Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Chippendale. Show all posts
Showing posts with label Chippendale. Show all posts

Saturday 17 December 2011

Brewer's Droop - Painting the Carleton United Brewery, Chippendale

The southern edge of the Sydney CBD, adjacent to Central railway station incorporating Broadway and Chippendale, was dominated by a walled off 'Empire of Beer' for over 170 years.
Kent Brewery was built by John Tooth and Charles Newnham in 1835. It exploited the fresh water from nearby Blackwattle Creek. However, Blackwattle Creek didn't stay fresh for long, and soon the surrounding area was a notorious slum.
The unregulated and noxious local industries included the Swamp Abattoirs across Parramatta Road in Ultimo, which provided the Char House of the Colonial Sugar Refinery with bones to burn to produce charcoal for filtering sugar.
Plein air oil painting of the Carleton United Brewery site in Chippendale painted by industrial heritage artist Jane Bennett
CH4 Pub with no beer- Carleton United Brewery 2
2009 oil on canvas 75 x 100cm
Available
When bubonic plague hit waterside Sydney in the first decade of the 20th century, the authorities embarked on a program of slum clearances and 350 Chippendale houses were resumed by 1911.
Tooth's brewery site moved into the vacuum, extending their empire of beer more than 6 acres into the surrounding residential areas. Tooth's owned the western side of Kensington Street, and demolished properties  to construct new brewery buildings, as well as a wall to exclude the public. Yet another wall was built on the northern side of Wellington Street.
You can see this wall running behind the Irving Street Brewery boiler house in the painting above, which was painted during the demolition craziness not long after the property had been bought by Frasers Property for redevelopment.
Tooth’s Irving Street Brewery was built in 1912, and covered most of the land between Carlton and Balfour Streets.
Plein air oil painting of the Carleton United Brewery site in Chippendale painted by industrial heritage artist Jane Bennett
CH3 Pub with no beer- Carleton United Brewery
2009 oil on canvas 100 x 75cm
Available

This iconic Sydney landmark is an 180 ft high octagonal brick tapering structure with metal strapping with cracked coping. Brick buttresses transfer the structure to a square base. 
The Irving Street Brewing Tower ceased its brewing operation in 1979, as it was superseded by the New Brewhouse.
It was one of the earliest and most prominent chimney stacks built in the CBD, and one of the last remaining in inner Sydney.
In the 1980s, a large redevelopment saw the demolition of all but one of the original Kent Brewery buildings. and Carlton and Uniting Breweries purchased it.
Until 1983 there were 1000 personnel at the brewery including lab staff, engineers, plumbers, fitters and turners, coppersmiths, blacksmiths, coopers, trades assistants, storemen, drivers and security.
In 1983 Tooth and Co were taken over by the Adelaide Steamship Company and the brewing assets were sold to Carlton and United Breweries and in 2003 the brewery closed forever.
Frasers Property bought the 5.8 hectare site in 2007 and embarked on a wildly ambitious $2 billion urban renewal project. It incorporates mixed use development including high density apartments,student accommodation in Kensington and Abercrombie Streets, a shopping centre, office blocks, and the old Brewery will be turned into a boutique hotel.
In my paintings you can see how the Irving Street Brewery building resembled a ruined castle on an island in the middle of a moat. It was a dreadfully boggy site after all the other buildings were clear felled around it and therre was a perpetual pool of water surrounding the old brewery.
Some heritage features have been selectively kept in the mix. Run down terraces in Kensington Street have become "Spice Alley", a funky "Eat Street", the sandstone gateway has been kept and the Irving Street Brewery building has now been adaptively reused as a community facility while also housing the site’s sustainable features including the tri generation plant providing the power, heating and cooling.
Chippendale, once an embarrassing slum, is now the fashionable hipster enclave known as Central Park.

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Monday 3 October 2011

"May close without warning" My Solo Exhibition at the Frances Keevil Gallery

A Sneak preview of some of the paintings
in my new solo exhibition
11 - 30 OCTOBER 2011
To be opened by Dr Jack Mundey AO
Tuesday 11 October, 6 - 8pm
Bay Village, 28 - 34 Cross Street Double Bay NSW 2028
ph: 02 9327 2475
Gallery hours: Mon to Fri: 10-5 Sat: 10-4 Sun: 11-4

My new exhibition at the
Frances Keevil Gallery, is about the transience of the built environment. Many of the paintings were inspired by the now demolished Cruise Ship Terminal at the South end of Barangaroo.
plein air charcoal drawing of demolition of East Darling Harbour Wharves  by industrial heritage and marine artist Jane Bennett
"Wharf Skeleton" 2008 charcoal on paper 76 x 110cm
WINNER: 2008 DRAWING PRIZE ROYAL EASTER SHOW
Enquiries about this painting


plein air mixed media painting of Millers Point and Walsh Bay Wharves from Harbour Control Tower by industrial heritage and marine artist Jane Bennett
"Miller's Point from the top of the Sydney Harbour Control Tower"
charcoal, ink, gouache on paper 121 x 134cm
SOLD
Enquiries about this painting

A large, complex and vertigo inducing drawing, "Miller's Point from the top of the Sydney Harbour Control Tower", tested my draughtsmanship and perspective skills to the utmost.
plein air oil painting of interior of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
'"May open without warning"'
2010 oil on canvas 51 x 76 cm
Enquiries about this painting

"May open without warning" is the cryptic inscription on the floor of the entrance to the loading dock and is the first painting in this series.
plein air oil painting of interior of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"May Close Without Warning",
Wharf 8, Barangaroo
oil on canvas 51 x 76cm
Enquiries about this painting

















"May close without warning" , the second painting in this series, painted from deeper inside the building, derives its title from the warning signs on the fire doors inside Wharf 8. The empty chair was a haunting symbol of the loss of power and authority as the surrounding area is in a state of flux.
plein air oil painting of interior of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"I saw the number "8" in red" oil on canvas 61 x 183cm
Enquiries about other paintings of Barangaroo
SOLD







 



"I saw the number "8" in red" was painted in the Arrivals Hall. Apart from commemorating the startlingly weird giant number "8", the title of this painting is also my homage to the 1928 Charles Demuth painting "I saw the number 5 in gold..", an icon of American Modernism.
plein air oil painting of interior of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"Your days are numbered" 2010
oil painting on canvas 61 x 91cm
Enquiries about other paintings of Barangaroo
SOLD

"Your days are numbered" shows the Arrivals Hall from a different angle.
plein air oil painting of interior of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
'Red Square' oil on canvas 36 x 36cm
SOLD
Enquiries about similar paintings


plein air oil painting of interior of now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
'Red Square (Strange Customs)'
oil on canvas 61 x 183cm
Enquiries about this painting

'Red Square' shows the eerily empty Departures Hall with the strange bright red box at the end of the Hall, which marked where the passengers would leave the hall for the gantry. The large canvas was intended as the counterpart to "I saw the number "8" in red", which is the same size and format.
plein air oil painting of  now demolished cruise ship terminal Wharf 8 at Barangaroo by industrial heritage and marine artist Jane Bennett
"Your days are numbered - Eight (ate)"
2010 oil painting on canvas 31 x 25 cm
SOLD
Enquiries about similar paintings


"Your days are numbered - Eight (ate)" was painted after the demolition of the main building of Wharf 8.
The lonely numeral remained as a vestige of the former wharf for a few weeks afterwards.
plein air oil painting of  now demolished East Darling Harbour Wharves - now Barangaroo by industrial heritage and marine artist Jane Bennett
"The 'Hungry Mile' " 2007 oil on canvas 91 x 122cm
Enquiries about this painting


"The 'Hungry Mile' ", "The empty wharf" and the "Gathering Storm" are three large canvases of the same size and format painted from a similar vantage point, several years apart to show the contrast between past and present. They are like a time lapse sequence showing the transition of the 'Hungry Mile' from a working port into the construction site of Barangaroo.
"The 'Hungry Mile' ", the first of the series, is the working port in its last operational year, 2007.
plein air oil painting of  now demolished East Darling Harbour Wharves - now Barangaroo by industrial heritage and marine artist Jane Bennett
"The empty wharf" 2008
oil on canvas 91 x 122cm
Enquiries about this painting

"The empty wharf" I started painted this work the day after the stevedores left in mid October 2007 and completed it just before Cardinal began to demolish the wharf buildings at the start of 2008.

plein air oil painting of  now demolished East Darling Harbour Wharves - now Barangaroo by industrial heritage and marine artist Jane Bennett
 














"The Gathering Storm" -
my unfinished plein air painting at Barangaroo,
91 x 122cm
Enquiries about this painting

I don't normally like showing half finished work, but I couldn't resist this. "The Gathering Storm" looks as though a piece of the sky has actually fallen down onto the waiting canvas.
plein air oil painting of  now demolished East Darling Harbour Wharves - now Barangaroo by industrial heritage and marine artist Jane Bennett
"The Gathering Storm over Barangaroo"
2011 oil on canvas 91 x 122cm
Enquiries about this painting

I am primarily a plein air painter, and I want to rescue this genre from being relegated to the category of the "Sunday" painter.
To paint a series of large, ambitious and complex canvases "en plein air" on demolition sites and operational wharves, usually in a howling gale, could be classed as an extreme sport.
It needs physical strength, determination and a touch of insanity as well.

All of these paintings, and more will be available for sale
at the Frances Keevil Gallery from Tuesday 11th October 2011.
Enquiries info@franceskeevilgallery.com.au

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Wednesday 15 September 2010

Barangaroo : Red Square, the Drill Rig and a little archaeology

Barangaroo:

plein air painting of Wharf 8 at Barangaroo by industrial heritage artist Jane Bennett


plein air painting of 'Red Square' Wharf 8 at Barangaroo by industrial heritage artist Jane Bennett
'Red Square' oil painting on canvas
30 x 103cm 2011
Sold  Enquiries about similar paintings




































This canvas is still a little unfinished, but you can get the general idea of what I'm attempting to do here. It's an interior versus exterior painting, playing with light, transparency and reflections. Unlike the other doors in the loading dock, which are solid slabs of brilliant scarlet, these are translucent fluted sheets that both reveal and conceal the view. 
The "Red square" to the left was the bright scarlet entrance to the passenger walkways allowing access to the cruise ship

"The Red Square is haunting Painting"

In 20th century art history a famous quote about early abstract art was "The red square is haunting painting", about the work by Kazimir Malevich and similar Russian painters involved with "avant-garde" movements such as Constructivism and Suprematism during the 1920's. The red square has certainly haunted this building! It reminds me how quickly the 'new' and 'modern' passes into history. It is ironic how "Modernism" is now a historic term referring to the art of 50-80 years ago, and the architect of this former wharf has either deliberately or unknowingly raided its vocabulary!
De-construction of Constructivism! Art chasing its own tail.
In the background, realism intrudes into the chilly geometry with the two drill rigs of the geophysics team, Coffey and Macquarie Drilling.

The Drill Rig at South Barangaroo
plein air oil painting of drill rig at Barangaroo by industrial heritage artist Jane Bennett
"The Drill rig" 2010 oil painting on canvas 31 x 41cm 
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A core sample is being taken on South Barangaroo, to make sure that there are no nasty little surprises when construction starts.
Incidently, all of Barangaroo is landfill.
When I painted on the K.E.N.S. Site (the "Kent, Erskine, Napoleon and Sussex street block " which is now the new Westpac headquarters) next to Moreton's pub (known as the 'Big House' by the wharfies) I saw steps that were unearthed that once belonged to an early 19th century Fingerwharf, and must have roughly coincided with the original shoreline. They were halfway between Kent and Sussex Street - so anything west of Sussex Street is fill.
You can see my paintings of the KENS Site on my Urban Landscape page.
Don't forget your toothpaste!
A couple of the men from Coffey and Macquarie Drilling have worked at the same sites that I have painted at!
These include the former A.G.L. Site at Mortlake, developed by Rosecorp (which is now known as 'Breakfast Point') and the Carleton United Brewery site at Chippendale, which is still underway.
One wet and miserable day at the Carleton United Brewery site, I was offered some of the old bottles and jars to paint by the archaeologists, instead of struggling through the mud laden with an easel to paint the chimney in the pouring rain.
A few weeks later, the archaeologists generously made their spare finds available for the construction workers to souvenir. I suppose that an old brewery site wouldn't lack bottles! I took a small selection of 19th century ceramic and glass bottles, including perfume jars, ink bottles and a big brown 'Geneva' bottle (mother's ruin or gin), but one of the men on the drill rig team had a real prize - a small ceramic jar with lacy craquelure that once contained an early 19th century version of toothpaste!
When we realized that we both were proud owners of these relics, I brought my paintings of the CUB finds and the bottles to Barangaroo and he brought in his toothpaste jar for me to paint.
See paintings of the Carleton United Brewery construction site on my post
Brewers Droop - Painting the Carleton United Brewery
My Carleton United Brewery still life can be seen on my 'Urban Landscape' page on this blog.
This is their 2nd last hole before the drill rig team pack up and leave Barangaroo.