Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

My photo
Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.

Saturday 23 July 2011

Painting the Shirley Smith at Moores Wharf

Although I’d been Artist in Residence’ at the East Darling Harbour Wharves, and even in the Harbour Control Tower for almost a decade, it wasn’t until July 2011 that I was invited to become Artist in Residence’ at Moore’s Wharf, the Sydney HQ of Sydney Ports Corporation.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale

The East Darling Harbour Wharves finally closed in October 2007.
I managed to keep access to the wharves during the demolition of the wharves & even during the early stages of the construction on Barangaroo.
I even retained occasional access to the Harbour Control Tower after April 2011 when it ceased to be used for maritime operations by Sydney Ports Corporation.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
Moore’s Wharf is a handsome 3 storey sandstone warehouse that was originally built in the 1830s by convict labour.
There are still some convict marks, such as arrows on some of the sandstone blocks which were quarried locally.
The surrounding suburb, Millers Point, is built on a ridge of yellowblock sandstone that is of high quality, although not quite up to the standard of the famous Pyrmont yellowblock.
Bizarrely, the entire building was moved stone by stone, a few hundred metres to its existing position, when the adjoining wharves were extended and redeveloped for containerization.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
In front of Moore’s Wharf, Sydney Ports Corporation has two highly visible, verging on garish, bright scarlet and yellow firefighting tugs, the ‘Shirley Smith’, and the ‘Ted Noffs’. They are part of a fleet of emergency response vessels and specialised equipment used for fire-fighting, oil spill response, salvage and providing assistance to stricken vessels.
The marine operations teams work closely with Fire and Rescue NSW to prepare for fighting fires which may not be accessible to the fire teams by land.

Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
You can see the crew in the background next to the Shirley Smith.
The weird crumpled red and black object, that looks slightly like a giant version of the sort of caterpillars found on citrus trees is a boom to enclose oil spills and similar hazards. Booms are kept near the boat, so they can be rapidly deployed. My first painting as ‘Artist in Residence’ at Moores Wharf was of a classic everyday task - the marine operations team cleaning one of the recently deployed booms.
Plein air oil painting of the emergency response tug Shirley Smith at Moores Wharf, Sydney Harbour painted by marine artist Jane Bennett
MW 1'Cleaning the boom in front of the 'Shirley Smith'
2011 oil on canvas 31 x 31cm
Available for sale
Shirley Smith was built in 1987 and normally based in Port Jackson, whereas the ‘Ted Noffs’ is usually stationed at Port Botany, although occasionally both are there when I've been painting. They are manned 24/7, 365 days a year. They each have a capacity for delivering 16,000 litres of water per minute. As well as emergency response to fires, this water spray is also used for spectacular displays during celebrations such as New Year’s Eve, and to welcome the ‘maiden call’ of a ship into Port Jackson.
The tug was named in honour of Shirley Smith (Mum Shirl), an Aboriginal woman who dedicated her life to welfare services.


Related Posts

Boat at Goat

Lashed to the Mast

Painting the 'Poolya' at Glebe Island 



Wednesday 13 July 2011

Power House

plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station
This canvas is 102 x 152cm, which is at the upper end of what the French box easel can safely handle. Fortunately today is sunny and quite still, as even a small breeze can make painting a canvas this size 'en plein air' a nightmare.
plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station
I've primed the canvas black as it's a good backdrop to intensify the colour of the rusting metal sheeting.
plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station
I'm trying to paint this canvas from the back to the front to increase the 3D effect. I painted the sky first, so the Power Station appears as a silhouette.

plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station
plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station
plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
 at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station

plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station
plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station

Sold
Enquiries about other paintings of White Bay Power Station
plein air oil painting of the White Bay Power Station by industrial heritage artist Jane Bennett
Starting a new and very large canvas
at the front of the White Bay Power Station
- at the end of my first day of painting

Sold
Enquiries about other paintings of White Bay Power Station
Sunset comes all too quickly in midwinter. The White Bay Power Station briefly turns golden in the last rays of the setting sun.
By the time I've packed up my easel, night has already fallen, making it even more difficult to put my large and very wet canvas into the back of my car without smearing it.

Friday 8 July 2011

White Bay Power Station : Inside Out

Plein air oil painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
Work in progress on the easel
"Inside the Boiler House of White Bay Power Station"
2011 oil on board 51 x 25cm
Enquiries about paintings of White Bay Power Station

As 'Artist in Residence', I'm painting the chimney stacks from inside the Boiler House of the White Bay Power Station.
It's so dark inside that it is difficult to take photos and I've never really learned how to use the flash properly.
Plein air oil painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
Work in progress on the easel
"Inside the Boiler House of White Bay Power Station"
2011 oil on board 51 x 25cm
Enquiries about paintings of White Bay Power Station
Painting inside the Boiler House is a strange experience.
I balanced the exterior space revealed by the open rusting door with the muted light coming through the window.
Under the window, sheets of rusting corrugated iron are also letting in some light as they are disintegrating at the edges and pierced with holes.
The parallel vertical lines of the window sheeting contrast with the horizontal pattern of the iron. The severe geometry is interrupted by a mad little squiggle of barbed wire perches on top of the corrugated iron sheeting with a baroque flourish.
Plein air oil painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
"Inside the Boiler House of White Bay Power Station"
2011 oil on board 51 x 25cm
Enquiries about paintings of White Bay Power Station
The White Bay Power Station has had many strange uses in its time.
After its official closure in the early 1980s, it had a strange afterlife as the site of mysterious scientific experiments for several years. There was a joint venture between the CSIRO and the University of Sydney and possibly other entities. I don't know exactly what it was all about, but it involved the use of thegiant turbines in the now defunct Turbine Hall. 3 out of 4 of them have since been removed, hopefully after the experiments came to a satisfactory conclusion.
This vast cavernous room is now about absence rather than presence.
Plein air ink and charcoal mixed media painting of the interior of the Boiler House of the White Bay Power Station painted by industrial heritage artist Jane Bennett
WBPS82 'Interior of Boiler House White Bay Power Station'
2016 ink charcoal gouache on paper 106 x 121cm
Enquiries about paintings of White Bay Power Station
It does, however, rejoice in the world's largest fishbone fern which reaches through the infinite void towards the floor from the parrot beak of one of the huge coal hoppers.
It's a bit hard to tell which way up this huge drawing should be. It's sort of reverse vertigo - I feel dizzy from looking up, rather than down!
In later years the interior has frequently been used as a location for films, especially science fiction - the 'Matrix' especially springs to mind.
I know exactly what the future is going to look like - the interior of the White Bay Power Station!
The real future of the White Bay Power Station itself is as yet unknown. It is in limbo, waiting for a purpose, in search of another afterlife.



Related posts


Tower of power

Power House

Artist in Residence at the White Bay Power Station Part 2

Power Base - Artist in Residence at the White Bay Power Station

Steady Rest

Rust Bucket

 
Spin me round

Thursday 7 July 2011

Artist in Residence at the White Bay Power Station - Part 2

Back to front Many local artists have painted the front facade of White Bay Power Station, but very few people have had access to the back or the interior, except on the rare open days.
Urban decay in the Bays Precinct - plein air oil Painting of White Bay Power Station by industrial heritage artist Jane Bennett
Painting at the back of the White Bay Power Station
"White Bay Power Station from the back"
2011 oil on canvas 61 x 31 cm






















So this is a post about the hidden side of the White Bay Power Station.
Beside the closest chimney nestle some rows of old sandstone blocks.
They are leftovers from the alteration of the approaches to the old Pyrmont bridge.
The old Pyrmont Bridge was closed to all but pedestrian traffic by about 1979, as a prelude to the redevelopment of Darling Harbour from a railway goods yard to the its current state of a soul-less and seedy tourist trap and entertainment precinct.

Urban decay in the Bays Precinct - plein air oil Painting of White Bay Power Station by industrial heritage artist Jane Bennett
Painting at the back of the White Bay Power Station
"White Bay Power Station from the back"
2011 oil on canvas 61 x 31 cm






















Sunset at the back of the White Bay Power Station. It was a sunny day, but the wind chill and sitting in the gigantic shadow cast by the Boilerhouse made this a three tracksuit day. I had to wear so many layers that I could barely move my arms!
Urban decay in the Bays Precinct - plein air oil Painting of White Bay Power Station by industrial heritage artist Jane Bennett
The almost finished painting:
"White Bay Power Station from the back"
2011 oil on canvas 61 x 31 cm