Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Southern Swan. Show all posts
Showing posts with label Southern Swan. Show all posts

Wednesday 16 November 2011

The White Shed at White Bay



Demolition of the White Bay Transit shed will soon commence.
Cardinal, who demolished the wharf buildings at East Darling Harbour, have set up in the old canteen at the western end of the shed.
I started this canvas on Tuesday 8th November.
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 61 x 91cm.



















I've been told that the gantries on either side of the shed have been heritage listed, but I don't know if they will be retained. White Bay has been confirmed as the site of the new cruise ship terminal.
Sydney Ports Corporation owns and manages White Bay Berths 1-6. The berths are leased to licensees who operate independent businesses including:
Private Harbour Cruises, Road Construction, Harbour Construction and Vessel Maintenance.

plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
Starting to paint the sky of a canvas of the
soon to be demolished
'White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 61 x 91cm





















I've been allowed to paint the shed from the most eastern point, Berth 6, leased from Sydney Ports Corporation by Bailey's Marine Fuels.
Berth 5 is leased by the PB tug "Endeavour", a small and extremely cute pale blue tug with a black hull, only just over a year old.
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
My half finished canvas 'White Bay Transit Shed,
from Berth 6, White Bay' 2011 oil on canvas 61 x 91cm.


















At Berth 4, is the scary looking "Sea Shepherd", bane of the Japanese whaling fleet. They will depart for Antarctica on Friday 18th November, so if I am to paint them I need to work fast.
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
'White Bay Transit Shed, from Berth 6, White Bay'
 2011 oil on canvas 61 x 91cm.


















Berth 3 houses Waterway Constructions. They are now the proud owners of the largest crane I have seen since Titan sank.
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
'White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 61 x 91cm.


















Berth 2 has a motley collection of barges and a yellowish tug that looks just as battered as my station wagon. To the west are the Ausbarge tugs, the Morpeth and Coramba. Their funnels have been given a fresh coat of bright blue, since I last painted them.
Berth 1 is home to the tall ship, the 'Southern Swan', formerly known as the 'Svanen'.
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
'White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 61 x 91cm.





















 
The sullen clouds overhead developed into a violent storm, known as a "southerly buster".
The day after, Baileys started to construct an awning between the two blue containers, to provide shelter for their workmen.Later that afternoon an impressive southerly buster blew up, as you can see by the ominous stormclouds above the shed in both the painting and the photo.




plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
'White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 36 x 46cm.
The next day, Wednesday 9th November, I had to make an early start, as I had a very important appointment to keep.
In late 2009, I had been approached by some people from St Vincents Hospital to paint a block of heritage terraces soon to be redeveloped for the new Kollings Cancer Institute. Just when I had thought everyone had forgotten about this, St Vincents Hospital notified me that they had booked me to have a major solo exhibition of these paintings from 4th February - 8th March 2012.
Wednesday would be my opportunity to meet and discuss the exhibition before the organizers took their Christmas break.I arrived by 7am, unpacked and started this small canvas by 7.30am.
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 36 x 46cm.


















However, to arrive at my meeting and still manage to look halfway human for the meeting at 1pm I had to stop painting by 11am and scrub myself clean.
The weather looked a bit dodgy, so the people from Bailey's kindly allowed me to store my half finished canvases in one of the toilet blocks in case it rained while I was away.
As I was going to take my collection of paintings of the Victoria terraces in to see how they would look in the exhibition space at Xavier level 3, I wouldn't be able to pack my wet canvases and easel on top of these earlier works without risking disaster.
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
Painting the White Bay Transit Shed, from Berth 6, White Bay.

plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 61 x 91cm.
The meeting was a great success, and I'm very excited about the forthcoming exhibition at St Vincents, even though my last exhibition at the Frances Keevil Gallery has only just ended.
I'll barely have time to catch my breath between projects. 
plein air oil painting of the White Bay Transit Shed, White Bay Wharf by industrial and maritime heritage artist Jane Bennett
White Bay Transit Shed, from Berth 6, White Bay'
2011 oil on canvas 61 x 91cm.


















The tanks and containers are reflected in the pools of water left over from Tuesday's violent storm.
 
Related posts

 
 

Monday 10 January 2011

Tugs, barges and Tall ships - Glebe Island, Jackson's Landing and White Bay

tug ''Edi' at Glebe Island Wharf opposite Jacksons Landing Pyrmont oil painting by artist Jane Bennett
'The tug 'Edi' and the OES barge at Glebe Island wharf'
 2010 oil painting on canvas 31 x 41cm
SOLD
Enquiries about similar paintings




















This tug escorted the OES barge to White Bay and then to Port Botany, where it is laying cables.
This canvas was painted at Glebe Island wharf, opposite LendLease's Jackson's Landing Development. In the background the yellow column of one of their apartment blocks pokes up like an impudent finger. There is an equally lairy lime green apartment block further down the road to match - their not entirely endearing local nicknames are the 'Lemon' and the 'Gherkin' respectively. Jackson's Landing was built on the site of the CSR Refinery and Distillery, which had operated on the north-western end of the Pyrmont Peninsula for over a century. A relic of these times, known as the 'Cooperage' can be seen directly in front of its fluorescent new neighbour.
tug ''Edi'  and OES barge at Glebe Island Wharf from Jacksons Landing Pyrmont oil painting by artist Jane Bennett
'The OES Barge with the tug 'Edi' at Glebe Island from the park at Jacksons Landing, Pyrmont''
oil painting on canvas 25 x 31 cm
SOLD

Enquiries about similar paintings
The view from across the ditch.
This evening study of the barge and tug is painted from the park in front of the 'Cooperage' at Jackson's Landing.
tug ''Edi'  and OES barge at Glebe Island Wharf opposite Jacksons Landing Pyrmont oil painting by artist Jane Bennett
'Dawn -The tug 'Edi' at Glebe Island wharf '
2010 oil painting on canvas 25 x 51cm
SOLD

Enquiries about similar paintings
Sunrise, with the tug docked in front of the Anzac Bridge. 
The grey apartment block in front of its eastern pylon, catching reflections of the rose pink dawn clouds, is the strangely named 'evolve' building. I hate buildings with verbs for names - especially in the imperative case. It sounds like a command - both patronising and presumptuous. 'Into what?' is the unspoken question.
The crew of the tug and the barge are making preparations for the departure to White Bay, and then, just as the song goes, they are bound for Botany Bay.
tug ''Edi' and 'Southern Swan' at White Bay Wharf  oil painting by artist Jane Bennett
G45 'The tug 'Edi' with the 'Southern Swan' at White Bay'

2010 oil on canvas 31 x 25cm