51 x 61cm
Available


















As far as I can remember the actual bakery was a few doors down and the corner shop was a milkbar, but we're talking at least 3 decades ago.
My standout memory of it when it was in its last days of operation was how rubbish I was at playing their "Fussball" machine, which was lines of wooden footballers attached to a stick that you tried to manoeuver by a lever to kick the ball.
Not a single goal!
The legendary Terminus Hotel on the opposite side of Harris Street, and like its more famous counterpart, was part of the Wakil's real life Monopoly game. They had a landbanking empire of quirky, derelict buildings which were loathed by local residents as eyesores but cherished by artists like myself.
Aren't Artists a perverse bunch - we ignore all the shiny new developments and make straight for the 'shame of the neighbourhood' to immortalize it!
Plein air oil painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P257A 'Old milkbar aka 'bakery'
corner of John and Harris St'
2009 oil on canvas 51 x 61cm
Available



















The continuous row of 19th century 2 storey terrace houses between Nos 74 and 80 Harris Street are still part of the Wakil collection of formerly derelict buildings, which once included the iconic Terminus Hotel opposite.
The row of  terraces have rendered brick shopfronts and skillion roofed wings at the rear. They are plainly detailed, with only a string course to the facades as decoration, and a Victorian/Georgian flavour in their design. Door openings are rectangular, and window openings are also rectangular as well as slightly segmentally arched. They are without parapet or verandahs and feature corrugated iron gable roofs with low corniced or corbelled chimneys.

Plein air acrylic painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P256A 'Old Milkbar (aka 'Bakery'),
corner of Harris and John St'
2009 acrylic on paper 21 x 28cm
Available

















No 74 is similar to the rest, but was a corner shop and is faceted with a corner entrance. It  was a milkbar for a long time, although often and wrongly referred to as the 'old bakery'.
Number 82 was the actual site of the "old bakery", although now the entire block seems to have adopted this name.

Plein air oil painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P257 'Old bakery corner of John and Harris St'
2012 oil on board  35 x 28cm

Available





















For many years the corner and north facing doorways were boarded up and featured an endless layering of illegal posters promoting long forgotten bands.
 
Plein air acrylic painting of the old milkbar/bakery corner of Harris and John Street Pyrmont by industrial heritage artist Jane Bennett
P256B 'Old Milkbar and 'Chicks on Harris''
2009 acrylic on paper 21 x 28cm

Available

















Until about 2014, No 82 still partly kept up the milk bar tradition,traded as a "charcoal chicken" outlet called "Chicks on Harris".
Bearing in mind the seedy reputations of previous establishments at the north end of Harris St, I'm not sure that the owners had really thought through the implications of their name!
Milk bars are now imbued with mythical qualities they never possessed in life. In decline and death, they’re trendy and retro.


P256 'Black Dog (old milkbar -
aka 'bakery' from John St)'
2009 oil on board 31 x 25cm
Available


No 74 has now been recently and very sympathetically redeveloped by the current occupants - appropriately, 'Belle Property' real estate agents. And now it really is a 'belle' property indeed.
It's been painted a tasteful off-white shade, and the former layers of peeling posters have been replaced by large picture windows.
I couldn't resist having a sneaky peek inside.
The interior still has the original wall material visible, and the beautiful old hardwood stairs have been polished, but otherwise in their original state. The architraves are dark walnut stained hardwood, but the rotting floors had collapsed long ago and had to be replaced with polished concrete.
The huge tree outside is a relic from when both sides of John Street were edged with a row of trees whose branches would meet in the middle of the street to form a cathedral-like canopy. Lush and cool in summer, but most beautiful in winter when the feeble rays of the sun would pierce through the tracery of bare branches.
A lovely tree, but its roots went straight for the plumbing, and the pavement outside is cracked and humped by the twisting roots underneath. I know that a few years ago, several people had considered this old shop on as a renovation project, but weren't quite crazy-brave enough to take it on.

For more information about Harris and John Street in Pyrmont, including the Terminus and Pyrmont Point Hotels
see My Pyrmont page in this blog

Related posts



Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free

Pretty vacant

A Tale of two hotels - the Terminus and the Point

The bad twin of Pyrmont Street

Pyrmont Paintings past and present


Sunday 2 December 2012

The bad twin of Pyrmont Street

I've spent a couple of days last week painting some small canvases of Pyrmont workers' cottages from the Bond store over the road at 12 Pyrmont Street.
This pair of semi-detached 1860s workers cottages might have started life as identical twins, but have suffered radically different fates over the years.
Plein air painting of semi-detached workers cottages in Pyrmont Street, Pyrmont painted by industrial heritage artist Jane Bennett
Starting my painting 'A tale of two cottages'
2012 oil on canvas 25 x 25 cm
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Enquiries about similar paintings
They remind me of an old classic movie on daytime TV I watched many years ago. I can't remember its name, or much about the plot or who was in it. All I can recall is that it was about a pair of beautiful twin sisters - one was the epitome of niceness but the other one was evil and came to a sticky and well deserved end.
Plein air painting of semi-detached workers cottages in Pyrmont Street, Pyrmont painted by industrial heritage artist Jane Bennett
Plein air painting 'A tale of two cottages'
2012 oil on canvas 25 x 25 cm
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Enquiries about similar paintings
While the “good twin”, number 27 Pyrmont Street, has been lovingly renovated several times over the last 30 years, the “bad twin”, number 29 Pyrmont Street, is yet another property owned by the same couple who own Darling Island Bond and Free Store and the Terminus Hotel, and is in a similar state of neglect as the rest of their portfolio.
The “good twin” has an exquisitely applied paint job in the latest fashionable neutral shades. The “bad twin” once boasted a front wall and stoop of glorious Pyrmont yellowblock sandstone, but this had unfortunately been covered with a cheap and nasty coat of plaster and bright blue paint which has faded erratically.
Plein air painting of semi-detached workers cottages in Pyrmont Street, Pyrmont painted by industrial heritage artist Jane Bennett
'A tale of two cottages' 2012 oil on canvas 25 x 25 cm
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In the early 1980s, Number 27 was occupied by a couple of eccentric graphic designers. They started the ambitious but ill-fated "Pyrmont Passport" as a protest about the over-development of the Pyrmont Peninsula and the construction of the Casino. After they lost this fight, one of them moved to live in the Birdsville pub to get away from the madness of inner city politics
I haven't yet met the current occupants of Number 27, but the elegant brass plate next to the door is inscribed "Rhubarb" in a funky yet tasteful font. At the moment it seems that it is compulsory for anyone who lives or works in Pyrmont has to be an architect, a web designer or run a restaurant, preferably all three simultaneously. As "Rhubarb" is a type of vegetable, it would be far too literal a name for a restaurant, my money is on it being full of architects or web designers.
Last century, the residents of Pyrmont tended to fit into a few well defined categories. The CSR employees clustered around the western end of John Street, wharfies and ex-wharfies around Point, eastern Bowman and northern Harris Streets, the Darling Island shunters and other railway employees around Murray, Bunn and southern Harris Street and people working around the Fishmarkets on the western side of Bowman street and around Wattle Street. There were few restaurants, but many pubs, all rough as guts. And the "media, cultural and entertainment hub" was provided by the topless barmaids at the Terminus, and the parties thrown by the squatters of Scott and Point Streets.

Plein air painting of semi-detached workers cottages in Pyrmont Street, Pyrmont painted by industrial heritage artist Jane Bennett
'A tale of two cottages' 2
2012 oil on canvas 41 x 51 cm
Enquiries about similar paintings
While Number 27 has a neatly rendered step and a pretty little white picket fence,in contrast the facade of number 29 has shown a distressing tendency to fall face down in the gutter like Lindsay Lohan.
Recently an emergency repair of an unflattering bright red brick retaining wall had to be applied to stop the rest of the cottage sliding down the hill.
However, the "bad twin" still has good bones and is possibly not beyond redemption.
I sold my small canvas so I'm starting another plein air painting of the same cottages from a slightly different angle
'A tale of two cottages' 2
2012 oil on canvas 41 x 51 cm
Enquiries about similar paintings
Every time I paint in Pyrmont Street I fantasize about what could be done by a sympathetic owner, some TLC and vast quantities of time and money......
I finished the smaller canvas only just in time for it to dry for the opening of the Xmas exhibition at the Frances Keevil Gallery last night!
It had barely been hung before it was sold and taken away by the happy owner. They hadn't even run out of wine and cheese at the opening.
So I'll be back soon on the corner of John and Pyrmont streets to finish a slightly larger canvas.
The Xmas exhibition continues until 31st December 2012
FRANCES KEEVIL GALLERY,
  mob: 0411 821550
info@franceskeevilgallery.com.au

For more information see My Pyrmont page in this blog

Related posts
Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free
Pyrmont Paintings past and present
Paintings of Pink pubs - Painting the Jolly Frog Part 2

Thursday 29 November 2012

Wrong side of the tracks - Darling Island Bond and Free

Recently I have been painting yet another magnificent ruin from the notorious Wakil collection of derelict buildings.
The Wakils, who also own the Terminus Hotel and the old milkbar on the corner of John and Harris Street seem to be obsessed with playing a 30 year long game of Monopoly...with real buildings.
This is the Darling Island Bond and Free Store at 12 Pyrmont Street, Pyrmont.
My first drawings and paintings of this building date from nearly 30 years ago, and the changes are almost imperceptible. On the southern side, windows were cut into the brickwork during the 1980s. The plane trees have grown so that they obscure my view of the row of charming 1880s terraces next door. The residents of 14 Pyrmont St had planted ivy which crept up the wall, but later they cut the ivy and it died off before it could continue its conquest.
Otherwise it is as though I have been sent back in the Tardis to the Pyrmont of the 1980s.

Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting "Darling Island Bond and Free"
en plein air, in front of 27 Pyrmont Street
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Originally this bond store was home of "Australian Thermite Company Pty Ltd" and must have been built either just before the First World War or during its first few months.
As far as I know, the cutting for the Pyrmont Goods Line which curves around the north of this building dates from about 1911-14 (?) so the Bond store would have been built around then. It also has a faint whiff of the utilitarian 'Federation Free' style architecture seen in other red brick storehouses around the Pyrmont peninsula such as the Royal Edward Victualling Yards.


Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
My painting of "Darling Island Bond and Free"
2012 oil on canvas 61 x 51cm
on my french box easel, in Pyrmont Street
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Thermite is a mix of aluminium oxide and another metal oxide (usually iron).
It was used for welding in-place of thick steel sections such as locomotive axle-frames so that the repair can take place without removing the part from where it has been installed.
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
"Darling Island Bond and Free"
2012 oil on canvas 61 x 51cm
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A thermite weld is spectacular.
Molten metal drops into the mould in a blinding flash.
The still glowing edges are trimmed still glowing and then polished until you can't see the join with the steel rail on either side.
It is a very traditional work process, first patented in the 1890s, but it would still have been the last word in modern technology when 12 Pyrmont Street was first built.
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting 12 Pyrmont st,
from Jones Bay Road 27-12-2012
Enquiries
Rail under stress can easily buckle.
Thermite can be used for quickly cutting or welding steel such as rail tracks, without requiring complex or heavy equipment.
However, thermite welding must be done carefully as defects are often present in such welded junctions.
Also the rails must remain straight, without dipped joints, which can cause wear on high speed and heavy axle load lines.

Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
P271 'Darling Island Bond and Free,
12 Pyrmont street' 2013
oil on canvas 46 x 46cm
Available

Thermite is not technically classed as an explosive, however anyone who's watched a certain early episode of 'Breaking Bad' will appreciate its force and effectiveness!
Back in those days living next door to a Bond store full of thermite would definitely have qualified as living "on the wrong side of the tracks".
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting 12 Pyrmont st,
from Jones Bay Road 27-12-2012

I'm not sure when the "Australian Thermite Company" building became the "Darling Island Bond and Free".
It must have been at least a couple of decades after its construction, as I have seen some unfortunately undated photos which must have been taken after 1916, but before 1948, as they show the empty yard to the east of the original 1904 Power Station building before the second power station was completed in 1951.
The faded letters "Darling Island Bond and Free" can still be just made out on the south and east side of the building.
Plein air oil painting of abandoned derelict 'Darling Island Bond and Free' warehouse, Pyrmont st Pyrmont by industrial heritage artist Jane Bennett
Painting 12 Pyrmont st,
from Jones Bay Road 27-12-2012

I'd like to thank the people who took photos of me while I was painting and sent them to me. Unfortunately their emails bounced and they used nicknames so I don't know how to personally credit them, but I'm grateful as I was far too hot and tired to cross the street to take photos.
I'd also like to thank the occupants of number 14 Pyrmont Street for reviving me with kindness and their excellent coffee while I was painting on an extremely hot day.
I displayed this painting in the Xmas exhibition at the Frances Keevil Gallery
The opening was on Saturday 1st December 2012, from 5-7pm.
The exhibition continued until 31st December 2012
FRANCES KEEVIL GALLERY,
Bay Village, 28-34 Cross Street Double Bay, NSW 2028
Hours M-F 10am-5pm Sat 10 - 4pm Sun 11-4pm
ph/fax: 02 93272475 mob: 0411 821550
info@franceskeevilgallery.com.au
Page of Jane Bennett paintings

For more information see My Pyrmont page in this blog


Related posts



Friday 31 August 2012

To the Point


plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
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Enquiries about similar paintings:
janecooperbennett@gmail.com

Last week I returned to a painting that I had started 2 years ago but had left half finished due to having to complete other projects.
I had painted the two hotels from this viewpoint on the corner of John and Harris Streets countless times before. I still had several canvases of the Terminus but I especially wanted to paint a panorama giving equal space to the Terminus and Pyrmont Point Hotels.
59 versus 61 Harris Street Pyrmont - the old versus the new Pyrmont, divided by the striding legs of the Anzac bridge looming over the towers of Jackson's Landing.



plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


I had completed a similar canvas from this viewpoint about 2 years ago, but had sold it almost immediately to a local couple who had met each other at the Point Hotel.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

In the first photo of the work in progress, the previous colour scheme of the "Pyrmont Point Hotel" from 2 years before is still visible. The strange faded plum tone reminded me of an over-ripe version of the once ubiquitous "Paddo pink" in the first wave of gentrification that spread all over the 1980s inner city. It clashed horribly with the dark crimson awning.
Now it is under new management, with a brand new colour scheme to mark the change. The walls are a more subdued and elegant pale yellow green, with awnings and window frames in chocolate. One effect of the new wall colour is to make the "ghost sign" of the hotel's original name the "Royal Pacific" more apparent.
Meanwhile the Terminus hasn't changed a bit.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


I spent the first afternoon repainting the walls of the "Pyrmont Point Hotel" to the new colour. It probably would have been quicker and easier to just start a completely new canvas.
The practice of plein air painting often results in many half finished and potentially unfinishable canvases, so that you have to grit your teeth and accept it as an inevitable part of the process. So many elements are beyond the artist's control that plein air painting becomes hopelessly frustrating if you can't cope with "unfinished business".
I love being able to revive a canvas that I have had to turn face to the wall for weeks, months or even years.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

By the end of the first day, I had the basics blocked out and the canvas only needed the finishing touches.
And just as well.
When I delivered another work to the Frances Keevil Gallery, I discovered that a couple from Pyrmont were extremely interested in this painting. They had actually watched me while I was painting it!
Unfortunately they were due to leave Australia the next week.
I would have to complete the painting by Wednesday at the latest if it was going to be dry (well... dryish!) by Saturday, when the clients came in to the Frances Keevil Gallery to view it.
I don't think that they realized that it was an oil painting and they were cutting it a bit fine if it was to be finished, dry and ready to be delivered.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
Half finished canvas on the easel
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com


It was Tuesday.
And there were many distractions.
I love chatting to people as I paint. I get to meet interesting people and learn a lot of fascinating things about the location.
But I was under a bit of time pressure and I must admit that I was worried.
The painting looks almost finished in this photo, but the final touches which can make or break a painting are very fiddly and it's perilous to rush them.
One of the most important of these was the "ghost sign" of the Pyrmont Point's previous incarnation as the Royal Pacific. Another vital detail was the light coming from the interior of the Pyrmont Point which contrasted with the dead heart of the Terminus.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
The artist with local resident Van Le
with the nearly complete canvas
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
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Tuesday seemed to be an extremely busy day on the corner of John and Harris St.
I became a bit of a tourist attraction. Here I am with Van Le, a local resident.

plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
The artist with local resident
Francis Lee with the nearly complete canvas
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

And with Francis Lee, another local resident, who kindly took these pictures of me in action.
plein air oil painting of the Terminus Hotel and the Point Hotel, Harris Street Pyrmont painted by industrial heritage artist Jane Bennett
"The 'Terminus' versus the 'Pyrmont Point Hotel' "
2012 oil painting on canvas 31 x 61cm
Sold
Enquiries about similar paintings:
janecooperbennett@gmail.com

I needn't have worried.
The painting was completed.
And the couple loved it and bought it.
Apparently one of the pair had been covertly watching me paint the finishing touches on this canvas from a safe distance at the pub opposite.
I'm glad that I didn't know that at the time or I would have suffered stage fright.
I actually think that this painting turned out better than the one that I had painted 2 years before. Mind you, I've certainly had quite enough practice painting these pubs. The first time was about 30 years ago - doesn't time fly when you're having fun!
Also watching me were 2 photographers who were checking out the Terminus. They took a few photos of me (no makeup, covered in paint from head to foot, looking like a bag lady...oh well!) and chatted about the charms of urban decay as I desperately tried to finish my commission. Like many photographers, they seemed more interested in the freshly squeezed oil paint on my palette than the actual canvas. The process not the result.
Check out the photos they took of me and my painting here at the blog on their site.
Tristan Stefan Edouard Photography

For more information about the Terminus and Pyrmont Point Hotels see
My Pyrmont page in this blog

Related posts

Looking over the overlooked-Urban decay in Pyrmont
To the Point
Wrong side of the tracks - Darling Island Bond and Free
Pretty vacant 
 
A Tale of two hotels - the Terminus and the Point
Pyrmont Paintings past and present 
Paintings of Pink pubs - Painting the Jolly Frog Part 2
 

Sunday 15 April 2012

Looking over the overlooked-Urban decay in Pyrmont

"Vision is the art of seeing what is invisible to others." — Jonathan Swift

The next Pyrmont Festival of Food Wine and Art will be held 11am - 5pm on Sunday 20th May at Pirrama Park, the old Water Police site.
I will exhibit a selection of my Pyrmont canvases painted from the early 1980s - 2012. Pyrmont has changed beyond recognition from the early 1980s, from an almost deserted industrial ghost town to a media, retail and entertainment hub.
I painted 'en plein air' and was 'Artist in Residence' at many locations including Pyrmont Power Station, the CSR Refinery and Distillery, Pyrmont Goods Yard, the Waterpolice site, Jones Bay Wharf, Union Square and the top of the half completed Anzac Bridge. Most of my paintings were created on sites that were off-limits to the public.
However, sometimes I set up my easel by the side of the road - or even right in the middle of the road. There were few passers-by and almost no traffic. I have returned to paint scenes that I last painted a couple of decades ago to compare and contrast the past with the present.
On Harris Street a handful of derelict buildings still rub shoulders with the clean sharp angles and acidic colours of Jacksons Landing.
The "Terminus Hotel" on the western corner of Harris and John Street has become a pin-up for lovers of urban decay.
Its burnt sienna brickwork and emerald green doors mock the tastefully muted hues and expensive renovations of the up market "Point Hotel" on the other side of the road. This vine encrusted ex-pub proudly flaunts an air of seedy glamour, and stories about its scurrilous past and its mysterious closure have become part of the local mythology. It is going to hell in the proverbial handbasket and doesn't care who knows it.
Plein air painting of ex-milkbar/bakery in Harris Street Pyrmont by industrial heritage artist Jane Bennett
'Old bakery corner of John and Harris St' 2012
oil on board 35 x 28cm.
Enquiries
However the opposite corner of Harris and John Street has an equally haunting ruin which has been gently mouldering away for at least as long as its more spectacular neighbour.
This building on the corner of Harris and John Street was once a bakery, and then a typical Greek milk bar. The proprietors used to make their own icecream in the traditional way - twirling it around on a stick.
They had one of those old-fashioned football machines operated by a handle, with rows of wooden "players" kicking a ball. It would have pre-dated the pinball machines by at least a decade.
I have painted in Pyrmont and Ultimo for over 30 years now, but I don't actually remember when this ceased to be a thriving business.
If it ever really thrived.
Plein air painting of Anzac Bridge at sunset from JohnStreet Pyrmont by industrial heritage artist Jane Bennett
"Pyrmont streetscape : Anzac Bridge from the corner
of John, Pyrmont and Point streets" 1994
oil on canvas paper 100 x 75cm
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Plein air painting of Anzac Bridge  from JohnStreet Pyrmont by industrial heritage artist Jane Bennett
ANZAC Bridge from John st 1994 oil 91x31cm
PRIVATE COLLECTION SYDNEY
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Next door to the ex-milkbar is "Chicks on Harris" ("chicks" in this context refers to fast food- I'm not sure that the owners thought through the implications of their name as a number of establishments in this area in the past have had chequered reputations).
Plein air painting of old ex-milkbar/bakery  in Harris Street Pyrmont by industrial heritage artist Jane Bennett
Black Dog (old bakery from John St)' 2012
oil on board 31 x 25cm
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The old milkbar had already been boarded up for some time, as there were archaeologically interesting layers of tatty posters layered on top of the boards which sealed the doors - a tradition that has continued to this day.
Related posts
To the Point
Wrong side of the tracks - Darling Island Bond and Free
Pretty vacant 

My Pyrmont page in this blog
Pyrmont Paintings past and present