Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Noakes. Show all posts
Showing posts with label Noakes. Show all posts

Monday 22 April 2013

Artist in Residence at the Sydney Heritage Fleet Part 6 - 'Hail, hail, the gang's all here!'

I've finally finished painting this monster.
It literally nearly killed me.
My first attempt to paint the entire Rozelle contingent of the Sydney Heritage Fleet ended in disaster .
My canvas stretcher had snapped in two after it was caught by a gust of wind. I fell into the murky waters of Blackwattle Bay and was lucky not to be seriously injured.
This tested the limits of the possibilities of plein air painting.

plein air oil painting by Marine Artist Jane Bennett of Sydney Heritage Fleet at Rozelle'
First version of SHF6 'Sydney Heritage Fleet at Rozelle' 2013 
oil on canvas 122 x 183cm



















But all the time and trouble has been worth it.
The entire collection of Sydney Heritage Fleet vessels is here in all its glory, and more details are visible in this canvas than are possible to see from the park opposite Blackwattle Bay.
plein air oil painting by Marine Artist Jane Bennett of Sydney Heritage Fleet at Rozelle'
SHF6 'Sydney Heritage Fleet at Rozelle' 2013 
oil on canvas 122 x 183cm
















At 122 x 183cm, this canvas is even larger than the first!
I completed about 80% of it from the park, but to unscramble the confusing mass of masts, ropes and rigging, I had to paint the finishing touches from the Rozelle headquarters of the Sydney Heritage Fleet itself.
I am a member of ASMA, the Australian Society of Marine Artists.
In 2008 the Sydney Heritage Fleet in conjunction with the Australian Society of Marine Artists inaugurated an Artist in Residence programme, with the commission from sale of paintings going towards funding the Fleet's maintenance.
Our group of 10 artists will hold an exhibition of our completed paintings on the 'tween decks of the tall ship 'James Craig', which is the jewel in the crown of the Sydney Heritage Fleet, from 27th April 2013 - 3rd May 2013.
As well as this enormous canvas, I will exhibit 16 other paintings. Some of these were painted at the Rozelle headquarters, some from the Noakes slipways, others from the Australian National Maritime Museum and others from vantage points around Sydney Harbour.
The official opening will be 2pm on Saturday 27th April by Tanya Plibersek MP.
Everyone is welcome!

Related posts

Friday 14 September 2012

Artist in Residence at the Sydney Heritage Fleet Part 3 -'Slipping away'

Painting 'Boomerang' being slipped at Noakes
I was invited to join the volunteers who were working on the 'Boomerang' while it was slipped at the Noakes shipyard in Berry's Bay, North Sydney.
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
On the little steam tug 'Harmon'
starting my painting of the 'Boomerang'
on the slipway at Noakes Shipyard, Berry's Bay
oil on canvas 46 x 46cm

I arrived at the Sydney Heritage Fleet shipyard at 8am so that I would be in time to join the volunteers on either the 'Harmon' or the 'Boomerang' to be ferried over the Harbour.
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
On the little steam tug 'Harmon'
starting my painting of the 'Boomerang'
on the slipway at Noakes Shipyard,
Berry's Bay oil on canvas 46 x 46cm

I had a choice of catching either the 'Harmon' or the 'Boomerang'. Although the stately 'Boomerang' promised a stylish ride, I chose the 'Harmon' so that I could watch the drama of the 'Boomerang' being hauled ashore.
I started painting while still on board the 'Harmon', but she soon had to return to Rozelle, so I completed my painting on the jetty at the Noakes shipyard.
The 2 photos above show the first stage of my painting while on board the 'Harmon', with the 'Boomerang just visible in the background.
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
Starting my painting of the 'Boomerang'
on the slipway at Noakes Shipyard, Berry's Bay
oil on canvas 46 x 46cm
11.30am Monday 20th August

By 11.30am I was deposited ashore with my canvas and easel.
I had to make sure that my canvas would be finished by the time the volunteers knocked off at 2.30pm or I would have had to walk or swim back to my car at Rozelle! Noakes is in a little cove of Berry's Bay, which is west of the Waverton Peninsula and east of McMahons Point.
The deepwater frontages of Berry’s Bay were used by the port and maritime industry from the late 19th century.
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
Starting my painting of the 'Boomerang'
on the slipway at Noakes Shipyard, Berry's Bay
oil on canvas 46 x 46cm
11.30am Monday 20th August
Available

A Short History of Berry's Bay
During the 1930s the Berry's Bay waterfront was one of the most important boatbuilding sites in the harbour.

There was also a timber mill which provided the materials for the construction of North Sydney’s cottages and churches during the early decades of the 20th century.
Other important industries around the site during the early 20th century included the North Shore Gas Company which had shifted its productive gas works from Neutral Bay to Balls Head Bay in 1906 and the Sydney Coal Bunkering Company which began building a coal loader in 1917, to act as a steamship bunkering station. It was the most advanced means of loading coal into steamers then available in Sydney Harbour.
Coal from colliers was dumped onto a huge timber and rock platform on the shore. It was fed by gravity down shutes to four tunnels below, and then into waiting hopper cars which were then hauled by cable out to a long wharf.
Fortunately I painted and drew it before the coal loader ceased operating in October 1992. The wharf, coal-loading platform, tunnels and a few brick administrative buildings remain.
Opposite Noakes is the former site of the BP fuel depot. Their first tank was installed in 1923 and many more were added until there were 31 by the late 1960s. The cliff was known locally as "Gibraltar". BP ceased operations at the site in the 1980s and by the mid-1990s the tanks had been dismantled although their ghostly outlines are still visible in the cut rock.
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
2nd stage of painting the 'Boomerang'
on the slipway at Noakes Shipyard, Berry's Bay
oil on canvas 46 x 46cm
1pm Monday 20th August
info@franceskeevilgallery.com.au

The Art and Times of Berry's Bay
Berry's Bay has a distinguished artistic heritage dating from the earliest days of the 20th century.
Some of Australia's best artists of that time lived locally and were attracted to the picturesque scenes of boat building and ship repair. Roland Wakelin, Rah Fizelle, Sydney Ure, Roy de Maistre, Lloyd Rees and brothers Percy and Lionel Lindsay, often painted together around Berry’s Bay between the 1900s and 1930s and were known as the "Northwood Group".
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
Completed painting of the 'Boomerang'
on the slipway at Noakes Shipyard, Berry's Bay
oil on canvas 46 x 46cm
2.30pm Monday 20th August
Note the railway in the background
Available

In the vast collection of Prints and Drawings of the Art Gallery of NSW is a lovely 1926 etching The Harbour from Berry's Bay by Sydney Long (1871 – 1955) which follows the glassy expanse of water down to the clutter of wooden ships, boathouses, yards and mills. Another evocative Whistleresque etching is Ship Berry’s Bay 1918
by Sydney Ure Smith.
Sydney Long later painted a lively little plein-air oil sketch Across Berry's Bay To The Sobraon 1939 from exactly the same viewpoint as Percy Lindsay's Shipyards, Berry Bay (also known as The Bridge Builders) c. 1927 (AGNSW). Both these works also shows the Sobraeon, a famous clipper ship later refitted as a naval training ship HMAS Tingira, that was moored there until being broken up in 1943.
In 1916 Wakelin painted Down the hills to Berry’s Bay (AGNSW), which has become an icon of early Australian Modernism. Another Roland Wakelin study, Berry's Bay 1919 shows an aerial view of the shipping, while later works such as Berry's Bay c.1934 shows details of ship repair and Berry's Bay c.1945 shows more of the industrial ambience.
In 1922 Lionel Lindsay created a mezzotint, A nook at Berry’s Bay of the boathouses along the foreshore, and in 1923 a etching of a venerable old figtree shading the shipyards The Great Figtree.
So while I painted here I was constantly aware that I was treading in the footsteps of the masters.

Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
Starting painting of the 'Boomerang' on the slipway
at Noakes Shipyard, Berry's Bay
oil on canvas 38 x 78cm
8am Tuesday 21st August
Available

The next day I took the less scenic route to Noakes, driving there rather than taking the Harbour cruise option so that I could spend more time and paint a larger canvas.
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
2nd day Tuesday 21st August 9.30am -
1st stage of painting the'’Boomerang’ at Noakes Yard 2 -
oil on canvas 38 x 76cm
Available

Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
2nd day Tuesday 21st August 11am -
2nd stage of painting the'’Boomerang’ at Noakes Yard 2
oil on canvas 38 x 76cm
Available

With this extra time I was able to include a couple of the volunteers as they worked.
As I was trying to complete this canvas on the day, I wasn't able to take too much time to explore this fascinating site, but I promised myself that I would be back. The staff at Noakes invited me to return to paint the giant travelling cranes, and the quaint cream and red heritage ferries of the Rosman fleet.

Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
2nd day Tuesday 21st August noon -
3rd stage of painting the'’Boomerang’ at Noakes Yard 2
oil on canvas 38 x 76cm
Available

The vessels of the Sydney Heritage Fleet are often repaired at Noakes. There are few other options available now as more and more waterfront has been gobbled up by developers for apartment blocks.

Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
2nd day Tuesday 21st August lunchtime break -3rd stage of painting the'’Boomerang’ at Noakes Yard 2 - oil on canvas 38 x 76cm
Available

I finished my canvas just in time to avoid being locked inside the gates. I was only able to include a few of the many volunteers who were tirelessly scampering up and down ladders with scrapers and hoses.
Plein air painting of the heritage schooner from the Sydney Heritage Fleet Boomerang on the slipway at Noakes Shipyard at Berry's Bay painted by industrial heritage artist Jane Bennett
2nd day Tuesday 21st August 5pm -
completed painting of the'’Boomerang’ at Noakes Yard 2
oil on canvas 38 x 76cm
Available
There used to be many ''working harbour'' boat repair businesses around Berry's Bay , but by now most of the slipways have "slipped away".
Now Noakes is the last of its tribe, and I am one of the last of a proud artistic lineage to paint the bustling boatyards of Berry's Bay.